I'd like to put forth that I am not buying a sub for a large. sprawling, superfluous american home, either.
I don't think any of this had to do with nationality. My comment about "across the atlantic" was merely facetious. I'm just trying to find the best sub for music production in my price range, and the subs from REL don't seem to be built for that purpose(at least not within my budget). I couldn't care less about looks at this point, either.
Checked out the UL15, too. What a beast. Wish I could afford it.
So, shady, how low do you think I'm gonna be able to get a pair of VTF2's? 16Hz really isn't NECESSARY, but if I decide I want to start mixing dubstep (noobstep xD), I would like to get some low wobbles in there.
I like the 15, but it is also a beast, and now having seen the ULS15, I am thinking that when i want to spend that kind of money, I will just dish out the extra 100-200 for the ULS15 over the VTF-15H. So while I was pretty much ready to dish it out and buy the 15h, I think I'm just gonna shelf that for now.
Also, I shouldn't be considering a VTF3 Mk4? And pairing it up later? Over the VTF2's? Maybe my best bet right now is to sell my Polk DSW Pro660i, buy a single VTF2 mk4, see how that works out, and save up for a UL-15 for a future, seriously serious recording/production rig? How would teh VTF2 compare to the 660i? From just a measurement standpoint, it looked like the Polk 660i was more in line with the REL.
I know I'm being indecisive. Probably frustratingly so.