Sorry, I mispoke, it's 2.2Kw, not 2.2kVA. I got the 2.2Kw from AVS member who quoted Steve Mantz, the designer of the amps. Steve is still an active poster at diyaudio.com. I emailed him this morning at his company Zed Audio's email contact. Steve quickly replied and confirmed the 2.2Kw number.
Greetings, My friend and I determined that the inputs are all functioning properly and that the power supply is fine. We then traced the input signal to the large rectangular transistor on the top of the board Q30/Q31 [all seems fine up to there] just before the large amplifying transistors...
www.diyaudio.com
www.avsforum.com
Steve Mantz on the Citation 7.1 -
"We did design and build the Citation 7.1 and the smaller 5.1. We built a lot of these for Harman International. The amplifiers are flat from DC to 270KHz where the response is about 1dB down. Harman wanted this silly specification, why I do not know because we are not bats and cannot hear that high. The original specification was that they wanted the amplifier to go out to 600KHz, but the first prototypes were NOT happy out there and so we 'compromised' at just under 300KHz.
Each channel uses 10 Toshiba 20MHz output devices with a theoretical dissipation of 1,500 watts. The circuitry is fully complementary from input to output and it has some very unique features. Each channel has 6 power supplies which are separate from the other channels. The only common item between channels is the power transformer, which is a 2.2Kw toroid. This 2.2Kw rating is at 25 deg C and it can put out upwards of 3Kw at higher temperatures.
The input complementary differential pairs are driven by temperature compensated constant current sources, which ensure almost zero drift of the DC conditions with each channel. These are also cascode connected for maximum bandwidth. The main gain stage is also cascoded for increased bandwidth and is also Darlington configured for high current gain.
The output stage is a triple Darlington with ultra fast turn off delay. The main power emitter resistors are non inductive types. No coils are used in the speaker circuit and the amplifier is stable into reactive loads with a phase angle of over 45 degrees. It has the usual plethora of protection circuits which by the way are not in the audio path. The amplifier can be turned on with a remote trigger or by the rocker switch on the rear. It can be changed to run from 100v to 240 AC 50/60Hz.
I have the last two production amplifiers at home, one of which I use in my own system for the subs. I run it in bridge mode into a 2 ohm load, and I get out 1Kw per pair of bridged channels. I did modify the protection circuit to allow me to run each channel into 1 ohm!
I have used the amplifier for 8 years now and it has run flawlessly." - Steve Mantz
Back in 2003, Gene's review of the Aragon Soundstage "enticed" me to buy a Soundstage too (great prepro!)...along with Palladium II monoblocks (fully balanced, XLR only, 100+ watts in Class A...they ran like space heaters) and the 8008x3 amp....all used on Audiogon.
The Aragon Soundstage Processor represents the pinnacle of Aragon's success at producing a sophisticated digital preamp processor capable of decoding Dolby Prologic, Dolby Digital and DTS.
www.audioholics.com
Different reviewers have stated that both Aragon models use 2.0 kVA transformers. Do you think they are both wrong about these 65-70 lb amps?
I just did the online spl calc. If I listen to at -10, my Revel M106s would only need ~ 110 watts to achieve 95 db peaks. So I don't need to bridge for them...thanks guys! I will keep two channels bridged on my Earthquake Supernova 15inch subwoofer though (a rare one in passive form).