Measurements not Revealing Significant Differences Between AVRs and AVPs

Kingnoob

Kingnoob

Audioholic Samurai
As you know my Marantz AV 10 has revealed a significant improvement in SQ over my 7705 and 7706.

A year or so ago, I bought a 2 BD Atmos disc set for the BPO, it was to highlight their prowess in Atmos production.

When I played the discs on my Marantz 7705 I was very disappointed. The sound was weak and not "immersive" at all. Now the same programs were available to stream in Atmos from the BPO. The stream was significantly better than the discs.

So I put the discs assides as duds. I don't think I ever played them on the 7706 and I only had that for 3 months.

Anyhow last week just for kicks I got out those Atmos discs. I had to think hard were I had put them, as I did not think I would play them again.

However when played back via the AV 10 the sound was absolutely spectacular, exciting and true to life.

Now I don't think there is anything in test results from these units that would give a hint of this dramatic difference in sound and presentation.

Now Dolby Atmos is streamed in Dolby Digital Plus and the discs Dolby True HD.

So, it seems that the 7705 was incapable of properly decoding Dolby True HD at the very least.

This came as a surprise to me. I note that there has been discussion about this on Audio Science Review and Amir has called the situation a total mess and I would agree.

So, I have to report that there are huge differences in SQ between devices you would not expect from specs and even reviews containing standard measurements.
Considering how expensive the Marantz 7705 cost what a Shame it wasn’t good..:(
I’m running 4.1 no room for Atmos .
My onkyo 818 is still going strong 12 years after purchase. But my surrounds are in bad placement so it’s basically a stereo setup. My dad who could afford way better speakers then mine prefers tv speakers
There are ways to compare surround systems with A/B switches. Heck this one can even do A/B/C so with a little trick it could be wired up as an ABX test box:

I had a customer doing it decades ago and what he did is he had a stack of 2 ch A/B boxes (Niles units I sold him). So for a, say, 14 channel setup you'd stack 7 boxes.
Is that for switching to multiple pairs of speakers??
You should know as well as I do that there is no advantage to XLR over RCA unless the cable run is very long. The reason for XLR is interference rejection as the pins 2 an3 carry the signal and any interference cancels at the input stage assuming the in[ut stage is actually fully balanced, which on a lot of amps, if not most, that is not the case. XLR is primarily for long microphone runs. So for short runs like mine their is zero advantage to XLR over RCA.

In any event I need to use RCA and XLR on the same channels. The rear surrounds use XLR only, and the front three use RCA and XLR. The side surrounds and ceiling speakers amps use RCA only.
I’ve never even been able to afford one with XLR and since I can’t run Atmos there’s little reason to get them nor do I have a sub with XLR. And I can’t get a real job that pays a living wage here because they require hard trades or college degrees like 4 years. These retailers pay poverty wages I’ll probably end up homeless working for those.
 
m. zillch

m. zillch

Junior Audioholic
Is that for switching to multiple pairs of speakers??
It is bi-directional so either one set of surround speakers can be driven by two/three alternate systems or for other people they'd use it in reverse: one set of electronics can drive two/three alternate sets of speakers. There are versions that instead of speaker level are preamp level, too.
 
P

PENG

Audioholic Slumlord
I don’t know why this is such a hard thing for him to understand. He didn’t have a signal complaint about the 7705 or 7706 until they both s#% the bed. Now, their Dolby Atmos presentations were flawed. They were not so much flawed as outdated and it does not take very long at all anymore for processes and devices to become obsolete.

I’m glad he is happy with the AV10 and it delivers for him. We’ll find out how flawed the AV10 was when it eventually s#%ts the bed and a newer model is released. But, with just his own testimony based on memory, I’d take all of the information with a grain of salt.
Great point, I never thought of outdated could also be the reason but it is a possibility. With every firmware updates, that did take place with D+M AVPs/AVRs, it is quite possible that they have updated the DSP software too. Thinking back, with I upgrade/or downgrade? from my AV8801 to the AVR-X4400H in 2018, I really thought I heard better sound effects when watching movies, not just Atmos as the AV8801 didn't do Atmos, but also DDTHD, DTX:Neural X etc. Yet the AV8801 and X4400H have the same DSP IC, so I think the time gap of about 5 years must have made a difference, again, probably just due to FW update of the software.
 
