Spin it whatever you will, but the crux of the matter is that for every pirated song, the artist loses a few pennies. Use whatever means you can to justify that if it helps you feel better about it. Those pennies do add up, particularly when the song is hot.
If you don't feel there's something wrong with that, then there's nothing I can say that will change your mind. It's that damned relative morality in action again. That, plus the fact that the odds of getting away with it are pretty high.
No one is saying that copyright infringement is OK. We are simply saying "it's not theft".
Look at your own "crux of the matter". If I go get a bootleg copy of Billy-Ray Cyrus, it doesn't cost him anything because: I'm not going to buy his album anyway (for the same reasons I'm not going to go get a bootleg copy).
Did you know that every time you buy a used CD at a pawn shop instead of a new one, the artist looses a few pennies? Every time you tell someone "don't buy that, it's not very good", the artist looses a few pennies.
And what about the numerous "best of the 80s" kinds of albums that, apparently, the studios have not been paying the artists for (see lawsuit thread)?
The crux of *my* assertion is that, in trying to justify calling copyright infringement "theft", you open the door to all of the above counter-arguments.. It shouldn't be happening.
Isn't it enough that it's copyright infringement? Why does it have to be something else?
As to the "laser" post: Lasers didn't exist. Copyright law and copyright violations did exist. Unless you are arguing that creators do and should have some new, different copyright than they have for centuries: it's not a good analogy.
Again, since it somehow keeps getting overlooked. I'm not advocating copyright infringement. I support copyrights.