MacManNM said:
So I guess your saying an op-amp can't sound good? Or I guess what you really mean is that your super sensitive ears are far superior to us humble mass-market cattle. .
Not at all my friend. I've got op-amps all in my stereo. They don't bother me at all. They might could sound 5% or 10% better if they were nicer ones, but I don't care really. Tons of audio gear, even expensive pro-level stuff has op amps in it. However there are usually a differen't quality of op-amps, and they sound different. Not dramatically usually, but you can hear them if given the opportunity to say... blind test them. I don't really think most of stuff with cheap op-amps sounds bad really, but somebody who's spent loads on their gear probably will. The Behringer stuff most likely has the cheaper op-amps, and might be perceivable in a really nice system. By an "audiophile" (something I don't really consider myself.)
MacManNM said:
I suppose you are one of those guys that buy expensive interconnects? They do make a HUGE difference you know. .
Nope, I buy decent sturdy ones and leave it at that. I can't really hear the difference to be honest with you.
MacManNM said:
Just to let you know, true audiophiles don’t use eq’s, 5.1, 6.1 or 7.1. So I doubt anyone will be inserting one of these into his system. .
Yea, that does seem to be the case. I understand that back in the days of Dolby Pro Logic, that most of the surround information was coded into the 2 channel audio using phasing and that using an EQ could effect that some. (because lots of EQ's can introduce phasing). I don't guess that's really an issue any more with newe formats like DTS, but I don't know. Anybody?? I've always wondered why audiophiles shy away from EQ's. I guess it's that minimalists argument.
MacManNM said:
As far as the ADC’s, and DAC’s, as long as the sample rate, noise level and cutoff filters are good, nothing will be lost / introduced.
I used to feel the same way until I compared a few during a session some years back. I was converted. (no pun intended) I'd say there's a big difference in timber especially between a cheap one and a really nice one like an Apogee or a Prism. But however, within the realm of most consumer converters, there's little difference, if any. And I wouldn't say they sound bad these days.
There's a few pieces of gear that I've used over the years that had especially brittle sounding converters. Like the old "black face" Alesis ADAT's. HORRIBLE sounding compared to whats in most peoples CD players and receivers these days. Most I'd say sound fine, but when recording, using poor sounding converters on lots of tracks kind of adds up and contribute to the sound the overall mix has. I can hear those old ADAT's in lots of the stuff Glen Ballard produces. He loves those old things. Most people don't. I can hear it easily. Check out Alannis Morrissett's "Jagged Little Pill" or "Dave Matthews Everyday". Those are both records that Glenn Did. The later especially had a very different timbre to it than the previous Dave Matthews records produced by Steve Lillywhite or John Alassia. I'd say in big part due to him liking to use those old Alesis machines. I'd by a nice DAC for my rig If I was putting together an expensive one. And I always like to have one good one in the studio for overdubs.
-funk-