
Auditor55
Audioholic General
I really meant those in ceiling speakers.How else would you get speakers above you? (Keep in mind I actually have my top four mounted to the ceiling. Not optimal)
I really meant those in ceiling speakers.How else would you get speakers above you? (Keep in mind I actually have my top four mounted to the ceiling. Not optimal)
You don't include the cost of wiring the speakers into your ceiling? Having said that, $250 isn't bad at all. However, I just don't think its that much sound information above your head, an occasional helicopter or air plane fly over, other than that not much. At this point, not enough sound info to justify the cost and time to place speakers above your head in an Atmos system. Not to mention the lack Atmos encoded content.It sounds like the price to install ceiling atmos speakers is prohibitive because the speakers themselves don't have to be price prohibitive. I paid $250 for 4 in ceiling speakers. My HT space has a attic space above so it was a fairly easy DIY install....the setup is 5.2.4...sounds great. I've never heard a system with front heights to know what it's like.
Ah. Makes sense now.I really meant those in ceiling speakers.
I've got my 7.4.4 setup and it's awesome. As for how much content there is, there is quite a lot, but the upmixer that replaces the Dolby Pro Logic is pretty awesome. Adds height information to everything (which for me is TrueHD and DTS-HD) that isn't already encoded that way. It works and is nice, but it isn't groundbreaking. I think Atmos is very good, but I'll need to get my ceiling speakers in before I can really tell. My current on-ceiling speakers do a great job, but their dispersion isn't all that wide.You don't include the cost of wiring the speakers into your ceiling? Having said that, $250 isn't bad at all. However, I just don't think its that much sound information above your head, an occasional helicopter or air plane fly over, other than that not much. At this point, not enough sound info to justify the cost and time to place speakers above your head in an Atmos system. Not to mention the lack Atmos encoded content.
I can't justify the cost for you of course, but my wiring cost was the cost of the wire and my DIY labor...attic access above the HT space so it was pretty easy...the hardest part was finding cool enough temps to work in the attic.You don't include the cost of wiring the speakers into your ceiling? Having said that, $250 isn't bad at all. However, I just don't think its that much sound information above your head, an occasional helicopter or air plane fly over, other than that not much. At this point, not enough sound info to justify the cost and time to place speakers above your head in an Atmos system. Not to mention the lack Atmos encoded content.
I'm a music guy as well. Yes immersive audio makes for an improved audio movie watching experience, however its not, in my opinion and observation, not dramatic as some have been claiming. I think you are immersed because you really are immersed in sound, so many sound sources with speakers all around you, firing sounds at your ears.I can't justify the cost for you of course, but my wiring cost was the cost of the wire and my DIY labor...attic access above the HT space so it was pretty easy...the hardest part was finding cool enough temps to work in the attic.
Immersive is better, makes the movie experience a bit more realistic to the viewer in those scenes where overhead sound makes sense, I would expect titles to grow with the Dolby brand name behind it....but, truth be told, the easy access is the only reason I have atmos speakers.
I'm mostly a music guy so it's easy for me to say...I don't blame you.
Many older models have the ability. It’s really a shame it’s not taken hold for home theater, the gap between the front left and right and surrounds is probably the biggest flaw with 5.1/7.1.Not very many, if any, manufacturers have implemented the width channel capability of Atmos. I think the Denon 7002 receiver can, but I'm not 100% on that.
I have been watching movies on a 5.1.2 setup for the last 6 months, and I can assure you, whether it’s dts x/atmos encoded content, or unmixed using neural x/Dolby surround, there is a ton of sound information coming from overhead. Not just flyovers. Keep in mind, sounds don’t have to be directly above, could be floating mid room.You don't include the cost of wiring the speakers into your ceiling? Having said that, $250 isn't bad at all. However, I just don't think its that much sound information above your head, an occasional helicopter or air plane fly over, other than that not much. At this point, not enough sound info to justify the cost and time to place speakers above your head in an Atmos system. Not to mention the lack Atmos encoded content.
Have you tried dsu with music?I'm a music guy as well. Yes immersive audio makes for an improved audio movie watching experience, however its not, in my opinion and observation, not dramatic as some have been claiming. I think you are immersed because you really are immersed in sound, so many sound sources with speakers all around you, firing sounds at your ears.
