I pretty much agree with his findings on IC's & speaker cables. By the way is this the same Rod Elliott that has these thoughts on amp sounds & how they do differ?
The Components of Sound
When people talk about the sound of an amplifier, there are many different terms used. For a typical (high quality) amplifier, the sound may be described as "smeared", or having "air" or "authoritative" bass. These terms - although describing a listener's experience - have no direct meaning in electrical terms.
Electrically, we can discuss distortion, phase shift, current capability, slew rate and a myriad of other known phenomena. I don't have any real idea as to how we can directly link these to the common terms used by reviewers and listeners.
Some writers have claimed that all amplifiers actually sound the same, and to some extent (comparing apples with apples) this is "proven" in double-blind listening tests. I am a great believer in this technique, but there are some differences that cannot be readily explained. An amp that is deemed "identical" to another in a test situation, may sound completely different in a normal listening environment. It is these differences that are the hardest to deal with, since we do not always measure some of the things that can have a big influence on the sound.
For example; It is rare that testing is done on an amplifier's clipping performance - how the amp recovers from a brief transient overload. I have stated elsewhere that a hi-fi amplifier should never clip in normal usage - nice try, but it IS going to happen, and often is more common than we might think. Use a good clipping indicator on the amp, and this can be eliminated, but at what cost? It might be necessary to reduce the volume (and SPL) to a level that is much lower than you are used to, to eliminate a problem that you were unaware existed.
Different amplifiers react in different ways to these momentary overloads, where their overall performance is otherwise almost identical. I have tested IC power amps, and was dismayed by the overload recovery waveform. My faithful old 60W design measures about the same as the IC in some areas, a little better in some, a little worse in others (as one would expect).
Were these two amps compared in a double blind test (avoiding clipping), it is probable that no-one would be able to tell the difference. Advance the level so that transients started clipping, and a fence post would be able to hear the difference between them. What terms would describe the sound? I have no idea. The sound might be "smeared" due to the loss of detail during the recovery time of the IC amp. Imaging might suffer as well, since much of the signal that provides directional cues would be lost for periods of time.
As you can see this on going argument is not so cut & dry as you and others might want us to believe. Post back when you find a real world ABX amp listening test that includes clipping levels as Rod suggests for a fair comparison. Make sure a couple of fence posts are included as listeners.
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