Dream Speakers Under $6,000 Retail

C

cschang

Audioholic Chief
I know one thing, my Aperion VGT's are going back this week coming up, they to us Do Not Sound GREAT (only know that as we have heard them :)), and can not hold a candle to our Klipsch's.
Can you give us some details? I know I would not expect them to be as dynamic, but is there anything else?
 
zieglj01

zieglj01

Audioholic Spartan
I know one thing, my Aperion VGT's are going back this week coming up, they to us Do Not Sound GREAT (only know that as we have heard them :)), and can not hold a candle to our Klipsch's.
Well, I guess all Klipsch owners around the world will be smiling.:rolleyes:
 
walter duque

walter duque

Audioholic Samurai
Does anyone ever sit and listen to music at 105+db? And if they do, they probably don't need speakers with any sort of fidelity. lol
I wouldn't go that far. Some of us do have speakers that have good fidelity at 110+db.
 
AcuDefTechGuy

AcuDefTechGuy

Audioholic Jedi
That is about the most logical comment you have made this week, your not feeling sick are ya :D
Actually I think I am coming down with a cold or something.:eek::D

Sometimes we just forget what the real reason is for having all these speakers and electronics - it is so that we can ENJOY the movies and music, not critically analyze every note.:eek::D
 
AcuDefTechGuy

AcuDefTechGuy

Audioholic Jedi
I meant the Salon's, but used the Song Tower abbreviation.
I'm not planning on ever selling my dream speakers. And this include the Salon2, Orion, KEF 201/2, and Philharmonic 3.:D
 
DenPureSound

DenPureSound

Senior Audioholic
DenPureSound I agree with you on this. No doubt they will sound detailed, well put together and no doubt they are/will be engineered especially well etc.. but I do hope some owners will chime in with some detailed review ( equipment used, and the different types of music used in their review ) and let us know before we drop some $ on these speakers.
Just moved the Aperion VGTowers back into their respective boxes... going back home to Portland, OR.

Then moved my Klipsch RF-82II towers back into place, with my other Klipsch's... Wow, I do love my Klipsch's over the VGT's by far, very happy to have my Klipsch's back in place. Many can put down Klipsch if they wish, but they do know how to make a speaker after 50yrs. like KEF (per ADTG) and others that own them.

All I know is that $2K or less for front towers is not going to get me there after auditioning these VGT's. How the VGT's got the AH POY award is beyond me, certainly did not deserve that one in my humble opinion.

I can turn up my Klipsch Towers and they just say, ok give me more power and stay clean/detailed as they come up in power to higher SPL levels -- not the VGT's, they start to congest/smear and just get sloppy -- (like some of the past -- no pun intended). :)

Oh well, next is the KEF Auditioning experience when some local dealers start to Floor them hopefully. Until then, the Klipsch's will stay put and handle the loads, and yes they are broken in, LOL... :D
 
AcuDefTechGuy

AcuDefTechGuy

Audioholic Jedi
I totally agree buddy! So...ah, when will you be sending me those Kef's? :D

Seriously, though, of all the stupid amount of speakers I've heard, I don't recall ever listening to those Kef's. I hear great things but have never had the pleasure. I wonder if they'll be attending AK Fest this year...
Since you've already heard the Salon & Soundscape, I believe you already have a great idea what the KEF Reference sounds like. The difference will be only very minute. They sound crystal clear and detailed in the midrange. They sound very smooth in the treble. They have a great soundstage and image. Very accurate speakers. Sound familiar?:D
 
DenPureSound

DenPureSound

Senior Audioholic
I wouldn't go that far. Some of us do have speakers that have good fidelity at 110+db.
Walter, there ya go... what are your Front Towers there? Personally, in our opinion if you apply some serious power to a pair of fronts, and they compress/congest and smear all over themselves... I would not call that a quality speaker, but maybe some cheap Sony's from Best Buy. :)
 
DenPureSound

DenPureSound

Senior Audioholic
Well, I guess all Klipsch owners around the world will be smiling.:rolleyes:
So far, PWK - Paul Wilbur Klipsch is saying "I told you so...", and it will take one heck of a great speaker to push my Klipsch Fronts aside.. hopefully, the KEF's will do that, but I still have my doubts, but we will see when we get an audition.