When there is a scene with a helicopter or something overhead...does it sound more realistic with an atmos coded movie and like based system? IMO it does. Like most audio, with better room acoustics, better speakers, the better the listening experience will be.I'm a music guy as well. Yes immersive audio makes for an improved audio movie watching experience, however its not, in my opinion and observation, not dramatic as some have been claiming. I think you are immersed because you really are immersed in sound, so many sound sources with speakers all around you, firing sounds at your ears.
No. I don't have an Atmos receiver. My observation of Atmos has been cinema Atmos and demo rooms.Have you tried dsu with music?
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DTS-X is less common, but I got Atomic Blonde and it has a DTS-X track. Auro 3D is DOA.I still don't think this format (Atmos) is getting the necessary software support to make it a mainstay. I've read where its mostly showing up on UHD Blu Rays, if that's the case, that could be a death blow.
Also, what is the realistic future of consumer DTS-X and Auro 3D?
Here is what I am seeing. We are almost approaching 2018 (the time of my response) and I have not heard a really good Dolby Atmos demnonstration anywhere. Virtually nothing related to surround sound has made it into the music end of things. I am not aware of any theaters in my area that have Atmos (or maybe its DTS counterpart). I am starting to wonder, is Dolby Atmos and DTS:X about to suffer the same “fatal death” that 3D video suffered? Maybe I missed something along the way, but I do not see much interest in Dolby Atmos.We've heard chatter in the industry that the new surround format Dolby Atmos, originally designed for Cineplexes, may be working its way into new AV receivers as soon as this fall. Are you ready to jump on the 9.1 or 11.1 surround bandwagon? Or, do you think this will be another forced technology push like 3D and UltraHD have been, from an industry desperate to promote a shiny new product or feature rather than educating the consumers on how to better set up existing technologies to maximize their home theater experience? It will be interesting to see if consumers will identify a need and benefit for adding more speakers in their existing home theaters and if they will be willing to allocate both budget and space to accommodate.
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Read The Dolby Atmos Paradox
Are you planning an AV Receiver upgrade to accommodate Dolby Atmos and up to 11 channels of audio? Let us know in this thread.
Highly doubtful. Atmos is becoming a standard feature in avrs and on bluray, it’s also being incorporated into things like HTiBs and sound bars.Here is what I am seeing. We are almost approaching 2018 (the time of my response) and I have not heard a really good Dolby Atmos demnonstration anywhere. Virtually nothing related to surround sound has made it into the music end of things. I am not aware of any theaters in my area that have Atmos (or maybe its DTS counterpart). I am starting to wonder, is Dolby Atmos and DTS:X about to suffer the same “fatal death” that 3D video suffered? Maybe I missed something along the way, but I do not see much interest in Dolby Atmos.
The first native studio Atmos re-mixes have been released, but most don't know about them yet. One is excellent IMO and makes me very excited at the possibilities of some of my favorite albums being remixed in Atmos. Of course, as with any format, the quality of the Atmos mixes will be variable. But when done right it has the potential to be a revolutionary step forward in studio mixes.Here is what I am seeing. We are almost approaching 2018 (the time of my response) and I have not heard a really good Dolby Atmos demnonstration anywhere. Virtually nothing related to surround sound has made it into the music end of things. I am not aware of any theaters in my area that have Atmos (or maybe its DTS counterpart). I am starting to wonder, is Dolby Atmos and DTS:X about to suffer the same “fatal death” that 3D video suffered? Maybe I missed something along the way, but I do not see much interest in Dolby Atmos.
We've heard chatter in the industry that the new surround format Dolby Atmos, originally designed for Cineplexes, may be working its way into new AV receivers as soon as this fall. Are you ready to jump on the 9.1 or 11.1 surround bandwagon? Or, do you think this will be another forced technology push like 3D and UltraHD have been, from an industry desperate to promote a shiny new product or feature rather than educating the consumers on how to better set up existing technologies to maximize their home theater experience? It will be interesting to see if consumers will identify a need and benefit for adding more speakers in their existing home theaters and if they will be willing to allocate both budget and space to accommodate.
![]()
Read The Dolby Atmos Paradox
Are you planning an AV Receiver upgrade to accommodate Dolby Atmos and up to 11 channels of audio? Let us know in this thread.
Yep.Be serious I have tried 9.1 and 7.1 etc etc I always seem to go back to 5.2. Put the money into better speakers