I thought about this a little more, PENG, and I was wondering . . . there are a lot speakers out there that are rated as 8 ohm nominal, but have minimal impedances of 3 ohms or thereabouts. I think of most of the 800 BW series, or many of Focal's Be or Profile line.
OTOH, my PSB Images are rated as 6 ohm nominal, yet without as low of a dip, namely 4 ohms.
Do you believe that these "reputable companies" are stating such specs in regards to any decently "wide spectrum of lower impedance"?
Should I take it that such a "lower spectrum" is wider with the PSB than it is with the BW 802D? Sorry to bug you again, but I'm curious for your thoughts on this idea . . .
First of all, I do believe 'reputable companies" including companies such as PSB, B&W and klipsch would factor in the impedance dips when they rate their so called "nominal" impedance. If those dips cover a wide spectrum, say for a good part of the audible spectrum (20 to 20,000 Hz), then they would not (or should not) have rated their speakers 8 ohms nominal. That may be why PSB rated yours 6 dB because they have those 4 ohm dips and most likely those dips cover a significant portion of the speaker's frequency response spectrum. I thought fmw sort of answered your questions the way I would have, except that I do not agree nominal impedance = average impedance. Let's say speaker X measured 2 ohms flat between 20-10,020 Hz and 14 ohms between 10,021-20,000 Hz, then do we want the manufacturer of speaker X rate this speaker 8 ohms because the average is (2+14)/2=8 ohms for the spectrum 20-20,000 Hz? I certainly hope not! He is right about the fact that impedance varies in such a way that you cannot rate it as a single value, so you have to call it something else hence the term "nominal". It is not necessarily (most likely not) the average value. It should, however, be a value considered typical enough within the frequency response spectrum. And that should mean that an amplifier rated to drive speakers rated for this nominal value can be safely used to do a decent job with such speakers. Of course I can be wrong, but I would bet I am not far off in the case of speakers made by "reputable" companies.
Before I comment more on your second question, I would like to comment on the article linked by auwilk.
You will always find articles such as this one that talked about how meaningless "specs/numbers" are. TLS seems to be big on that too and I respect that just the same. Some of those articles were presented by people who sell amps, and in such cases we have to wonder if their motives are not a little complicated. That being said, I did not find anything factually wrong in that article from the electrical theory stand point. I do find it futile to talk about differentiating sensitivity and efficiency. To me, it is like trying to differentiate "effect" vs "affect", "currently vs presently" etc., mostly common errors. The only difference is, efficieny and sensitivity are technically totally different except that when Polk Audio (I also consider them reputable) specified their speaker's efficiency 88 dB we could easily guess that they actually meant "sensitivity" of 88 dB @ 2.83V 1 meter. Polk actually would say something like efficiently (AKA sensitivity). I don't like it neither but I know what they meant. The article also use a 91dB sensitivity speaker that has the what he referred to as "For large spreads of the audible bandwidth this speaker measures under 4 ohms." characteristics as an example to show why it is clear how misleading sensitivity can be when selecting a tube-friendly speaker.
While there is a lot of truth in what the author said and that 91 dB sensivity may be considered high, the OP's Klipsch has a published sensitivity of 99 dB @2.83V 1m. They did not say whether that 99 dB is anechoic or in a so called typical room, but either way there is no doubt the RF-5 can be driven to very high SPL in rooms that most ordinary people can afford. The author of the article seems a little extreme in trying to tell people that sensitivity numbers are meaningless. Again, he is right in the specifc examples he cited but in my opinion he is wrong in a general sense.
Now take a read of this:
http://www.polkaudio.com/education/article.php?id=4
In this article Polk Audio said:
"A highly efficient loudspeaker might be 90 dB. Each 3dB increase in efficiency doubles the sound output for a given power input. So a 100-watt, 90 dB self-powered speaker and a 200-watt 87 dB unit would produce exactly the same sound output."
This, on the other hand seem a little simplistic. It would have been more accurate if Polk had qualified the statement with something like "......for speakers having the same electrical characteristics, e.g. impedance & phase angle vs frequencies......................
And this, from klipsch website (note that, like it or not, they also use "efficiency" and "sensitivity" interchangeably):
http://www.klipsch.com/support/faqs/Default.aspx
"A. The output of a speaker (measured in decibels (dB)) for a given amount of amplifier power is termed its efficiency. Speakers with high efficiency will require less amplifier power to produce a given sound pressure level. Live music and movie soundtracks have peak levels as high as 120 dB. To attain just a 3 dB increase in volume, an amplifier's power must be doubled regardless what the speaker efficiency. Therefore, the amount of amplifier power needed if you wish to attain the sound pressure levels of a live orchestra or a large explosion in a movie is greatly dependent on the efficiency of your speakers. Here is a chart that shows two different speakers, one with 88 dB efficiency (common) and one with 100 dB efficiency, and the amplifier power need to produce given sound pressure levels:
The above charts show that the typical speaker with a sensitivity of 88 dB requires 1024 watts just to get to 118 dB! A more efficient speaker (example here is our KLF-30) requires just 64 watts to hit those levels of live music and Home Theatre. Therefore, the amount of amplifier power that a person needs is determined by the efficiency of the speaker that person is using plus the desired dB levels he or she wants to be able to produce. Other variables which impact the choice of amp power are the size of the listening room, the absorption characteristics of the wall and floor surface materials and the distance between listener and speakers. In a smaller room and with high efficiency speakers, 50 watts may be enough to provide full dynamic range. In a large room with low efficiency speakers, even 500 watts may not be enough. Higher speaker efficiency always helps deliver the most from whatever power you choose."
Finally, you last question, yes I would think in that case your PSBs must have lower impedance over a wider part of its frequency response spectrum than the B&W 802Ds do. For B&W to rate the 802D 8 ohms nominal with 3 ohms minimal, they have to be sure that amps rated for 8 ohm loads can be used to power their speakers sucessfully.