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soapboxpreacher

Junior Audioholic
Ok been posting this question around to get some recommendations:

Ok new guy here and have been lurking for a while. I am in the market for a new Sub to work with my new Devon AVR-2311CI. This is my current setup: I have a pair of front Klipsch RF52, pair of rear klipsch RS42, Center Klipsch RC-10 and a 21 year old Velodyne S-1200-b sub (Sealed Servo Controlled). My room is a family room/dinning room. The overall size of the room is: 25.5'(L)x 11.5'(D)x8'(H). The room is open with two large entry ways on each side. I have a couch, with an adjacent love seat and a big chair in the corner. My listen area is: 15'(L)x'11.5'(D)x8'(H).

I really like my velodyne and hate to replace it but my lower level gaming system (a Creative Gigaworks S700 with DDTS-100...died...the DDTS-100 is still good but the S700 amp is shot!). This was an awesome setup surprisingly! Movies and games were shockingly amazing! The processing was absolutely amazing!!! The Bass was also ideal...a 10" down firing with a rear port 210 Watt sub did my lower level setup justice...in fact it sounded substantially better than my Onkyo...really not surprised! This system use to be upstairs and excelled up there...unfortunately it is no longer made...it was 7 years old. So I need to replace it. I figured I would move my Onkyo SR-605 downstairs since I have the Denon AVR-2311 and also move the Velodynes down there as well and use the THX sats with the Onkyo in the lower level. Essentially upgrading my HT upstairs setup.

Sorry for the long post but I am looking to match up my upstairs Denon AVR-2311CI, and klipsch with a new sub. It is entirely 100% HT (TV, Blu-ray, my wife loves idol and x-factor). I have in the past tested a number of subs. The velodynes was a hand-me-down from my dad...nice hand me down!! That sub is tight, deep, accurate, not boomy...I like it!! I had a dynamo 500 tried it in a downward firing and front...downward was felt more then heard, front had no balls and big gaps. I also had a ADS MS3 (old boomy sub) it was garbage. But the sealed velodyne was excellent. I did have the gigaworks system up there in the exact same placement and it was once again stellar!! The processing from the DDTS-100 was shear amazing! Cant say enough good about it!

Ok so now I have narrowed down my sub replacement search down to:
Emotiva Ultra 12 (329 shipped!!!) This is soooo tempting!
Epik Legend (499...I can pick it up, live close to epik)
SuperCube 2000 (Sale 498)
HSU VFT-1 (419) no port and downward only in this location in the past didnt do well
Rythmik FV12 (499)
Outlaw LFM-1 Compact (399)

I love the price on the Ultra 12, I am leaning towards it!!! But I have not heard it. I have heard the SC2000 and it is capable of filling a room but I am not certain of Defs specs. It doesnt seem as tight or accurate plus it seems like a 7 1/2" drive would lack low end. They rate their stuff a little high consider there is no +/- db. The Legend is really impressive and read nothing but good...just like the Ultra 12! I have also heard a ton of good about the VFT-1...but no port in that location provided to be more felt then heard...like the dynamo. I dont know much about the others.

Oh one note, my floors are pergo so they help! Couch medium plush. Thanks for the
 
theJman

theJman

Audioholic Chief
The total CF for that room is over 2300, so it's going to take a lot of sub to pressurize it. The Ultra 12 is a great sub -- I had one myself -- but I'm not sure it's up to the task. Duals, yes, but not a single one. The Epik is a fine sub, and would likely do quite well, but most people who's usage is 100% HT often prefer bass reflex. Generally speaking they can dig a bit deeper than sealed, which is beneficial when watching movies.

I know you had a less than pleasant experience with ported in the past, but I tend to think it was more the sub than the design. As such, I don't think you should summarily dismiss the HSU or Rythmik solely on that basis. Both are highly regarded products, and would more than likely work very well in your situation. Of those two I'd probably lean more towards the Rythmik.
 
zhimbo

zhimbo

Audioholic General
I know you had a less than pleasant experience with ported in the past, but I tend to think it was more the sub than the design.
QUOTE]

This.

Ported subs don't sound bad. Bad ported subs sound bad.

WIth a biggish room and a tight budget, a ported sub is probably the right choice.
 
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soapboxpreacher

Junior Audioholic
Thanks guys, went out today to ABT and listened to the SC2000, heres what I thought of it, I posted these finding from today elsewhere as well.

