highfihoney

highfihoney

Audioholic Samurai
Rip Van Woofer said:
I am shocked...yes, shocked!...that no one, not even Chris, mentioned one of the most compelling advantages of tube amps:

They do double duty as space heaters! Maybe even as hot plates. I have heard that you could fry an egg atop a Pass Aleph. Just the thing when you're in the doghouse with the Mrs...
hi rip,not that it really matter's but i just thought you might like to know that a pass aleph is a solid state amplifier & not a tube amplifier allthough it does get pretty hot because it's a class a amp,to the best of my knowledge pass only make's solid state amp's.
 
highfihoney

highfihoney

Audioholic Samurai
WmAx said:
The acoustic aspect end of measuring electronics does only one thing: masks the response and makes interpretation more difficult.




The only differences one could possibly show with such measurement are rather large frequency response differences or severe noise differences. You can not begin to measure distortions accurately.

This would increase repeatibility/accuracy, but would be completely inferior to direct electrical signal analysis.



In-room acoustic measurements are heavily masked by the room's response. You are unable to analyse the specific harmonic structure for THD analysis, nor can you analyse noise carefully, because of the room's inherant noisefloor. The frequency response in a room is also very rough, compared to the actual electrical signal response from the amplifier. Only large frequency response differences can be detected with acoustic response measurement.

-Chris
hi cris,im still learning how to use this site & all the feature's it has for posting response's & quoting so bear with me if i quote the entire post for a reference,maybee a member will email me with some tip's on how to use these feature's on the site better:)

"the only difference's one could possibly show with such measurement are rather large frequency response difference's"

i agree,i am not refering to nor was i ever refering to measuring distortion i am & have been refering to the noticable difference's in different amplifier's performance's in the audible realm in a working enviroment.

"in room measurement's are heavily masked by the room's response"

once again i agree 100% but both set's of accoustic measurement's are equaly masked from room accoustic's & show how different amplifiers perform under the same condition's in a working enviroment,an accoustic test is not to measure thd or any distortion it mearly show's that there is an audible difference between different type's of amplifier's & show's the difference's visibly.

if im following you correctly a large part of what your saying is that testing in the audible realm with accoustic test's of any kind is flawed due to thing's like room response & the fact that what's being measured is the sound from the speaker's, i agree that these thing's are factor's but they are also factor's in the daily listening enviroment,granted these factor's play a large roll in what is being measured but the factor's your saying actually make accoustic testing flawed are the same factor's that the amplifier will have to deal with on a day to day basis.

part of what make's the accoustic test's worthy (IMO) is their ability to show how each different amplifier will react to room acoustic's & also a load which cant be acounted for in the testing lab & that is the speaker's,how can you acurately predict on paper how every different amplifier will perform with unknown variable's & that is the room & the speaker's.

all room's have different acoustic's & all speaker's have different impendance's & different dip's & spike's in these impendance's both having an affect on the amplifier's performance & there is no way in the lab to account for these type variable's.

have a good evening :)
 
highfihoney

highfihoney

Audioholic Samurai
mtrycrafts said:
highfihoney said:
mtrycrafts said:
highfihoney said:
accoustic analyzer's are used in audio to measure responses & they do just that,i am not a engineer or in the feild but that does not mean im not able to read the manual of such a device & use it properely.
highfihoney said:
Unfortunately there is more to this than just reading such a manual, much more. Chris gave you a sufficient response on the flaws of using these acoustic tests for purposes beyond their capability. No need to repeat them.

your plugging dbt test's as if they are all there is but would the test subject's used be able to tell the difference in a pair of true full range speaker's against a pair of bose 901 speaker's,most likely not,

You should read more than manuals. Research the Canadian Research Council and their 30 years of speaker research under DBT listening protocols. May want to read some of Dr Floyd Toole's AES papers from AES.org. It will cost you but good education has a cost. DBt is a 'gold standard' for a very good reason.

dbt testing rely's on the subject's memory & weather or not it's the standard it's the most flawed way to test anything.

