I feel it was part of the conversation they pigeon holed ASR people and AH people; that was not my intent at all. I believe the core groups of each site see things through slightly different lenses and pointed out my personal observation. Seriously if I could I’d delete all those posts over there as one member latched on and wouldn’t let go. I know it can happen anywhere but it seems to be more prevalent on some forums than others (unacceptance of multiple perspectives / preferences).
Anyway, moving onward! It is a new year after all.
I do have a question, and hope along with others
@AcuDefTechGuy chooses to chime in. When you use PEQ the signal still has to be digitized, right? In other words, on a A8A, if you choose not to use YPAO in lieu of PEQ (which the expanded capability of this is very cool), what is difference in the result?
I am familiar with how to use PEQ and did so in my subs prior to running my room correction, but what’s the difference in using one versus the other?
I’m curious as I limit, ARC in my case, to 500Hz on my main 5 channels, if I had access to PEQ at multiple points (11 per channel with Yamaha?) then I could only correct the areas I choose but it could be along the entire frequency response, so I get that, but does ARC/Audyssey/Dirac/YPAO et al introduce more distortion or somehow degrade the SQ (while improving other areas) more than straight PEQ?
Lastly, and this was sort of asked in my first comment, can you adjust PEQ and stay in the analog domain? Some things surprise me; Lyngdorf and the NAD M33 are digital domain only, even analog signals are automatically digitized (and I think the HTP-1 too), so clearly there is a camp that says
we believe this is better and external sources be damned. But that isn’t my subjective experience with my system (Ares II, AVM 70). I think this is still sorta on topic as I’m intrigued by Yamaha’s inclusion of balanced ins and outs and the inclusion of PEQ. I liked that on my RMC-1L, when it was in a good mood…… thanks.