So take the case I made of a trampoline like suspended wood floor that sends vibrations through the house. If you can minimize those vibrations from occurring, propagating additional distortions in the form of door/knick-nack/other structural noise... is that not a good thing?
What strikes me most from my experience against that of people on a slab floor is that the slab floor has significantly more mass to accept and dampen the vibration. Plus, it is widely accepted that concrete eats up those bass frequencies, anyway.
I don't propose in my own experience anything beyond the minimizing of some of that conducted energy transference, and in so minimizing that, as I stated above, you could perceive the "tightening" of your bass. I think that is a lazy and horrible way to look at it: there are definitely more precise ways to describe what's happening than resorting to Audioph-oolic lingo.
If asked, I would definitely liken the IsoAcoustic marketing to similar claims from Cable companies. Moreover, you are paying for the part of the product that just looks good, which is fine if it becomes qualified as Audiophile Jewelry With Purpose.
But then, the argument is clearly made through the disagreement generated by Theo’s review that this didn’t live up to the standard we expect from AH.
If isolation and coupling/decoupling are going to become a recommended product or methodology, then it needs to be looked at from outside one manufacturers marketing pitch.
Questions from floor material and home construction to what is happening in a box of sand or with a maple butchers board, how and when to use spikes vs rubber feet or foam pads… and what actually changes, if anything, in the performance of the Speaker all need to be looked at.
Right now though, this reads like magic cable threads extolling the virtues of battery packs or quantum tunneling.