That is your opinion. You are dismissing all of science. You are embarrassing yourself.

your cable analogy comparing amp's with cable's wont hold water,were not talking about minute differences that are so low they cant be heard were talking about measureable & recordable responses


Oh, please. Cable differences are measurable and recordable differences.



"visual difference's are meaningless to audible difference's without other info stated above"

that's an untrue statement,when you can take visual image's that are saved within a device & have 2 seperate setting's now you can switch back & forth between the 2 seperate setting's derived directly from both amplifier's


Visible differences are not an indication of audible differences. Depends on magnitude and accuracy of the measurements. Your protocol is flawed, grossly, as was pointed out, hence meaningless.


hear the difference's between the seperate setting's on a single amplifier it's hard to deny that there is merit to it.

Not at all, your listening protocol is wanting as your measuring protocol, hence your whole experiment is unreliable.

i have tried this type of testing & seen & heard the result's with my own eye's

No doubt you have. But, repeating the same flawed protocol will yield unreliable results time after time.

ear's,before you condem accoustic testing as unreliable you should see for yourself.

Nothing to see. It is flawed.

i ask you the same question that i posed above,if this test was performed in an anechoic chamber with all varible's remaining constant how can it be flawed?


You are still measuring speaker responses, not amp property. You don't measure amp distortion through a speaker with an spl meter not even in an anechoic chamber You will get speaker distortion. SPL meters just cannot measure into low enough regions. Same for frequency response, etc. There is really nothing further to discuss on this.
hello & yes i am having fun,i will skip the cable rhetoric before we end up talking about cryo & other voodoo crap.

i have never at any point talked about measuring distortion of any kind with an accoustic measurement yet this keep's comming up & i feel that it has nothing to do with the question posed to me by cris that started this discussion.

the dbt testing that is the gold standard as you point out has nothing at all to do with how any gear amplifier or other wise will perform in my listening enviroment, it will only show result's from other gear in another enviroment with different acoustic's in the room being used & different load's on the amplifier due to different speaker's.

"your still measuring speaker response"

that is exactly right,isnt the end result of amplification a speaker response,that's exactly what it's supposed to show,the different responses from the same speaker when being driven by different amplification,the speaker's are the constant in all of this & the one thing that is not subject to human error,if the difference's being measured are the response from the speaker which is being sent direct from the amplifier with nothing in between then there is no reason to not believe what is being shown on the accoustic display.

to say that a dbt test will dis prove that any difference can be heard in different type's of amplification is wrong because all amp's are not the same.

we started out comparing tube amp's with solid state amp's so i'll go further on that comparison.

take the two 100 watt amp's for comparison with one being tube & the other solid state,both amp's have a totaly different design with totally different set of spec's but the wattage's are the same,now push both of these amp's to the top of their power range,a difference in response will be heard for no other reason than the tube amp's design with an inherintly low damping factor which in turn will affect the amplifier's ability to control the bass.

i used damping factor as a reference because there are very few(if any)tube amp's on the market with any where near the published damping factor's of any quality solid state amp in fact most tube amp's have crazy low damping factors of well under 50 some even as low as 10,now damping factor being part of what will determine bass response how can these difference's not be heard when both amplifier's are being driven to maximum rated wattage's,the more power draw on the tube amp's transformer the more noticable the poor bass response will be.

along with all the dbt article's on the internet that you recomended that i read there is also an abundance of information on the web about different damping factor's & how they are directly related to bass control .

btw,there was no call for the "make a fool of yourself" comment as i have said nothing to you to warrant such a slander :confused:

have a good evening:)
 