Maybe Grant is right on, take a hard long look at the JBL Synthesis PRO 6332 monitors... just maybe that might be flat and dynamic enough, what do you think Grant?
 
GranteedEV

GranteedEV

Audioholic Ninja
Sometimes we just forget what the real reason is for having all these speakers and electronics - it is so that we can ENJOY the movies and music, not critically analyze every note.:eek::D
Agreeed. That's why only a tonally accurate speaker is my primary goal. So that nothing draws my attention ;;;away;;; from the source content!!!!! Who cares if I can hear the performer's nostrils during a violin solo!?!?

It'd blissful to be someone who can listen to Polk or Klipsch or Paradigm Monitors and not think 'arrrrgfgggghhfhghhghghh'

At least i am NOT TLS Guy where i can recognize everything wrong with a mediocre pair of speakers;P
 
DenPureSound

DenPureSound

Senior Audioholic
DPS thinks flat response = No Highs and Lows :p
Grant, you can look at the Aperion VGT plots and see that at 15kHz. they drop down -7dB at 20kHz.

Problems with the VGT's are:

1.) Can not take the front grills off easily, or at all -- major mech. engr. design problem.

2.) Excellent aesthetics on enclosure, just lovely in Cherry and the curvilinear sides/top are beautiful, but not buying just furniture here, don't just want to look at them -- buying them for Sound Quality.

3.) As more power is applied to them, they start to compress/smear/distort/lose details, not good ...

4.) Low end, is lumpy/bumpy, not tight/fast and clean

5.) High end has no Zing, you can barely hear the Cymbals/Triangles, and no airyness of presence to them -- I attribute this to the SILK dome tweeter that is not a metal or alloy, like Titanium or Beryllium tweets (and as an X Pro Drummer -- I want that in my Audio Room).

6.) Small enclosure at around only 2.4 cu. ft.

If I was on their Engr. team I would make the encl. muchO bigger (4 or 5 cu. ft.), stiffen it up more close to bottom of cabinet, make the front baffle around 1.5" thick, and get rid of the recessed front edges for grille, minimizing diffraction effects.

Drop in Dual 8" or 10" Woofs, with Dual 6" Mids, with either a RAAL or Titanium or Beryllium Tweeter, redesign the Xovers for 4th Order LR's.

So they have a lot of engr. work to be done in my humble opinion.

There ya go cschang - does that sound like an Ascend Tower or a Klipsch RF-7II (Big Box)?
 
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H

Hocky

Full Audioholic
I wouldn't go that far. Some of us do have speakers that have good fidelity at 110+db.
Mine will do that, too, but that doesn't mean I would ever listen to them at levels like that. I mean, maybe it is reasonable to catch a 105db transient peak on rare occassion, but actually listening at a 105+db average level? That is absurd.
 
DenPureSound

DenPureSound

Senior Audioholic
Grant, have you heard those JBL PRO Monitors - LSR6332?



JBL :: Product

Their specs look awesome for sure -- $1500 Ea. is not bad either for being that Exact!

What is Quincy Jones listening to - Mfg./Model? Drop him a quick line and find out, ok? :)

I want to get as close to what was recorded as possible for the least amount of monies -- don't we all, or I guess some like them not so flat...
 
