Not really.
BIS are probably the greatest exponents of the medium. However since 2005 they record and edit in high res. PCM and transcode to DSD. I understand that is pretty general in the industry now.
Really DSD is a coding system that should never have seen the light of day. It came about purely to pander to audiophools. The system is impossibly hard to work in. So using PCM in production makes sense.
Honestly unless it is antiphonal music it is not really worth it. If it is just for ambiance then 2 channel recordings with good ambiance and Dolby PL IIx properly set up works nearly as well.
You can see the BIS catalog here.
Here is the
Hanssler Catalog. The Britten War Requiem is antiphonal and is a particularly fine recording. That is something that should be in everyone's library.
Here are the
Mercury Living presence SACDs, from the three spaced omni Telefunken mic, recorded either on a three channel Ampex tape machine or a three channel optical recorder by Robert Fine. These are fifties era recordings. They were remastered for SACD by Wilma Cozart Fine when she was in her nineties. These recordings are one of the best reasons for getting into SACD.
When you buy recordings from the Berlin Symphony Orchestra you get a CD, multi channel audio only high res BD audio, an AV BD and the rights to a high res download.