WmAx

WmAx

Audioholic Samurai
highfihoney said:
if im following you correctly a large part of what your saying is that testing in the audible realm with accoustic test's of any kind is flawed due to thing's like room response & the fact that what's being measured is the sound from the speaker's, i agree that these thing's are factor's but they are also factor's in the daily listening enviroment,granted these factor's play a large roll in what is being measured but the factor's your saying actually make accoustic testing flawed are the same factor's that the amplifier will have to deal with on a day to day basis.
The amplifier does not deal/interact with acoustics. It is an electrical loading device.

part of what make's the accoustic test's worthy (IMO) is their ability to show how each different amplifier will react to room acoustic's
Amplifier does not react different due to different room acoustics. The acoustic measurements do.
& also a load which cant be acounted for in the testing lab & that is the speaker's,how can you acurately predict on paper how every different amplifier will perform with unknown variable's & that is the room & the speaker's.
Room does not affect response. As for predicting load dynamic behaviour, that is easily predicted with analysis of the following amplifier parameters:

(1) Output Impedance
(2) Inductive-Capacitive Load Testing(this only matters for rare extreme reactive speakers)

all speaker's have different impendance's & different dip's & spike's in these impendance's both having an affect on the amplifier's performance & there is no way in the lab to account for these type variable's.
These can all be predicted accurately if the 2 parameters listed above are available, along with the speaker's impedance/electrical phase plots. In the overwhelming majority of cases, only the output imedance of the amplifier and impedance of the speaker needs to be known. Electrical phase only enters the equation in rare circumstances with extreme examples.

-Chris
 
mtrycrafts

mtrycrafts

Seriously, I have no life.
highfihoney said:
along with all the dbt article's on the internet that you recomended that i read there is also an abundance of information on the web about different damping factor's & how they are directly related to bass control .
highfihoney said:
You must be reading the wrong articles as it is mostly bs, a non issue:
http://groups.google.com/group/rec.audio.high-end/msg/1a35b2da043f01d5?q=author:DPierce@world.std.com+and+damping+factor&hl=en&lr=&rnum=1


btw,there was no call for the "make a fool of yourself" comment as i have said nothing to you to warrant such a slander :confused:






Are you talking to me??? Where did you get that quote from? I searched all my messages and just don't see it. Stop making things up, ok?:mad:
 
mulester7

mulester7

Audioholic Samurai
highfihoney said:
btw,there was no call for the "make a fool of yourself" comment as i have said nothing to you to warrant such a slander :confused:

have a good evening:)
.....am laughing....tore Mtry a new one....he's all confused and blabberin'....are you female?....I guess that from your handle......
 
W

W_Harding

Junior Audioholic
zumbo said:
I am getting interested in the tube amps because of so much praise. I was thinking of building a 2-channel system. I have no idea as to who the mid-fi contenders are. Some of this stuff is just toooooo expansive. Some of it has low power specs. While drooling over some Manley stuff, I saw Rob Babcock mention the Butler TDB 3150. Now that has good power, and a decent price. So, what is a good direction to start looking (brands).:confused:
Back to the original question. I have used both tube and solid state amplifiers with good results over the years. I have found the most cost effective route for obtaining tube gear is to buy used equipment. I have had good results with the following tube amplifiers many of which are available on well known internet auction sites:

Radio Craftsmen RC 500
Radio Craftsmen RC 2
Fisher 300B
H H Scott 208
McIntosh MC 30
McIntosh 225
Dynaco Mk. IV
QUAD II
Pilot 232

Of course, there are more modern alternatives, but, as I have had little personal experience with them, I can not recommend them. I hope that you find what you are looking for. A good music system that includes tube amplifiers can be a real pleasure to listen to. Good luck and good listening.
 
highfihoney

highfihoney

Audioholic Samurai
mtrycrafts said:
highfihoney said:
along with all the dbt article's on the internet that you recomended that i read there is also an abundance of information on the web about different damping factor's & how they are directly related to bass control .
highfihoney said:
You must be reading the wrong articles as it is mostly bs, a non issue:
http://groups.google.com/group/rec.audio.high-end/msg/1a35b2da043f01d5?q=author:DPierce@world.std.com+and+damping+factor&hl=en&lr=&rnum=1


btw,there was no call for the "make a fool of yourself" comment as i have said nothing to you to warrant such a slander :confused:






Are you talking to me??? Where did you get that quote from? I searched all my messages and just don't see it. Stop making things up, ok?:mad:
i see you researched your own comment's just as well as damping factors,try one post up,no need to make thing's up as they are posted for all to see.:eek:

when you posted that link you should of told everybody that the link directly above the one you choose to post contradict's everything in your link & so do very many link's on the same google page but that wasnt important,you picked the link that supported you & bypassed all other's.:(

the best part of this for me is watching your posting pattern about all of this,every single time WMAX post's his thought's you follow up & coast on his shirt tail's,i find it extremely enjoyable to watch day's go by without a single word from you until wmax post's again then quick as a flash there you are again,if wmax dont post a response your invisable but right after he does poof your back,echooooooo.:D

so far you have said a lot without actually saying anything,your post's look more like an echo as oposed to a thought you may have had on your own or anything from your personal experience(if any) with tube's.

do you even have any direct experience with tube amp's that you have personally tried in your own system against a solid state amp,you have tried very hard in this post to garner all the attention you could by acting as if you were an expert on tube amp's & what's different about them yet you've still not let us in on all the different tube amp's you have ran to gain this wealth of tube vs solid state experience.

i ask you this,put your money where your mouth is & tell us where this vast wealth of tube knowledge came from,was it stuff you read or from personal experience gained by having tube's in your own system,also what spec's are important to you,is slew rate important ? how's about dynamic headroom ?

in a previous post of your's here you mentioned my id & a post related to user id's,please elaborate,in keeping with your style im sure it's something negative & meant to garner more attention to yourself but since im new here humor me.:)

remember the original question to this post was the difference between tube's & solid state,ive owned many tube amp's & preamp's but ive obviously got it all wrong when i described the difference's so please enlighten us with YOUR experience's with tube's :D
 
Z

zumbo

Audioholic Spartan
zumbo said:
I am getting interested in the tube amps because of so much praise. I was thinking of building a 2-channel system. I have no idea as to who the mid-fi contenders are. Some of this stuff is just toooooo expansive. Some of it has low power specs. While drooling over some Manley stuff, I saw Rob Babcock mention the Butler TDB 3150. Now that has good power, and a decent price. So, what is a good direction to start looking (brands).:confused:

W_Harding said:
Back to the original question. I have used both tube and solid state amplifiers with good results over the years. I have found the most cost effective route for obtaining tube gear is to buy used equipment. I have had good results with the following tube amplifiers many of which are available on well known internet auction sites:

Radio Craftsmen RC 500
Radio Craftsmen RC 2
Fisher 300B
H H Scott 208
McIntosh MC 30
McIntosh 225
Dynaco Mk. IV
QUAD II
Pilot 232

Of course, there are more modern alternatives, but, as I have had little personal experience with them, I can not recommend them. I hope that you find what you are looking for. A good music system that includes tube amplifiers can be a real pleasure to listen to. Good luck and good listening.
Well, 88 post later.:D Thanks W_Harding!
 
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jeffsg4mac

jeffsg4mac

Republican Poster Boy
Zumbo, my god man, In my best ren hoek voice "YOU IDIOT, TUBES SOUND LIKE SHEET MAN, DONT WASTE YOUR TIME. :D

If your really want to know what tube amps sound like, then turn on your ADCOM amp, put on one of your favorite songs, get a beer, sit down, relax, and then shove some cotton in your ears smeared with dog doodoo. That's is basically what most tube amps sound like. Every tube amp I have ever heard sounded so colored and non neutral it was sick. But hey, that is my just my opinion and I am sticking to it.
 
