I agree, there goes that theory. BTW, your room size, especially in volume, is not all that special.
From the onset one would think you'd be an interesting source of comparative speaker information, having owned so many different high-end speakers, but the way you come off here doesn't build confidence that your opinions would have any transferable relevance. You have got me curious about the Bryston, only to hear what the hubbub is all about, and on that point we agree - it is difficult to have a conversation without first-hand experience. On the other hand, your proclamations about the nature of your own experience and expertise, your unqualified assertions about what is good and what isn't, and your use of meaningless audiophile jargon, don't build credibility as a source of *useful* information. Even assuming some of your tonal balance arguments are accurate in your room, some of your other assertions, like the Bryston's sound-staging being such a revelation, just don't hold water. In fact, it makes me wonder how you made speakers like the 207/2 or the Salon 2 image so poorly that the Bryston could be a revelation.
Some of your comments do fall in line with comments I've heard others make, like, for example preferring the Salon 1 over the Salon 2, or not being all that impressed with the Wilsons (any Wilson), but all of your other black and white assertions, laced with implicit insults about the inability of the rest of us to make good decisions, make me wonder if any correlation to what I've heard previously is random.
You've certainly livened things up a bit, Stedanko, but you don't persuade. I was actually looking forward to your input at first, now I'm just wondering who you're going to insult next, and how you're going to tell us that we don't know how to listen, or that we don't know what live music really sounds like.