Gee, are you following me around the forum?
Gee, who sounds pugnacious here?
It's you who've proposed that these are two real and distinct mental operations. That when the audiophile buys his new amp and plugs it in and hears that 'open soundstage' and 'more detail', it's not an identification, it's not a task involving memory, it's just an...experience? Because , I suppose, tjere's no 'pressure' to 'pick'? OK, I'll humor you.
Nothing is stopping DBT skeptics from acclimating themselves for as long as they like, before doing the comparison blind. Do whatever you imagine is necessary to make yourself as discriminating as you can. Bathe yourself in the 'audio experience' as long as you deem necessary. The only requirements after that are 1) that during the actual test, the only 'clue' you have for judging the sound, is the sound and 2) you do enough trials to make for some some decent statistics.
Alternately, if you insist that that's no darn good, that the *mere act* of consciously attempting to tell one amp from another throws the game, how do you propose to get around the *known, demonstrable, scientifically uncontroversial effects* of sighted bias, which are surely operating during both your 'audio experience' and your 'identification', hmmm?
Even if you wuss out, deny the scientific method, and insist that there just is no way to verify the real sonic basis of a subjective audible difference, shouldn't you at least, *always*, acknowledge the likelihood of your 'differences' being completely imaginary, unders such conditions? It's what I do, btw, because of course I *don't* do DBTs on everything I buy. Unless there is a sound (and generally trivial) reason for expecting things to sound different -- e.g. one AVR has DSP engaged, one doesn't; one amp's tubed, the other's not, etc -- then I am perfectly happy to admit that any differences I thought I heard in a sighted, unlevelmatched comparison, could be imaginary or due to trivial level mismatch (e.g. one amp's '11' not the same as the other's) -- not 'intrinsic' to the gear. It's called acknowledging the psychological facts of life.
Funny how few audiophiles ever have the brass to do that.