highfihoney

highfihoney

Audioholic Samurai
zumbo said:
I am getting interested in the tube amps because of so much praise. I was thinking of building a 2-channel system. I have no idea as to who the mid-fi contenders are. Some of this stuff is just toooooo expansive. Some of it has low power specs. While drooling over some Manley stuff, I saw Rob Babcock mention the Butler TDB 3150. Now that has good power, and a decent price. So, what is a good direction to start looking (brands).:confused:
if you do end up going after a tube amp try to settle on an amp that's either self biasing or one that has a built in meter for it,self biasing amp's are a lot more user friendly & will give you much longer tube life,vintage tube amp's can be extremely hard to bias & to keep in bias .

another thing to think about with tube amp's is the cost of replacement tube's,most higher power tube amp's run kt88's or kt90's for their power & them babie's are expensive.

some decent mid end choice's are below.

jolida

antique sound lab's

amc

sound valve's

shanling

dared

anthem

golden tube audio

just for fun if you want to see the most powerful tube amp ever check out tube research gt-800,wait till you see the price:eek: $140k without mod's & $160k with the mod package,i thought the price was a typo but apparently it's correct.:)

http://www.tuberesearchlabs.com/products/gt800.htm
 
highfihoney

highfihoney

Audioholic Samurai
mulester7 said:
.....am laughing....tore Mtry a new one....he's all confused and blabberin'....are you female?....I guess that from your handle......
hello,nope im not a female but i do firmly believe in treating people with as much respect as possible,i just answered a simple question for zumbo & ended up getting godzilla sicked on me,the username is a looooong story & probably best not to be repeated in a public forum.:D

have a good evening.
 
Z

zumbo

Audioholic Spartan
jeffsg4mac said:
Zumbo, my god man, In my best ren hoek voice "YOU IDIOT, TUBES SOUND LIKE SHEET MAN, DONT WASTE YOUR TIME. :D

If your really want to know what tube amps sound like, then turn on your ADCOM amp, put on one of your favorite songs, get a beer, sit down, relax, and then shove some cotton in your ears smeared with dog doodoo. That's is basically what most tube amps sound like. Every tube amp I have ever heard sounded so colored and non neutral it was sick. But hey, that is my just my opinion and I am sticking to it.
Thanks for the response. I think the point that was missed by many is that my original idea was to build a 2-channel tube system. I am pleased with my current HT system, and have determined that there is no need to try a 5-channel tube amp based on the discussions in this thread. However, I still feel that I would get some pleasure in my hobby by building a 2-channel system with tube gear. Still up in the air.:confused:

My hobby might be on hold, as my wife is hot for an '07 G35. Her '03 just don't get her going anymore. Women! And they say we are the ones looking for the new model.:cool:
 
Last edited:
WmAx

WmAx

Audioholic Samurai
zumbo said:
However, I still feel that I would get some pleasure in my hobby by building a 2-channel system with tube gear. Still up in the air.:confused:
Zumbo, I would like to make a suggestion: install a pro-audio tube preamplifer with adjustable mixing of signal and tube distortion. I suggest the Behringer T1953 Tube Ultragain Processor for a cost effective solution. It costs about $130, and you can dial in the amount of tube 'sound' that you want. You can easily open the unit and swap different tubes as well.

http://www.zzounds.com/item--BEHT1953

-Chris
 
mtrycrafts

mtrycrafts

Seriously, I have no life.
highfihoney said:
mtrycrafts said:


i see you researched your own comment's just as well as damping factors,try one post up,no need to make thing's up as they are posted for all to see.:eek:


Please show the link and the text. I don't see it. Went over all of them.


when you posted that link you should of told everybody that the link directly above the one you choose to post contradict's everything in your link & so do very many link's on the same google page but that wasnt important,you picked the link that supported you & bypassed all other's.:(

Actually, the one I posted is accurate, for your information. But then you will never know that what is audio fact, what is mythology. You are not alone though.