Ok so I got a chance today to have a long listen to a Definitive Tech SC2000. It is quite powerful, it can certainly fill a room pretty good considering its size however it is quite muddy, inaccurate far to boomy for any scenes in a movie that have any music. I am sure it wasnt calibrated right and has been messed with a thousand times but it just came off wrong to me. It is onsale but overall it is a sub I dont think is precise enough for my taste. It doesnt have the low end extension either. It is however a sub very well suited for someone who doesnt have much space. It isnt horrible, I just have a picky ear and can hear things others generally cant. So the SC2000 is off my short list. It was on sale for 498. Once again the size is impressive...I couldnt believe how small it was! It can certainly produce decent lows but lacked low end and precision.

I think you are right a ported is probably the best route it just needs to be a design that isnt boomy...I hate boomy, muddy subs...they are sloppy and tend to exaggerate a frequency band. I am considering the HSU-STF-2 Down firing with a rear port. This will probably suit my room well. Their site says that sub can go down to 25Hz +/-3dBs.

I also think the FV12 is another good fit.
 
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soapboxpreacher

Junior Audioholic
How bout these options.

Elemental Design AD-300
Rythmik FV12
HSU STF-2
 
F

FirstReflection

AV Rant Co-Host
In my listening experience, at $500, there's no better sub than the Rythmik FV12 right now. It plays the lowest, cleanest and most accurate of any sub I've heard at the $500 mark. It is not a beast in terms of output, but it ought to be able to handle your room size - especially given the sorts of descriptions you've provided of your thoughts of other subs. You've used a lot of high-praise words for the type of sound that I would personally describe as "adequate", so you'd be absolutely mind-blown by the quality of the FV12 ;)

On the output tip, what's great about the Rythmik FV12 is that it is well engineered so that it will never damage itself or go into crazy-high distortion. The Rythmik engineers have properly implemented limiters and compressors to ensure that the FV12 will safely play up to its limits, but no further. So you can feel safe in cranking the volume as high as you want. If the FV12 can't play loud enough for you, there's no other $500 sub that's going to play louder while also maintaining the same high quality of sound.

Get the FV12 ;)
 
GoFastr

GoFastr

Full Audioholic
BIC Acoustech PL-200 subwoofer



I got one of these for $279 + free shipping. You can put the price in the offer field.

In your case with a big room and $500 budget you could get 2 of them to balance things out nicely without going too far over budget yet yielding incredible results. They are an HSU design as well and sound awesome.

Klipsch Speakers for sale, polk audio, polk speakers, home theater systems, thx, speakers, premier acoustic, In Wall Speakers, In Ceiling Speakers Call 800-691-6914
 
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soapboxpreacher

Junior Audioholic
I'm leaning toward the A2-300 then the HSU-STF-2, finally the FV12 (mostly because of price).

The A2-300 seems to have a good range, so if I get rid of my big towers they would work well with some nice sats or book shelf speakers. I noticed that the FV12 falls way off at 100hz...I was hoping to have a sub that goes into the 160hz range for the reason above. Eventually I want to have a tv to mount to the wall as well as small sats or inwalls/ceiling. So I believe (and I could be wrong) the sub might need to extend a little more above 100hz then the FV12 does. I do like the HSU STF-2 quite a bit! I like the look, where it does not have the port facing forward...something I worry about with the A2-300 because my son might find it fun to put stuff in the port...facing the other way...he will never know! I also like rear facing ports for the bounce of the back walls seems to help fill the room! The design of the HSU is very nice but I dont think it has the lows the A2-300 does nor the output/extension. I do worry about how tight it is but I believe the A2-300 isnt a muddy or boomy sub. Let me know. Oh and I consider the Outlaw but it is too much...I think at the 419 you get a lot or even the 349!! These are quite good deals and seem to have great stats to back it up. I did see the chart on the A2-300...SPL @ 20Hz at 106dbs is pretty damn good!!

On thing about the FV12 I have to ask...is it that much better??? What am I losing with going with the A2-300 or HSU SFT-2? I think low end output between the A2-300 and the FV12 is very similar and output should be the same as well...maybe I am missing something...both are 12" port designs that produce the same wattage the FV12 is a servo but servo is an automatic victory all the time when it comes to this.
 
