I thought I might sneak some time off work to have some fun
Further listening:
Setup: All on "Unplugged" setting on Onkyo, with Audyssey XT32 running the show. All 5 channels active. Q control on HSU set low which gives tight base, with phase at 0. Only running at <25% of HSU output, as per Audyssey setup. Toed the 340SE's more aggressively to centre listening position - even past centre. Raised the 340SE Centre up 3 inches to just below Tv - which puts all tweeters currently at the same height (this resulted in an appreciably better sound!). No Dynamic Volume and Equalisation.
Adele: Mp3 file format through Airplay. Not bad, but I really have to push these speakers to 80% + of the Onkyo output to really hear them. They are genuinely quiet. If someone whispers (seriously!) to me at 30% of the Onkyo output, they drown out the speakers. Woah!
Bruno Mars: Flac format. Pretty good, not what I am looking for. Once again, 80% plus brings out whats going on, not so much before (ps: I have excellent hearing, often hearing things others cannot hear, well before they finally get to hear it)
Angie Stone: Flac + Mp3 format, same album in both formats. I am pleased to report that I can hear a pretty obvious difference here - the FLAC beats compressed music everyday all day. Yay! Sadly, its only at high volumes I can hear the nuances.
More Clarence Tom Ashley (an album recorded around the Great Depression) - at 75% of output volume, on "Unplugged" setting on the Onkyo, I can hear the nuances. Its MP3 sadly, but a hard to find album online. I can lots of static from the original LP on the recording, which kind of makes me smile.
Fleetwood Mac: FLAC file: once again, the speakers only shine at + 75% output. What gives with that?
George Micheal: FLAC: exactly as above with FMac.
Daft Punk: FLAC: hard hitting, excellent: best effect +75%.
Etta James Essentials: FLAC: truly excellent, with great seperation of vocals/ instruments. I tried to go down to 60% of volume, and its muddy and blended. Push it to 80%, and its clear and separated. Amazing. Its like two different Amps almost.
Hall and Oates: FLAC: same damn thing - although this time I hear lots of distortion at lower levels plus distortion. Crap recording!
LMFAO: FLAC: super tight bass, super impressive, fantastic. Once again, plus 75% = super
Mumford and Sons: FLAC: My kind of seperation and clarity at +80%. Not a dime before. I can hear the pick of the guitar, then drum reverberations, et al. Excellent.
Ok thats quite a range. Last thing I noticed that at +75% volume, there were quite a few occassions where the trebles hurt my ears for a second. Thats about 10 times through multiple swops of tracks from the above mentioned artists, and loud enough that I am going to switch off now, because ears are sore. Hmm.
To sum up: loud gives clarity, but trebles can really hurt (too much) on occassion. Harsh might be a way to describe this experience.
Hope that makes sense. I am hoping to listen at reasonable levels while hearing everything with a large soundstage, and my most important goal is clarity.
Thanks!
Its absolutely nothing special at less than 75% of volume, much like a HTiaB.