the best part of this for me is watching your posting pattern about all of this,every single time WMAX post's his thought's you follow up & coast on his shirt tail's,i find it extremely enjoyable to watch day's go by without a single word from you until wmax post's again then quick as a flash there you are again,if wmax dont post a response your invisable but right after he does poof your back,echooooooo.:D

When you have real answers, real info, please don't hesitate to post it. This is an open forum, after all.
 
surveyor

surveyor

Audioholic Chief
jeffsg4mac said:
Zumbo, my god man, In my best ren hoek voice "YOU IDIOT, TUBES SOUND LIKE SHEET MAN, DONT WASTE YOUR TIME. :D

If your really want to know what tube amps sound like, then turn on your ADCOM amp, put on one of your favorite songs, get a beer, sit down, relax, and then shove some cotton in your ears smeared with dog doodoo. That's is basically what most tube amps sound like. Every tube amp I have ever heard sounded so colored and non neutral it was sick. But hey, that is my just my opinion and I am sticking to it.
Does it matter what breed of dog fecal matter you smear on the cotton?:confused:
:D :D :D
 
jeffsg4mac

jeffsg4mac

Republican Poster Boy
surveyor said:
Does it matter what breed of dog fecal matter you smear on the cotton?:confused:
:D :D :D
LOL,:D Yes, to get all the subtle nuances it has to be genuine asthma hound Chihuahua:)
 
jeffsg4mac

jeffsg4mac

Republican Poster Boy
WmAx said:
Zumbo, I would like to make a suggestion: install a pro-audio tube preamplifer with adjustable mixing of signal and tube distortion. I suggest the Behringer T1953 Tube Ultragain Processor for a cost effective solution. It costs about $130, and you can dial in the amount of tube 'sound' that you want. You can easily open the unit and swap different tubes as well.

http://www.zzounds.com/item--BEHT1953

-Chris
Zumbo, I would have to agree this would be a cheaper solution for your curiosity with tubes. But lets examine this train of thought for a minute and think about what you are doing here. To get your very good Adcom to sound like a tube, you have to add something into the signal path. Meaning you will have to introduce something that is not part of the original signal. Do you really want this? Why would you want to own or replicate something that is not accurate to the original source material? Is that not the opposite of what having a good system is all about? Why not just focus your efforts on getting a really good non tube 2 channel amp instead? A used Krell, Levinson, Perreaux, etc? That might get you what you seem to be looking for.
 
Z

zumbo

Audioholic Spartan
jeffsg4mac said:
Zumbo, I would have to agree this would be a cheaper solution for your curiosity with tubes. But lets examine this train of thought for a minute and think about what you are doing here. To get your very good Adcom to sound like a tube, you have to add something into the signal path. Meaning you will have to introduce something that is not part of the original signal. Do you really want this? Why would you want to own or replicate something that is not accurate to the original source material? Is that not the opposite of what having a good system is all about? Why not just focus your efforts on getting a really good non tube 2 channel amp instead? A used Krell, Levinson, Perreaux, etc? That might get you what you seem to be looking for.
I have no desire to change my HT set-up. I would not mind hooking-up a Krell KAV-500 ($6995.00) to see what all the fuss is about with this high priced stuff.

On the other hand, I want a dedicated 2-channel system. Seperate from my HT.
 
W

W_Harding

Junior Audioholic
zumbo said:
I have no desire to change my HT set-up. ...On the other hand, I want a dedicated 2-channel system. Seperate from my HT.
I think that your idea of a separate two channel system is a good one. I know a number of people who have a system for the video and a second system for the audio. That is what I have and it allows me to tune each system for the best results for the different applications. Some of the finest two channel stereo systems that I have heard have been tube based. I strongly reject the notion that a tube based system can not be accurate and/or low distortion. Do not let the naysayers crush your dream. just my two cents.
 

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