K

KlipschHead281

Junior Audioholic
well that sucks, hopefully you can figure something out.
From what I'm hearing (calls and emails) the subwoofer is performing to spec, the issue might be my perception of what to expect from such a small sub.

I own 2 MFW-15's so I need to flush my expectations and run through the test tones and material again.
 
K

KlipschHead281

Junior Audioholic
Ok, removed the UFW-10 sub from the bedroom home theater and implanted it into my computer system in my home office. What it didn't do for my home theater it more than makes up for on my computer 2.1 system, holy crap it sounds fantastic! No cutting out, just fantastic bass!

The system consists of the following:

Late '08 Mac Pro (dual quad 2.8 Xeons, 16gigs memory) as media source
Radio Shack Mixer, outputs to receiver and two transmitters, one FM and the other AM. (FCC legal limit)
Marantz 4270 Quad Receiver (75watts per channel) don't let that number fool you, this is one potent receiver.
AV123 X-LS mains (how can such small speakers sound so damn good?!?)
AV123 UFW-10 with Dayton SA240-B amp (I know, duh)

I'll post pics when I can, right now it's hodge podged together and looks like crap but the sound is incredible. I have my dual Klipsch Pro-Media systems unplugged now.

I have plugged the Klipsch KSW-300 into the bedroom home theater and there just isn't a fair comparison to it and the UFW, it just kicks its arse. If I could only get the phasing to sound right. I'm going to play with placement and see, this sub hits hard in every seen in WOTW and Subsonic makes everything on the shelves fall off so it's worth the effort getting the phase right.

I digress, the UFW isn't a bad sub, it just doesn't have the size to hit as hard as I need since I'm spoiled by 2 MFW's. I seriously doubt a more potent amp will help, this SA240-B is really rocking this thing in the 2.1 system.

I made a video of the UFW-10 during testing. I have been playing this thing hard for 3 hours with no cutoff or distortion. The video may sound a bit distorted but thats because my digital camera was not meant to try and capture audio like this. I think the video will convince you the Dayton is the right choice.

I used the Crystal Method "Tweekend" and if that doesn't test the nuts of a subwoofer I don't know what will.

Here is a link to the video UFW-10Subwoofer Test, by the way, the digital camera does a pretty good job picking up the bass, but it does break up a few times and distort (not the sub).
 
K

KlipschHead281

Junior Audioholic
Whoops sorry for the late reply.

The Emotiva amps are fantastic. For your RF-82's though im not sure how much difference it would make since they are very very effecient. Some models like the RF-7's and RF-83's have low impedence drops and in that case a external amp would be a great choice. But there are still a few owners with RF-82's and the Emotiva amps that really enjoy the combo, so it really just depends on your needs if ya know what i mean.

bigred7078,

Ok, been giving it some thought, why bother with the rear channels when this sucker can handle the front three and the SR5003 can handle the back three? I may just choose this bad boy! The XPA-3.
Whatcha think? http://emotiva.com/xpa3.shtm



So what's the answer? More power. In order to deliver a lifelike, clear and engaging cinematic and musical experience, you need REAL POWER...and LOTS OF IT. You need to give that receiver of yours a shot of adrenaline.

Add an XPA-3 to your receiver. Use it to power your left, center and right speakers. Let the receiver take care of the surrounds...that's easy. You'll notice an amazing improvement in the overall detail and dynamics, and an exceptional improvement in the clarity and natural presentation of voices and instruments. Wait until the action starts, and then hold on. Your surrounds will also spring to life, because a huge burden has been lifted from the receiver, allowing it to easily feed them the power they need.

Like all of our X series amps, It's a brute. A high current, 600 watt amplifier with a massive toroidal power supply, independent power block construction, at price that's impossible to ignore.

When we say 600 watts, we mean 600 watts. That's the minimum output power of the XPA-3, with all channels driven. No excuses, no small print. No disclaimers. Just real, honest power.

Combine it with an XPA-2 for an absolutely knockout 5 channel system. There are as many possibilities as there are different multi-channel setups.


The XPA-3 makes it easier than ever before to enter the world of separates. Trust us, you'll be amazed by the difference REAL POWER can make.
 
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