....THERE WAS NO DIFFERENCE COMPARING MY RECEIVER TO SEPERATES BECAUSE MY SPL METER TOLD ME SO!!....
.....this is what I'm hearing....whoever it was that said the "most" noticable difference in the sound quality they heard was attained at the pre-amp level, made the statement of the thread in my view....guys, listen up, I wouldn't lie to you for anything nor try to impress....I've been a practicing musician both instrumentally and vocally since early grade school, no big deal since that's the doors that opened for me, and I gladly went through those doors with the chill bumps I've experienced a bazillion times telling me I was on the road I was supposed to be on....I've been right in the middle of top-flight band and orchestra programs, was a voice major in college, and have been in professional Gospel quartets after college, singing the baritone harmony part which is the part that makes a chord "lock" by sometimes having to bend it's pitch a little....I don't think I have a trained ear for music combined with a very good God given sense of pitch, I know I do....maybe some here have had more equipment through the years than me, but I have owned receiver after receiver until 1986, and the purchase of a McIntosh solid-state pre-amp "ended" the search for sound quality at pre-amp level....to build a system around that piece of equipment is the best thing I ever did, and I would strongly advise that to you Gentlemen....
.....receivers have "always" been a choice for economy, and they "always" will be a combined choice for economy, period, close the book, we're done....sure, you can drop a ton on some flagship receivers and things may get a bit better over mid-level, but anyone dropping multiple thousands on a receiver with used McIntosh pre-amps and quality inexpensive dedicated slave power readily available, warrants an extended stay at, here it is again, the local drooling academy....
....."BUT MY RECEIVER HAS PROCESSING!!".....call the different modes of processing what you will, but all I've ever heard of processing brought me quickly back to the fullness of all-channels-stereo, even with multiple speakers around the room....cost factors of the industry warrant the inputs from our sources having only left and right stereo signals anyway....anything after that I've ever heard, is at best smoke-and-mirrors matrixing....I suspect there will be rebuttal posts over this paragraph, go ahead and give it your best shot, I won't be swayed, others might, who cares, I'll most likely never hear their systems.....oh well....on to tuners.....
....."BUT MY RECEIVER HAS A GREAT TUNER SECTION INCLUDED!!"....well, at the point you're at with "any" receiver, you may think it's a great tuner section....try a used McIntosh tuner with your used McIntosh solid-state pre-amp, you can pick up both for about 800-1200, and you'll find out what good AM or FM through your system actually is....I have what is considered to be "not" the most expensive used Mac tuner, the MR 75, and the lows and highs of even the AM band are crisp and well defined through my main's regiment, "and" my subs....yes, there's a good deal of content comes through my subs with AM....I had a Kenwood seperates tuner one time that had a capture ratio of 1.0, and the MR 75 literally destroys the Kenwood at every level......
.....good grief, there's a lot of comments made here by those who ain't got a clue, but evidently don't care, and just want to post their reasonings derived from comments from those who desperately try to defend their receivers....subs have done more for the receiver market than any other factor....I'll admit, the sub taking over at 80 hz down, takes a huge load off the current flow needed at the amp section level for the mains and surround speakers, whatever the application, be it receiver, or main's/surrounds slave power....but current flow at a comfortable rate is only one contributing factor to the kind of sound quality I'm talking about.....
.....sooooo, take that, ya' buncha' TIN-EARED NEANDERTHALS!!!!!.....