Mtrcrafts makes a good point. It could well be that there is not the bass you think there is, in the score or orchestration. I find that when I listen to other systems, subs are far more often then not set too loud, and the program is not well reproduced at all.
Here is the frequency spectrum of instruments.
Only the pipe organ goes the full distance, and not all of them. 32 ft. pipe is 16 Hz, there are 64 ft. stops, but there are no 64ft. pipes, they are extension stops constructed from the beat frequency of a combination of shorter pipes.
The contra bassoon comes close to 20 Hz but does not quite make it. The piano makes it to about 26 Hz.
In addition the ear is not so sensitive at bass frequencies, so even a large section of double bass players does not actually sound like thunderous bass in the concert Hall.
Since the advent of subs, there has been a huge tendency to overestimate the sound intensity in the last octave. This leads to people balancing their systems for very unnatural bass reproduction. Properly balancing a system is a great art, and takes time and work. However, properly set up and balanced systems are an absolute prerequisite for high quality realistic reproduction.