Audio engineering, acoustics, phychoacoustics, our understanding of the capabilities and limitations of hearing, and our knowledge of human perception are all based on science, ranging from physics to psychology to neurology. Our understanding may be incomplete but the remaining questions are more likely to be answered by applying the scientific method than by other means. It has a pretty good track record.
Science, and the scientific method, is built on testable hypotheses.
The gold standard for experimentally testing a hypothesis (like, Is this new drug effective against cancer?; Is receiver
a actually sonically different than receiver
b?; can people actually hear a claimed sonic phenomenon?; Do listeners generally prefer a system with flat frequency response vs. one with irregular response?) in every scientific discipline is double-blind testing. With due diligence in controlling and eliminating variables, it removes bias.
Why anyone would think that audio (an engineering discipline based firmly on science) is somehow exempt from the scientific method mystifies me. Why anyone would not avail themselves of the knowledge gained by the scientific method to aid in one's purchasing decisions and separate the wheat from the marketing chaff is equally baffling. After all, one needn't be a scientist or engineer to understand the basic findings of the scientific examination of audio even if the methods and details are often recondite. If an artsy-fartsy liberal arts type like
me can...!
Science, the scientific method and DBT are of course quite irrelevant to one's enjoyment of music, and to one's enjoyment of the intangible benefits of owning high-end gear. Not to mention more transcendant questions! After all, "are the Beatles better than the Stones?" (showing my age!), or, "does knowing that a Krell can drive any load at earbleed volumes and look good too make it worth the extra cash vs. a Rotel?" or, "what is the meaning of life?"* are matters of opinion or faith, not testable hypotheses. And one is quite justified in spending extra money to enjoy those intangible benefits, or in making the "leap of faith" for the Big Questions. I would happily buy a Bryston amp if I could afford it for the reassurance of its 20 year warranty and knowing it is engineered to a fare-thee-well. And I would drive a BMW M-series for the pride of knowing that the engine is just a step removed from their F1 powerplants (and gladly pay the price when something breaks!), even if I never actually took it out on a track. But I would not fool myself that the Bryston "sounds better" than a Pioneer receiver when both are at matched levels and not overdriven. And, not being a member of the plutocracy, I am quite satisfied that my humble Subaru WRX does most of what an M3 can do at a fraction of the cost, lacking only status (and being kinda funny looking!).
In both audio and cars, we are in something of a Golden Age where performance on a level that would only be available to the wealthy 20 or 30 years ago can be had by anyone with a halfway decent job. It still takes fairly serious money to get the ultimate refinement in speakers, of course - but you can come darn close for an affordable price with some careful shopping. And speakers, being highly variable, are still the one component where the differences are quite obvious without needing to resort to DBT in most cases. One would think there would be universal rejoicing, but...
At least with cars one does not hear that you need silver spark plug wires, or platinum pistons, or gold plated shock absorbers for ultimate performance. And unlike audiophiles, most gearheads I know are aware of the limits of unaided perception (the "butt dyno") in evaluating performance; they prefer measurable, quantifiable evidence like dyno test results, gee-force readings and lap times (the equivalent to things like frequency response, distortion measurements, etc.). Snake oil seems to be mostly limited to fuel and oil additives which are rightly sneered at by anyone with a modicum of knowledge.
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*I subcribe to the philosophy of Monty Pythonism, myself.