TESTS: (finally!)
PC audio/music – SB-1000 paired with Emotiva Airmotiv 6 (2.1 setup):
Technical stuff:
Computer office/room dimensions: 12ft by 14ft, with an 8ft tall ceiling, carpeted. Sub underneath desk, and also tested with sub on the side/corner near wall … = louder, boomier..
For the PC audio, all testing was done using FLAC files with JRiver Media Player (bit-perfect), ASIO output via the ASUS ESSENCE STX sound card-> RCA line out -> SB-1000 RCA in … SB-1000 RCA Out -> RCA in Emotiva Airmotiv6s. ASIO mode bypasses the built-in Windows sound mixer completely resulting in higher sound quality, less distortion. The SB-1000 crossover was set to 80 Hz and 100 Hz. Both settings sound good with this setup. Volumes were set at 100% for my sources and I controlled the actual volume via the sub volume knob and the studio monitor volume knobs. 65-75% of the max (for the sub & the monitors) were usually too loud for me to comfortably listen to.
♪ ♫ Songs/Tracks ♪ ♫
Noisia – Machine gun (16bit remix) – (dubstep) – This is a wild track that demands a fast subwoofer to keep up with the high bpm. The SB-1000 kept up with the beat and I did not notice any lag or delays with the bass that the subwoofer produced.
Bassnectar – Plugged in - (dubstep) – Another complex bassy track. The SB-1000 kept up with the fast dynamic bass frequencies and sounds good, no complaints. Nice tight bass.
Luther Vandross - Dance with my father - (r&b)– A really good track to test your setup’s bass. Speakers alone and this track sounds very thin and not very pleasing. Listening to it with the SB-1000 was a much better experience. You get extra “thump”/ bass from the beat with the sub. This bass is hidden if you don’t have a subwoofer or powerful amp/speakers capable of hitting lower frequencies. There are a few overlapping bass frequencies along with tight bass frequencies which the sub was able to separate and reproduce very clearly. The SB-1000 made this track really come alive and added much more depth and balance.
Sade Ft Jay-Z - Moon and the Sky remix –(r&b/soul) Sade tracks typically contain lots of bass. Deep, detailed, punchy, and musical bass, this track has a good mix/variety of bass notes. Sounds great with the SB-1000.
Chris Jones - No Sanctuary Here –(folk)- ♪ ♫ hummmm-ahhh, hummmm-ahhh ♪ ♫ Nice deep bass that accompanies the instruments and the rich vocals. You can hear and feel the bass in the voices (♪ ♫ “no refuge, no respite…” ♪ ♫).
Rebelution - Courage to Glow & Safe and sound- (reggae) both tracks contain pretty good mix of quality musical bass. The SB-1000 handled everything very well and added nice warm detail to the tracks.
Tyga- Rack City - (hip hop) – *
Warning* don’t listen to this track around little kids/your spouses* This track has loud low end deep bass and will stress the subwoofer because of the constant bass notes..
Tyga – Faded is also another track that has really low and loud bass notes, the SB-1000 sounds great and did not distort with either track. Playing these tracks loud in a smaller or closed room will pressurize your ear drums. See videos..
**The distortion sound in the youtube videos is from my camera microphone, not by the subwoofer. There was no distortion that I heard. The sub spl/volume was too loud for the tiny camera mic to handle.
1st video @ 50% volume on the SB-1000
2[SUP]nd[/SUP] video @ around 75% volume gain on the SB-1000
A$AP Rocky Ft. 2 Chainz, Drake, Kendrick Lamar – F***n problem – (hip hop) – Once again, in case the title didn’t clue you in,
don’t youtube and watch or listen to this track around kids/wives. Another really hard hitting hip hop track. The SB-1000 produced nice tight detailed bass.
25% volume on the SB-1000:
65% volume on the SB-1000:
Overall, the SB-1000 reproduced a good amount of depth, warmth, and detail to each track (and too many other tracks that I’ve listened to but are not included in this review). I tried to incorporate a wide range of music genres. Rock & country music typically is less bassy, so I did not include any tracks from those genres in the review. Pink Floyd @ 24bit /96 KHz (Bluray) sounds really good and the bass output was clean and tight.