H

highfigh

Seriously, I have no life.
I have to say I am really disturbed at the current state of play. In my view this really makes the case for putting the power amps in the speakers. This really is the only way out of this mess.
Or, near- that has been done in concert venues for 100 years and it makes sense, but a place for them needs to be found and when Interior Detonators are involved, nobody gets what they want WRT this stuff.
 
E

EBN

Audioholic
Denon seem to have discontinued the 3000 series and their top end AVR is now AVR A1H at 7199.00.

Power output is miserable though. No 4 ohm spec. No all channels driven spec. 260 watts 6 ohm only one channel driven and down to 190 watts 2 channels driven into 6 ohms. So even at that price it can't even be a decent 2 channel stereo receiver without the power supply being compromised. This is just not good enough.
A1H should be as good as it gets these days for av-receiver in terms of power output. Most people are perfectly fine even with much lower tier models when they pay attention to speakers (sensitivity / impedance / phase angles), but nothing seems to be good enough for you. I would make a big bet if someone were to swap your old amps & AV10 secretly and put A1H there without you knowing you would be singing the same praise still. Your hate toward av-receivers is very silly!

From Audioholics article: The fact that the A1H has an even larger power supply than the AVR-X8500H gives us high hopes for the amount of power this behemoth can deliver. In fact, we confirmed with Denon engineering that they bench tested the A1H is able to maintain 70% power for up to 9 channels driven! That would be 105w x 9ch driven continuously into 8-ohm load. Less useful information when real world program material being films you are not taxing all channels continuously in the way it`s been done in bench test. Not anywhere close. That`s why the ACD numbers are mostly irrelevant. Most people also have powered subwoofers taking big load off.

Audio Vision measured A1H.

- 2 channels driven 4-ohm 287w
- 2 channels driven 6-ohm 222w
- 5 channels driven 4-ohm 204w
- 5 channels driven 6-ohm 171w
- 7 channels driven 6-ohm 153w


ASR measured A1H 2 channel driven 4-ohm, 83dB SINAD = 0,01% THD+N @ 242w. For short peaks 350w 1% THD+N 4-ohm.

I have not seen anyone complaining about top level products as much as you. Everything should be DIY for you as all companies gets the hate and mockery. How one person can be so negative all the time?! Latest mocking was toward Dirac ART while you haven`t even tested Dirac Live digital room correction yet.

A1H_1.png

A1H_2.png


 
AcuDefTechGuy

AcuDefTechGuy

Audioholic Jedi
Denon seem to have discontinued the 3000 series and their top end AVR is now AVR A1H at 7199.00.
Denon is still selling the x3800, x4800, x6800, A10, and A1.

As for some AVR’s 2CH amp power:

Yamaha RX-Z11 387W x 2Ch 4 ohms, Denon AVR-5308 339W x 2Ch 4 ohms, Yamaha RX-A3000 series 294W x 2Ch 4 ohms, Denon X7200 266W x 2Ch 4 ohms, Yamaha RX-A2000 series 260W x 2Ch 4 ohms, Yamaha RX-A8 series 260W x 2Ch 4 ohms, Denon X8500 260W x 2Ch 4 ohms, Marantz SR8015/Cinema 30/Denon x6800 251W x 2Ch 4 ohms, Arcam AVR850 249W x 2Ch 4 ohms, Anthem MRX 1120 243W x 2Ch 4 ohms, Denon X4000 series 240W x 2Ch 4 ohms, Marantz SR7000 series 232W x 2Ch 4 ohms, Anthem MRX 710 223W x 2Ch 4 ohms, Denon X3000 Series 184W x 2Ch 4 ohms, Yamaha RX-V6 180W x 2Ch 4 ohms, Yamaha RX-A1000 series 173W x 2Ch 4 ohms

Yamaha needs to bring back the Z11 with almost 400 Watts x 2Ch 4-ohms. :D
 
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m. zillch

m. zillch

Junior Audioholic
The ACD spec is blown out of proportion. Similarly the SINAD spec is also over emphasized in some other circles. It is not that they are meaningless but people myopically focus on them as if they are all that matters.
 
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