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zieglj01

zieglj01

Audioholic Spartan
High end has no Zing, you can barely hear the Cymbals/Triangles, and no airyness of presence to them -- I attribute this to the SILK dome tweeter that is not a metal or alloy, like Titanium or Beryllium tweets (and as an X Pro Drummer -- I want that in my Audio Room).
There are good silk dome tweeters out there - I can hear all that stuff
with my speakers.
 
zieglj01

zieglj01

Audioholic Spartan
Who cares if I can hear the performer's nostrils during a violin solo!?!?
I like that too - If I can hear the nostrils, breathing from the mouth -
or some type of strange noise during the recording (someone hits or
drops something)
 
GranteedEV

GranteedEV

Audioholic Ninja
Grant, have you heard those JBL Synthesis PRO Monitors?
There are no JBL Synthesis Pro monitors. I think you're thinking of the JBL Pro Linear Spacial Reference 6332s though. These are actually the monitors Harman uses in its Reference Room - NOT Revels or JBL Synthesis!

They probably won't hit the extreme lows of the Salons (tuned for output not extension), or the extreme highs of the Soundscapes (titanium dome tweeter)

If you look way back in your PMs list when you were soliciting suggestions for speakers to look at, you'll notice these are one of the two speakers I suggested to you, which you proceeded to ignore :)

Grant, you can look at the Aperion VGT plots and see that at 15kHz. they drop down -7dB at 20kHz.
I went and took a look at it for ya. It is referenced to 2.83V and roughly sensitivity is 91db +/-2db from 200hz to 10khz. Below 200hz sound will be dominated by room/placement and above 10khz our ears become very poor.

There is a bit of a response bump @ 13-14khz
@ 16khz response is still at 91db which is the reference SPL.
@ 17khz, which is already above the upper limit of my HEARING, SPL is about 88db. from the 91db above, this is your -3db point.
@ 20khz response is at 85db which yes, is 7db down. You'd have to be pretty pedantic to be concerned about this though - IMO.

4.) Low end, is lumpy/bumpy, not tight/fast and clean
Not really much I can say on this. So many factors at play (your room, drivers, tuning, your idea of what is tight/fast etc). It your experience, and it's fine, but definitely a ton of factors at play.

6.) Small enclosure at around only 2.4 cu. ft.

If I was on their Engr. team I would make the encl. muchO bigger (4 or 5 cu. ft.)
,

This one's abritrary nonsense. The enclosure size does not indicate bass performance; the mechanical coupling of driver to enclosure does. Some drivers couple best to small enclosures and work like trash in larger enclosures. That doesn't even factor in...

1) Aesthetic appeal ($)
2) Weight ($)
3) Bracing ($)

stiffen it up more close to bottom of cabinet, make the front baffle around 1.5" thick
And these will make audible improvements?

and get rid of the recessed front edges for grille, minimizing diffraction effects.
An owner of these speakers:



is concerned about diffraction ???????????? Sorry man, I gotta call you out on that one.

Drop in Dual 8" or 10" Woofs,
$$$$ not to mention aesthetic appeal which is definitely big on some people's list.

with Dual 6" Mids,
... the aperions already have signs of tweeter bloom with 5" mids and you're going the direction of less midrange dispersion? ehh..... you'd need to engineer a custom waveguide to get any decent directivity index matching, and with dome tweeters that's hellish to say the least because they don't load it with a planar wavefront necessary.

with either a RAAL or Titanium or Beryllium Tweeter,
Titanium vs Silk is a subjective choise as both are flawed and both have their proponents too.

...and the rest are far from $2000 speaker territory drivers. Beryllium Aircircs come in at $500/each and that's about the only tweeter that would satisfy your output and material requirements. A RAAL 70-10D mated to a 6.5" woofer would have some sub par polars. could work if someone is willing to absorb all reflections to turn their room into a dedicated listening room.

redesign the Xovers for 4th Order LR's.
A few issues with that...

- More money... parts cost would shoot up quickly
- possibly worse driver integration... seems to me part of the selling point of these speakers is their imaging and to do that in a 5 driver speaker is quite the feat. Will 4th order maintain this stereo image??
- worse power response especially if you make the aformented switch to 6" mids. To myself at least, the midrange is most important.