Personally, I was very pleased with the Airmotiv 6 / SB-1000 combination in a 2.1 music setup in a smaller sized room. They sound amazing together and complement each other very well. I enjoyed the SB-1000 the most with hip hop and dubstep tracks.
I also hooked up my SVS PB12-Ultra/2 to listen to music and immediately noticed a much slower bass response (slight delay/lag between the beat and the bass output) and a bit more distortion (boomy-ness) when it came to music.
I recommend using a sealed sub if you listen to music more than 50% of the time.
Home Theatre - Movies – SVS SB-1000 & SVS PB12-Ultra/2:
Technical stuff:
HT Room dimensions: 20 ft x 16 ft, with 8 ft tall ceiling, carpeted.
Pre-pro: Integra DHC 80.2 via XLR out to Emotiva XPA-1’s (3 monoblock amps) to B&W 802D (mains), B&W HTM1D (center), XPA-5 out to Emotiva surrounds. SB-1000 and PB12-Ultra/2 set to 80 Hz crossover via the DHC 80.2.
Blu-ray movie sources only (using only DTS-HD MA, or D True-HD, or PCM sound).
For the movie reviews, I found that the SB-1000 sounded best when I turned up the subwoofer gain on the Integra DHC-80.2 to about +8 to +10 db. The PB12-Ultra/2 didn’t need any adjustment to the source gain.
I also recalibrated the integra (Audyssey XT32) with the SB-1000 and then again when I messed around with the 5.2 setup (both subs).
Movies:
Book Of Eli
Book Of Eli: The scene I reviewed is the shootout in the middle of the town. Just like with the Luther Vandross track, if you don’t use a sub or your speakers aren’t capable of low end frequencies, you will miss out on a lot of the “thump” and bass impact that exists in this scene. Each time a gun/shotgun is fired, the shot is accompanied by a fast and deep LFE bass thump (watch this scene if you have the movie, and turn up your bass). The SB-1000 reproduced the explosion bass frequency well and was able to produce a bit of impact/punch. The SVS PB12-Ultra/2 reproduced that same bass thump sound but also punched me in the chest and in my ear drums much harder. My seat rattled and made me feel like I was getting shot by the sound-wave. SB-1000 did not have the same punch.
Cloverfield
Cloverfield: The constant bass - gigantic monster foot-stomps and loud explosions will give your sub a workout for sure. I wanted to see how the SB-1000 would hold up. The scene reviewed is the military assault on the monster (see abv photo). The explosions from the tanks and missiles were loud, but lacked impact. The SB-1000 couldn’t compete with the PB12 Ultra/2. The SB-1000 needed more power during this hard bass heavy scene.
Dredd
Dredd: A remake of the 1995 movie, and this new version is ten times better IMO. This version packs a lot of detailed bass and subsonic hard hitting LFE. The ‘slow-mo’ scenes when time slowed down sound amazing with both subs. I ended up watching the entire movie with both subs hooked up to the DHC 80.2 in a 5.2 configuration (they worked very well together). The PB12-Ultra/2 once again shook the house and provided the impact feeling, whereas a single SB-1000 provided decent bass volume that was enjoyable but there was no impact.
Knowing
Knowing: The scene reviewed was the Airplane crash scene. Pretty good detail in the bass during this scene, and a good workout for the subwoofer. My room shook with the PB12-Ultra/2 when the plane went down and exploded. The SB-1000 appeared to have less distortion during the explosions (and the bass felt a tiny bit more detailed) but less volume and impact than the PB12-Ultra/2.
Terminator Salvation
Terminator Salvation: I LOVE the bass produced by the giant machine foot-steps and the mechanical whirr. This movie is filled with awesome LFE effects. Both subs played the LFE loud, the SB-1000 was quicker/tighter and more detailed than the PB12-Ultra/2 so I actually enjoyed that part, but the Ultra/2 shook my place like an earthquake with every explosion and machine foot-stomp. Together in unison, this scene is amazing and makes the hairs on the back of my neck stand up.