That is also why I put my comment about SACD. If they happen to have used similar technology as is used in SACD then maybe there will be a noticable difference.
Just answer this question and I'll see if there may be a real difference. Can you hear the difference in a Bryson amp and an Outlaw of equal real output?
SACD is a bit different in the way it works. It uses a 1-bit DSD at an insanely high sample rate (somewhere in vacinity of 2.8 mHz, compare to DVD-A @ 48,96 or 192 kHz, and CD @ 44.1 kHz).
Dolby TrueHD functions effectively the same as DVD-A (aka Meridian Lossless packing). It uses a bit depth of up to 24 bps and up to 192 kHz. The potential is there to make the tracks sound as good as DVD-A (and possibly SACD), but whether or not is does is a function of the integrity of the mixing/mastering/encoding process.
DD and DTS are lossy compression schemes, no matter which way you slice it, some data is lost in the process. TrueHD and DTS HD-MA are lossless compression schemes, theoretically, all data is retained after the compression. How big of a difference there is between them, is again a function of how well the track is mastered.
From experience I can tell you that many TrueHD tracks sound better than the legacy DD or DTS tracks with greater soundstage and clarity as well as improved dynamic range. Whether or not this is worth the upgrade is definately an indivdual decision.
I'm not sure how your question about the difference between two amps is even relevant in this discussion? To answer your question, not having heard the two amps in a test, I can't make an analysis. So I'm not sure how you could comment on TrueHD, not having heard it.