I would like to clarify my overall inquiry in this thread. My thoughts are half-baked and perhaps wander...my apologies. Here is what happened in reality...
I wanted to upgrade my speakers to a more 'musical' and 'neutral' value. Sounds logical and sane, yes? But please keep in mind that I have a minimalist's budget available. I really wanted some Aerials which I have auditioned at a B&M store, fell in love with, but in no way could afford. I currently have JBL Studio Series S312 mains. I bought/auditioned a recommended speaker (that will remain nameless) which is a small, three-way monitor of sealed design. The frequency range of the auditioned speakers is a bit more restricted than my JBL's, so I decided to get a receiver that had a more sophisticated crossover system and more watts/damping/inputs/etc while I was at it. I bought a new Yamaha RX-V2500 and am selling the old Panasonic 105 wpc. These are the specifics.
What I found was that I could drive the speakers with ease with either receiver and I noted no change in speaker performance. But I wasn't getting the highly anticipated breakthrough in musicality from the new speaks. My curiosity led me to the question about amplification. And that's how we got on that track.
But more than that, I wondered about "what the heck IS a speaker upgrade"? It seemed like a philosophical question more than a practical one was necessary. As I said in an earlier post, we toss around terms like "high-end", "warm", "improved drivers", "dynamic"...all of these terms are used trying to describe the subjective nature of the sound that hits our ears/brain. We kind of skipped over the importance of those terms related to "more expensive" or "upgrade". How much do you pay for what level of improvement (with an upgrade) of .....as an example, "dynamics"?
I am forced to conclude that speakers are good, only if your ears tell you they're good. So how do you go about getting "gooder" sounds in an upgrade? Any time you change speakers you change the entire formula of mechanics driving the sound that is hitting your ears and then interpreted by your brain. And speakers are nothing more than transducers. Unless you have the artist sitting in your room with you while you're playing his or her cd (the ultimate A-B test

), you have no idea if it has a "live" or "neutral", or whatever sound. If you like the speaker sound, that's all that matters. (And this even includes the possibility of liking underamped speakers.)
The next, natural follow-on question then is "how do I upgrade that sound/speaker"? And even if I find a similar but improved (more to my liking) speaker, how will that improvement be measured and what is the relevance of incremental, subjectively heard improvements to the cost?
See, I've warned you twice now that this seems really irrational. The only thing I can figure is that one just needs to audition audition audition to find speakers that one likes better than what one already has. But there is no such thing as an "upgrade"...nor is it in any way tied to cost.
I have this sinking feeling that I just lost everybody. I'm old...hopefully you'll allow that as an excuse, lol.