It's been a few days, but I finally got a moment to pickup this thread...
Adam,
Thanks! I waited half a century to find a dame who would love me back the way I love her. Our daughter, although a bit strange, is absolutely the cutest. We get approached by modeling agents in the mall we shop at from time to time, wanting to use her for catalog modeling. But she's hard to work with and bull-headed. A few years ago, we looked into modeling careers but learned they are NOT about making money and are everything about being indentured to the agency.
I've learned quite a bit about Autism. Now I understand why I was put into alternative schooling as a child, due to my inability to control certain disruptive behaviors. I was selectively smart in limited areas, but unaware of my surroundings. I could not play team sports because my brain could not process realtime activities fast enough to understand what was going on in, for example, baseball. I could understand it if I watched a play over and over again in slow motion on a videotape, but when it happens in life, it's like a flash to me.
jostenmeat,
The thing about my work is it's not a 'cookie cutter' type business model. I can only sell one wedding video to the client. Any other client requires another 48 hours of shooting, editing, sound mixing, music tracking, DVD authoring, package/graphics design, debugging and testing of the final disc, etc.
My wife does go with me on meetings when the client is someone we met through the Filipino organization she is a member of. She goes because she can speak to them in Tagalog and she's comfortable with it because she knows these people. But she won't go with me if I'm on a sales visit with an American couple, as she's out of her element. Her English comprehension is not that good either. Sometimes I wonder if things would have been different if I had been able to marry someone with business acumen and who would be a real partner to my venture. Basically she says everything I do is a joke to her and essentially, I'm on my own. My friends give me advice all the time, but when it comes to picking up the phone and cold calling 20-25 businesses a day, it's just me. And I've been sinking into depression since October, when a major concert shoot fell through because of orchestra union politics. I really needed that income to make a tax payment and maybe buy some heating oil for this winter.
The last wedding I did was in 2007. Every sales meeting with couples since then has gone nowhere. I never hear from the client prospects after I give them the price list.
Not long ago, some company that makes sports instructional videos wanted to hire me to shoot an instructional at a nearby university. I was contacted only a week before the job date. As soon as I sent over the contracts and request for deposit to bind the agreement, the other party came back and said the instructor isn't ready and basically, it's been a few months and I have never heard from that prospect since.
I get a lot of this sort of thing. People calling up and asking a lot of questions. I've learned to detect when it's some competitor scouting to find out who the competition is and what we charge. I've also had a rash of competitors flag my ads on Craigslist to get them removed. It's a dirty world of guerilla warfare.
highfigh,
There is nothing I would want more than to not have to do weddings. Bridezillas are the worst people on earth! I'd LOVE commercial work, but the corporations either have in-house video production studios that make CNN look like a small pirate operation, or they have been using the same video production firm for a decade or more and wouldn't consider anyone else.
As for TV commercials for small businesses, I find the damned car dealers won't pay for a commercial because the TV station throughs in production for free with the air time contract. Buy a commercial on the local stations and commit to a certain number of insertions and they produce the ad at no extra cost. Who the heck would pay me a couple grand (the pros charge $11 grand to shoot these spots) to get something they can get for free elsewhere?
BMXTRIX,
I have a web site dedicated to my video productions for general/corporate, and anther site devoted specifically to brides and the sale of wedding video. My wife designed the latter site, which links from the MWHDvideo.com site.
Negotiation doesn't work when you have a product that is deemed 'disposable' by the prospect (the wedding will go on just fine even if they don't hire a videographer)--when we're worlds apart on price. They want to pay nothing (realistically, $200) and I'm talking down from $1500, which is my cheapest full-day package.
As a side note, the think that always yanks my chain is that pro still photographers have little difficulty commanding $2,400-4,000 and sometimes more, to shoot a wedding. It's easier, because the temporal and sound aspects are missing. Just set up, pose the people, check the lighting and press the shutter button. Take a thousand exposures and if you're halfway decent, you'll get 200 good photos and a dozen really great ones. A little Photoshop time, some printing and placing in a bound volume and voila. But shooting video at a wedding is MUCH more work. First you have the photographers who just seem to stand in front of your cameras on purpose. Then you have to deal with getting key people to wear wireless mics. Some churches have ludicrous rules about videography in the venue. We videographers have a LOT of equipment to drag around, not just an SLR around one's neck. There's tripods, multiple cameras, microphones, wireless transmitters/receivers, Steadicam vest and gimbal arm, cables, laptop computer, etc. The shooting day is challenging, nerve-wracking (because you know you could be sued if you miss a shot of Aunt Tillie) and loaded with opportunities for things to go wrong (young kids running and tripping over your tripod leg, falling and breaking a few teeth on the marble floor of the catering hall).
And then if nothing bad happens, you make it home with all the footage, get it transferred to the editing workstation and begin to synch it all together, start getting a sense of the days' events, figure out what's important to keep the pace interesting, while weeding out the slow, boring non-events. You spend the next week working on this, and then when the draft is ready, you burn a window dub and send it to the client for approval. While this is waiting, you start working on designing a themed motion menu for the DVD, and coming up with unique ideas for the DVD package design. It's a $56,000 job, according to Ralph LaBarge's reference book, DVD Authoring and Production.
Back to the thermostat, yeah, I did what I though was the right thing. Even if my regular mechanic did it for $80, it still would have been a 90 minute drive across state, more gas, more time consumed and that would put me in a schedule conflict with picking up my daughter at the end of the school day. Considering all that, I guess I made the right choice. And considering my wife has not said anything further about it, I guess she's forgiven me.
Frankly, the prospects for 2010 scare me. With the people in power clueless as to how to let the economy recover and doing ever more things to damage it, I really don't have much optimism that I will make any sort of profit this coming year.
I think I'm going to shift focus from service provider to content provider. I'm going to focus on stock footage production and also start my dream of making a motion picture. I sat and watched District 9 a couple nights ago, and watched the making of featurettes, and there they were using the same cameras that I have in my studio to shoot much of the film. Why I'm not making movies, it's just ludicrous. So I'm brainstorming for ideas for a never-been-done-before script idea. As long as the authorities don't try to separate me from my home this year for falling behind on the taxes, maybe I might have a chance.