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soapboxpreacher

Junior Audioholic
In my listening experience, at $500, there's no better sub than the Rythmik FV12 right now. It plays the lowest, cleanest and most accurate of any sub I've heard at the $500 mark. It is not a beast in terms of output, but it ought to be able to handle your room size - especially given the sorts of descriptions you've provided of your thoughts of other subs. You've used a lot of high-praise words for the type of sound that I would personally describe as "adequate", so you'd be absolutely mind-blown by the quality of the FV12 ;)

On the output tip, what's great about the Rythmik FV12 is that it is well engineered so that it will never damage itself or go into crazy-high distortion. The Rythmik engineers have properly implemented limiters and compressors to ensure that the FV12 will safely play up to its limits, but no further. So you can feel safe in cranking the volume as high as you want. If the FV12 can't play loud enough for you, there's no other $500 sub that's going to play louder while also maintaining the same high quality of sound.

Get the FV12 ;)
You have me thinking about this sub hard right now! Is 500 include shipping from Rythmik? And do they do the 30 day in home? I would actually try them all!!! Why not right...anyone in the chicagoland area is more then welcome to come and help me audition these.
 
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wlmmn

Junior Audioholic
And now the question I haven't seen yet on this forum:

for a good sub at about $500,
Rythmik FV12 or Emotiva X-Ref 10?
 
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FirstReflection

AV Rant Co-Host
The Rythmik FV12's $500 price does NOT include shipping. It's $66 shipping in the continental US, so $565 total. Rythmik offers a 45 day return policy, but there is a restocking fee. You would also be responsible for the return shipping cost. So you're not totally stuck with it if you buy it, but it isn't exactly dirt cheap to return it either. That said, if you're in the $500 price range, I seriously doubt the FV12 would be going back!

IMO, the FV12 "moves the goal posts". It's a "checkpoint" product where its performance leaps ahead for its price point. I like the HSU STF-2 and eD A2-300 quite a bit. To me, they are like two sides of a coin in the under $500 range. If you want nice transient response and accuracy - maybe listen to a fair amount of music - and don't mind giving up the lowest octave of deep bass, then you go with the STF-2. If you want big booms and rattles for movies, and don't mind giving up some tightness and control, then you go with the eD A2. But if you have the money to move up to the Rythmik FV12, you get the best of both worlds and really move into a new level of bass performance. So, in my book, if you CAN get the FV12, I think you should. Doesn't mean the STF-2 or eD A2 is a bad choice at all. It's just that neither is up to the same level as the FV12 and you're basically having to make a compromise. That's what the extra cash for the FV12 is buying you: no real compromise ;)
 
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soapboxpreacher

Junior Audioholic
So the FV12 isnt my last choice. After reading up on eD there have been some issues with amps...this does worry me..remember I am use to a 21 year servo velodyne. It doesnt have the extension or the low end but it is reliable, accurate, tight and so on. But for HT it needs the extension and the low end.
 
j_garcia

j_garcia

Audioholic Jedi
If you want clean AND extreme extension, you will probably need to spend more. As was mentioned, for your budget, the FV12 is likely your best bet that has both good extension while still sounding clean. I've previously used an amp from Rythmik and heard a friend's F12 (sealed) and I feel they have excellent products.
 
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FirstReflection

AV Rant Co-Host
Yup, to make it simple, if you'd like to retain the same sort of audio quality that you've become used to with your Velodyne, but you just want deeper extension, the Rythmik FV12 really is your least expensive option. From my own experience, the FV12 even plays a touch deeper than its HSU/Outlaw contemporaries, the VTF-2 MK4 or LFM-1 Plus, respectively. Both of those subs go for $550 plus shipping, so they're a touch more expensive. And, like I said, in my own experience, the FV12 plays just a couple Hz deeper than either and sounds every bit as clean and accurate. So that's why I'm so keen on the FV12 because it really does deliver, and it does so for the lowest price.

If you want to go somewhat more expensive, there's the Outlaw LFM-1 EX (at $650 plus shipping) and the HSU VTF-3 MK4 (at $700 plus shipping). They'll both play about as low (maybe a hair lower) and they'll play louder than the FV12. Then there's the SVSound PC12-NSD DSP cylinder (at $750 - a price that includes free shipping) or PB12-NSD DSP box (at $770, again, including free shipping), which I would call the first real "full step" up in terms of really playing flat right down to 20Hz and being able to play a good deal louder for what's still a pretty low price.