Yes 4th order has its advantages but rule of thumb #1 in design is to get the intended "job done" without going overboard.

So they have a lot of engr. work to be done in my humble opinion.
Consider you're an accomplished engineer yourself, I'm a bit dissapointed. Your solution is mostly to throw more money at the problem; some of which are arguably not problems.

I'm not saying the Aperions are my dream speakers or even my choice at $2000 - they weren't and they're not - but your solutions appear neither economical or even just... moot. For the speaker you propose to be profitable you're looking at around $6,000-10,000 even with made in china cabinets. That doesn't even factor in that no one spending that kind of money over the internet is looking for made in china cabinets (Revel can justify it because... it's not over the internet so who knows any better buying from a shop sans research???)... they want all custom IE Vapor / Salk which just isn't aperion's market. And with custom your labor costs skyrocket again, so now you're looking at 12 - 20k speakers.

And then you get to $20,000 speakers and you need to play the specsmanship game of hitting that 20hz mark. Yikes, so now what? You gotta throw away that lovely sensitivity / dynamics for deeper extension to hit 20hz, and oh crap now all of a sudden you're right back where you started at $1800.. without freedom from dynamic compression. What's the solution to get both? Easy, ULTRA Electromagnet 16" woofers with twice the BL.... focal's got some of those, they only cost you a second mortgage... and the rest of the speaker seems to fit your lovely criteria too.

Not tryin to argue here.. it's great that you think the Klipsch speakers are fantastic, but I consider them to be greatly flawed in their own way. It's all a matter of which design tradeoffs bother us most. There's no such thing as a speaker without design tradeoffs, even that ridiculous $180,000 Grande Utopia.

KEF blades won't fit your criteria.. only a 5" mid... same with KEF R900s.
Revel Salons are only 86db sensitive so even with all that heatsinking it's doubtful they'll match up to 98db sensitive speakers in thermal compression (a measurement you don't seem to be concerned with even though it seems most relevant to your goals)

I suppose Gene's favorite RBH T30LSE speakers fit many of your requirements... not all though. They'll do the dynamic range thing, they've got dual 10" woofers, four 6.5" woofers crossed your lovely 4th order to THREE 1" tweeters. Suffice to say some of us are a bit skeptical without some 60-75 degree polar response graphs of the multi driver layout of how these speakers will sound in an untreated room. Of course these aren't an internet direct $2000 speaker .................and they use your hated silk dome scanspeak 9500 tweeters.

I don't think a speaker that's -3db @ 17hz lacks highs in measurement. If it sounds that way to you, there's tons of factors at play... the room, your ears, your expectations (IE as a drummer you're a lot closer to the cymbals which affects your perception of balance - the mixer may have had a different perspective altogether... you might just be finding yourself hating the way records are mixed) etc.
 
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DenPureSound

DenPureSound

Senior Audioholic
There are good silk dome tweeters out there - I can hear all that stuff
with my speakers.
Jim,

But for the Aperion VGT's they die on a vine above 15kHz and are down -7dB at 20kHz.

What are your measured at up there, with the Silk Dome Tweeters?

Maybe, the diff. is your speakers are flat from 15-20khz. either that or I am deaf up there.

Den
 
zieglj01

zieglj01

Audioholic Spartan
Jim,
But for the Aperion VGT's they die on a vine above 15kHz and are down -7dB at 20kHz.
What are your measured at up there, with the Silk Dome Tweeters?
Maybe, the diff. is your speakers are flat from 15-20khz. either that or I am deaf up there.
Den
The specs of the Boston VS 260 are rated to 30 khz - I do not have 3rd
party measurements.
http://www.bostonacoustics.com/-VS-260-Bookshelf-Loudspeaker-P229.aspx

I will not knock your Klipsch - they just are not for me, and they give me
ear fatigue.
With all due respect - have you had your hearing checked lately?
 
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