I had a conversation today with two audiophiles who have worked for MANY high end companies. One is my relative, the other is his friend. We were talking about speakers, what is was like to work at various companies, etc.
When we were talking about speakers the topic of cables came up. They both agreed that the cables make a huge difference (and we should all buy cable lifters
) and they gave me anecdotal evidence to the tune of "I changed cables and my soundstage collapsed!" One of the audiophiles goes on to tell me that cable break-in is important, but he found it was as easy as just leaving the cables their overnight! (WOW! I can't believe the factory didn't leave the cables anywhere after they were finished creating them...) I asked "If you came back and heard it the next day, how do you know it sounded different; our acoustic memory lasts about 3-5 seconds?" To which he replied, "Using acoustic memory is a terrible way to listen. You must build a repertoire of sounds and listen long enough so that you know when something sounds right!"
Later in the evening, both audiophiles told stories of how they can hear 25khz, and how walking into a store with a bunch of old TVs giving off 19khz tones was like nails to a chalkboard.
The best one of all...the MOTHERLOAD of stupidity...I'll give you a second to sit down.
Sitting down yet?
OK, good!
One of the audiophiles said that vinyl is better because it has "unlimited resolution", meaning it can play past 192khz sample rate. I asked why such a large sample rate is important (he want's past 400khz for CDs) knowing that humans can't hear the very high frequencies that they allow to play in the recording. He said we can hear it and went on to explain (and draw me a picture) as to how we can hear it!
His explanation is as follows:
We can hear that high! Let's say we had two instruments and, to make it easier, they are playing two sine waves. One at 11khz and the other at 12khz. The amplifier sees this as a summation of both waves. 11 x 12 is 132khz*, this sound needs to be reproduced because our ears hear 11khz and 12khz with different hairs, which means they hear them separately. If the 132khz sound is not being produced, our ears won't be able to hear the 11khz and 12khz sound independently, and the notes will sound very stretched across the soundstage.
YouTube
I would like to point out that
THESE ARE THE PEOPLE WHO DESIGN, BUILD, AND MARKET FOR POPULAR AUDIO COMPANIES. THEY ARE NOT ALONE IN THEIR THINKING!
*He used 42khz to make it easier..but his math was 11khz X 12khz