After that, things jump pretty quick if you want genuine improvements. In my own opinion, if you're going to spend more than the PB12-NSD DSP costs and you really want to hit deep or crank out the volume, you might as well just go whole hog, really do things right, and save up for a SVS PC13-Ultra DSP or the PB13-Ultra DSP if you just have to have a box instead of cylinder and don't mind the $300 extra! If you want or crave more than the PC/PB12-NSD DSP, you basically want an SVS Ultra. Everything else that's in between in terms of price is also just ultimately a "stop gap" on your way to the Ultra, IMO ;)

But for now, if you want to stick to your $500 budget especially, then the FV12 is the easy choice. You're not going to do better for less money. And you're not really doing much better for more, either. IMO, the FV12 is good enough that your next upgrade is to either just add a second FV12 or to just save up and skip all the way to the SVS Ultra. There are certainly some very good and "worthwhile" subs in between, don't get me wrong. But what I'm trying to say is that the FV12 is good enough that it's closer to all of those "in between" subs than to any sub that costs less than the FV12. So it's a big step when you go from anything less up to the FV12, but then a much smaller step from the FV12 up to anything else until you reach the SVS Ultra, which pretty much can hold its own against almost any sub at any price.
 
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wlmmn

Junior Audioholic
Guys, I don't think the FV12 is available. I checked Ascend Acoustics (which Rythmik says to get their subs from) and it's not listed. I read somewhere on this forum that they're backordered 'cause of a parts issue?
 
j_garcia

j_garcia

Audioholic Jedi
Guys, I don't think the FV12 is available. I checked Ascend Acoustics (which Rythmik says to get their subs from) and it's not listed. I read somewhere on this forum that they're backordered 'cause of a parts issue?
If you go directly to the Rythmik site they are available. I didn't even see the FV12 listed on Ascend's site.
 
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soapboxpreacher

Junior Audioholic
Thanks guys

Thanks guys the fv12 with shipping is just out of my range. I was considering the vft-1 or the a2-300...is the fv12 really that stellar? Is it gonna be that much better...the a2-300 seems to have the same range and should have a similar output but I am not certain...has anyone had these two to actually test or are most just going based on there opinion?
 
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FirstReflection

AV Rant Co-Host
The FV12 is a definite step up from both the eD A2-300 and the HSU VTF-1. I have heard both, personally. And, as I said, I quite like the A2 and the HSU (just to note, I'd strongly recommend going with the less expensive STF-2 over the VTF-1, since the STF-1 is essentially identical to the VTF-1 set in "max extension mode", which is what almost everyone would use with that sub anyway). But there are clear compromises with either the A2 or the STF-2.

The STF-2 is pretty great, but you more or less give up the lowest octave. The STF-2 starts to roll off around 40Hz and it's a pretty steep roll off.

The eD A2 subs manage to play a bit lower (not the 18Hz that they claim, since they measure their gear in a padded closet!). It's more like 27 or 28 Hz with the eD A2 models. But regardless, lower than the STF-2 or VTF-2. But the eD A2 subs give up the tight transient response in favor of more "slam" that comes along with some overhang and an overall less accurate sound.

The FV12, on the other hand, genuinely reaches right down to about 25Hz and has useable output at 20Hz, which is, quite frankly, rather amazing at its $500 + shipping price. On top of that, it is nice and clean. Very good transient response, accurate, linear and just all-around good sounding.

It really is a very clear and obvious step up from the $350-range subs. I realize and can fully appreciate that $565 is over your $500 cap budget, but this is one of those cases where stretching a little over your budget really is worth while. We're not talking about hundreds extra - just $65 - so this is one of those times where going a little over budget really is worth it.

Believe me, I know how easy it is to go over budget and how easy it is to always look at the next price bracket up and say, "well maybe I should just wait and spend more!" It's not always the case that spending more gets you your money's worth. But there are also the cases where you spend less and wind up regretting it in the long run. When I first started out, I bought an RCA brand HTiB. I don't regret that purchase. I didn't know much about home theater at the time. The RCA HTiB was cheap, sounded ok, and gave me a start. My next upgrade was a full Polk Audio setup with a Kenwood receiver. And, man, do I ever regret that purchase! Sure, it was right at my budget price point. Sure, it was still an obvious upgrade over my RCA HTiB. But, man, could I ever have done so much better for around the same price or just a little more! When I went to my next upgrade of 5 Axiom speakers, a Yamaha receiver and an HSU VTF-3 MK2 subwoofer, all I could think about was how I could have had that level of quality so much sooner if I had avoided the Polk + Kenwood setup.

