Hi Peng,
Much of the preamp section weight loss over the years have been combined chips with more features. So instead of buying 8 total DAC's, now you have an 8 DAC chip (all in one). DSP's have more MIPS so they don't need to use as many etc. They also shed legacy technology (SVIDEO etc).
I would also say they have followed what the market has demanded and that is price. A guy walks up to a showroom in BB and sees all kinds of brands. Not knowing a thing, he starts to compare DSP modes and sees how many "watts per channels" they claim to have. Then whoever is cheaper he buys. But the other higher quality seeking guy goes a step further and looks at the THD spec
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rolleyes
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and sees that the better model has a lower number. That's all the proof he needs. So he splurges for that extra $120. Research complete! It's time to go home and hook it up wrong with the left and right speaker next to the corner fireplace. Nirvana! So D&M has to be aware of the big box type shopper. They are not as knowledgeable. But better quality may only make you more expensive and therefore lower sales. Receivers are heavily price driven and they need to cut costs every way on the sub $1K price point without gutting it out too much.
The reason why the AVP was such a heavy weight is because they didn't worry about how much they over engineered. I propose back that NO product has spent as much on their prepro (I am talking about the BOM). Imagine how much Levinson would have charged to undertake such an endeavor with it's user friendliness. It was a statement piece in 2008. IMHO, they OF COURSE have learned a good deal more since then. One reason is because Kevin is the man behind the curtain (he is a HUGE prepro fan and put his neck out there when he released the Marantz 8801) and the D&M engineering teams merged.
Back to the AVP...Wanting for it to be upgradeable to a certain level, they went down the card approach. So under the hood, you will see all kinds of slide in cards with connectors galore (even more burred underneath) analogous to a computer. Meanwhile the 8801 is more analogous to a laptop (lot's of features built on the same "motherboard"). Of course you will consume more power using card slots / modularity and you better have a beefier power supply. So when you add it all up, their is a lot of stuff inside. Now a counter argument is that when you use this card approach, you violate KISS (Keep It Simple Stupid). When you have an expensive piece, people want the jewelry to match. So the manufacture spends that extra $100 on the thick heavy faceplace and the rest is history.
My wishlist for any new flagship product is to forget the card slot approach. The reality is "upgradeability" has been a huge failure. Use the K.I.S.S. approach and save $'s to boot.
Speaking of KISS, B&K had a REF70 (and forgetting the bugs) was my favorite sounding piece ever. Their approach was to shed much of the analog preamp section, no longer have OP amps/no analog bypass, shed the signal caps (DC bias), and use a light switching power supply. So they followed "KISS" and that product was airy and dynamic sounding. It won 1st place in a couple of our group of 15 shootouts. They bad news was no cable box or TV vendor bothered to make sure their product handshaked correctly with the REF 70. Ed at B&K was busy buying a bunch of boxes to patch their code to cover their errors to make it work with those popular brands. They fell short. 25% came back because of HDMI issues (and lock-ups) and took down a once successful company. I loved that original group of guys. But small audiophile companies are one bad design away from going bankrupt.