User tone controls, user REQ (advanced time and frequency controls) whatever you like. Most people adjust or re-measure to taste. For example: "On my 5'th try the XXX REQ calibration sounds good.".
People should use tone controls, Audyssey, Dirac, DEQ, because it's preference.
Here are the Salon2 measurements taken without processing on the 9 positions recommended by Dirac:
View attachment 24024
Here are the measurements averaged together:
View attachment 24025
Here is the improvement by manually using PEQ filters and REW measurements for below 80Hz:
View attachment 24026
The top graph was utterly convincing to me that folly of applying equalization to a well made speaker above Schroeder Frequency. At 400Hz and above the mic positions (all within 3 feet) are all over the place which make sense when you consider that the wave length. If you have ever used a mic, you will soon realize how even with low frequencies, small movements in the position can cause large changes in the measured response.
According to Revel, you REQ/PEQ should be used to address room modes and not to correct above that as it has a negative affect on a well designed speaker.
I am not a fan of the Audio room correction mythology that includes real measurements and then predictive response. There should be after measurements.
Video calibration always includes pre-calibration and post-calibration measurements.
PEQ operates this way by when used with REW or similar programs.
REQ is predictive, and if you see how the mic can behave, I understand the reluctance to show the after measurements. It will not be pretty.
- Rich