It is this type of unfortunate horrid impression that leads to the myth that separates are inherently better sounding than AVR or Japanese brands like Yamaha, Denon, Pioneer, etc.
I have compared AVR to the ultra high-end preamps of Mark Levinson, Krell, and Bryston using the same speakers and I couldn't tell any significant differences in Direct Mode.
I finally broke down and searched the CD ROM owners manual and found the PURE button on the remote.
I though just turning Audyssey off, would be the same…read on...
What does the denon do to the signal, exactly?
Great question, and since I do not write auditions please excuse my verbal interpretation of what I'm experiencing...
As TLS stated, as long as there is ample out voltage headroom, almost all modern preamps shouldn't be distinguished, at least not greatly. I've been using AVR'S as a preamp in my theater systems exclusively since 1999. Conversely I've used preamps only in my office and bedroom systems during the same time. Switching out speakers between the system yielded very little difference and I attributed that to room interactions. I couldn't tell a difference between a McIntosh C36 and a Yamaha 2095 .
Well I've had my system since 1988 and 89 so I've an intimate connection that makes it much easier to discern differences in nuances.
Having found the PURE button, Direct Mode, the muddiness of the sound stage GranteedEV, has been all but lifted.
1stly, turning off the Dynamic Volume increased the quality of the sound stage to…"doable" for HT, not music.
The Dynamic Vol. had so much mud it was like peanut butter in your ears.
Now I've auditioned back and forth again with similar SPL (my db meter is in the attic somewhere) and again, it's not
the volume I'm concerned with this garbage statement (which is greatly improved in Pure mode) but the quality of the
soundstage, the overall experience. With the NAD the soundstage is more wet, the Denon is more dry.
The Denon also seems to be experiencing some distortion in the mid highs range with multiple sound inputs
like brass, voice and symbols. They no longer appear to be separated as the NAD excels at, as compared.
Conclusion:
Gaining knowledge of the AVR and troubleshooting for a week has helped a lot with the separation
of AVR and preamp duties. A handheld manual would have been more helpful than the CD ROM
which I cannot operate in the same room as the AVR, it does not play on my BRP.
The overall sound for music as a preamp is acceptable, but the sounstage take on a different
appearance, one I liken to off axis or elongated out of proportion, even distorted but not as focused
and separated as the NAD 1700 preamp/tuner. The NAD focuses the soundstage with near perfection
for the listener for music, encouraging you to close your eyes and allowing the speakers to disappear
and relish the listener in a "higher octave". Also the NAD Monitor Series preamp having up to 15V
of output signal with the High Output RCA jacks, longer cable runs can be accommodated without issue
in an auditorium setting if desired, or anywhere the amplifier and preamp might be separated more than
a few feet.
In conclusion I would never do away with the NAD for music, nor use the Denon AVR for music other than
to play music whilst moving about the house/room in a non-discerning atmosphere. Should I keep the Denon
it will be used specifically for HT situations as it is designed. However, for the price paid, I can't help but shop
around for an AVR or pre-pro that would have Audyssey in a discontinued model that included LFE and L and R main pre outs.
I'm sure if I had multiple surrounds and dual sub woofers, the disappointment would be overturned.