So am I trying to encourage you to spend over your budget? Yes. Is that always the right thing to do? No!

But in this particular case, I really, strongly believe that it IS the right thing to do. If you've got a $500 budget, stretching it to $565 in order to get the FV12 is absolutely the right move, IMO. It's like skipping the crappy Polk setup that I had and jumping straight to the HSU VTF-3 MK2 that served me very well for many years, outperformed my next mistaken "upgrade" (which were a pair of very disappointing Epik Sentinel subs), and still provides the bass in my living room to this day!

Like I said earlier, there are, what I like to call, "checkpoint" products, and products that "move the goal posts". You get one of those "checkpoint" products and you can feel extremely satisfied that spending less would have meant a significant downgrade. And you can also feel extremely satisfied that you would have to spend significantly more - like, hundreds over budget - to get anything better. It's a "checkpoint" because you can enjoy that product for years and years before ever feeling the desire or having the budget to upgrade to something that is genuinely, significantly better.

There ARE better subs than the FV12. Let's not be mistaken about that. And there are better subs than the FV12 for prices that are not insanely more expensive, like the $700 HSU VTF-3 MK4 or the $770 SVS PB12-NSD DSP. But those subs are hundreds of dollars over your $500 budget and the FV12 is closer to them in performance than the $350 subs are to the FV12. In other words, it's a lot harder to justify spending some $200-$300 more over the FV12 for what amounts to a somewhat small upgrade than it is to justify spending $150-$200 more in order to get the FV12 over anything that costs less than the FV12. It's a BIG step when you go from the STF-2 or eD A2 models up to the FV12. You get almost a full octave more extension with the FV12 over the STF-2, and you get obviously more accurate sound with the FV12 over the eD A2 models.

Again, don't get me wrong: if you're someone who has a $350 budget limit, I can fully get behind an STF-2 or A2 purchase. You just have to decide whether you want cleaner bass with less extension or more extension at the price of accuracy. But with a $500 budget, it's a different matter. I think you'd be doing yourself a disservice to go below the FV12. Believe me, I COMPLETELY understand wanting to spend less. But if you can, think of the long term. You get the STF-2 or A2 now, worst case scenario, it doesn't really give you the sort of upgrade you were hoping for over your Velodyne. Now you're faced with return shipping costs, or you're stuck with a sub that doesn't really make you happy and now you have to save up again for something better! Best case scenario, you're happy with the upgrade, but you're still well aware that you've made somewhat of a compromise. This being a "best case", you'll still be happy with the purchase for a number of years. But trust me, if you're the sort of person who's on a message board, looking to upgrade your Velodyne sub? You're also the sort of person who won't be able to help but think of your next subwoofer upgrade before too long :p

With the FV12, I don't foresee a "worst case" scenario where you're not happy with the upgrade over you Velodyne. The FV12 will be an absolutely obvious upgrade. There's pretty much zero chance that you'll question the improvement in any area. Furthermore, being into the home theater hobby, I can't imagine that you'll NEVER think of wanting even more bass performance :p But having the FV12 will mean that you'll look at what else is out there, and realize that you've already got very, very good bass performance and that you'd have to spend A LOT more for your next upgrade. In my own case, instead of going through 5 systems, I could have gone through 3 if I had followed similar advice. That would have saved me a lot of money in the long run.

So that's the sort of advice that I'm trying to pass along here. Spend your money wisely and you might spend a bit more up front, but you'll save a lot more in the long run ;)
 
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FirstReflection

AV Rant Co-Host
Oh, and the FV12 is available direct from Rythmik: Rythmik FV12 - vented HT sub

I'm not exactly sure why it's not listed on the Ascend Acoustics website. But Ascend isn't exactly the fastest when it comes to updated their website and the FV12 is a somewhat (???) new model. I know it took a rather long while before any of the vented subs showed up on the Ascend site, even when they were available for months on Rythmik's own website.

Rythmik is, indeed, suffering some amp supply problems at the moment. The various floods and natural disasters throughout Asia have caused parts supply problems for a lot of companies. But the FV12 is in stock at the moment. Like most companies that get their products made in China, Rythmik gets large shipping containers of products all at once when a shipping boat arrives. So the FV12 is available right now, but once the current stock is sold, it might possibly be a long wait before another shipping container arrives.

In any case, you can buy the FV12 direct from Rythmik at the moment and the price is $499 for either type of black finish with $66 UPS shipping within the continental USA.
 

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