
panteragstk
Audioholic Warlord
One would think that if you pay one royalty from Dolby, you'd get all the codecs. Then again they could be priced individually, but wouldn't the royalty cost be much lower purchased in bulk vs one at a time?
As of now an AVR includes all of the royalties..Regardless, for such scheme to work, manufacturers would have to make the upgrade price affordable. As it is now, D&M charges $199 for the Auro-upgrade for the 2016 model just as an example. So for those who need that feature, that's the additional cost for not waiting for the 2017 models.
Nope...One would think that if you pay one royalty from Dolby, you'd get all the codecs. Then again they could be priced individually, but wouldn't the royalty cost be much lower purchased in bulk vs one at a time?
So it may benefit those who only want the most basic features, but those who wants everything or even half of the extras, will likely have to pay much more than they do now right?As of now an AVR includes all of the royalties..
So the price of the basic AVR should drop significantly..
I won't divulge the royalty cost for each but it is significant especially the HD codecs... For example, the royalties for a basic 7.1 AVR with Dolby, DD+ Dolby True Audio, DTS, DTS MA, Apple MFI, HDMI, video scaling, Audyssey can total up to as much 30% of FOB for an AVR selling for $999 SRP.
Note that per unit royalty cost will vary depending upon what codec, # of channels and unit projected sales quantity.
In order for this biz $ model to work, the AVR needs flexible software and adequate CPU resources(Mips, memory) to support the possible download combinations..
Just my $0.02...![]()
As I posted previously...Regardless, for such scheme to work, manufacturers would have to make the upgrade price affordable. As it is now, D&M charges $199 for the Auro-upgrade for the 2016 model just as an example. So for those who need that feature, that's the additional cost for not waiting for the 2017 models.
IMHO..So it may benefit those who only want the most basic features, but those who wants everything or even half of the extras, will likely have to pay much more than they do now right?
Thank you, that sounds logical.IMHO..
If my suggested scheme was adopted...
The lower priced entry-level AVRs could decrease in cost.. But the higher-end products with more channels, more advanced protocols that sell in lower quantities their respective royalty cost would increase and cost more....
Just my $0.02...![]()
It's a fun subject to muse about and I'm sure that if there is enough demand then someone will offer featureless products that are firmware upgradeable ($$$) to semi-full featured products, but I doubt that the demand for such products is significant or that making an upgradable entry priced receiver is any cheaper. A big part of the reason that people bother to upgrade their receivers is for new features such as 4K pass through and the latest audio and video processing and feature competition keeps the price of those features low and drives up sales. Second, the cost of post manufacture feature upgrades would be so prohibitive that new technologies would never be implemented. Each upgrade would have to have its own software or firmware package written and marketed and each upgrade risks additional support costs. All of that costs a lot of money. By wrapping everything up as a package deal the consumer benefits from economies of scale and support costs are kept low.A possible solution for all the various, audio, video, connectivity, room EQ SW protocols can easily be addressed by the major brands...
Make each 1 a download option, include the subject royalty in the download so then the user can select what he wants depending upon his requirements. If he wants Dolby Digital and Dolby HD Audio but not Atmos, why pay for 1 that he doesn't want. So now the user can customize his AVR to address his own preferences..
Just my $0.02...![]()
Not realistic...On the other hand, if you want to do something that will really drive down prices then get governments to ban minimum advertised prices (MAP). Based on some of the retailer MAP workarounds it's pretty obvious that manufacturer mandated minimum advertised prices are keeping consumer costs artificially high. I saved about 40% by taking advantage of one of those workaround sales.
I disagree, dealers like Newegg and Amazon provide no support yet are required to use full MAP prices and these days few brick and mortars provide support - they just don't have staffs capable of doing much. All MAP pricing does is give the manufacturers' products a premium cache. There is no reason that consumers should have to pay a high volume dealer a 100% markup.Not realistic...
The AVR brands and their selling dealers need to make a minimum % profit margin.. As this margin decreases the consumer starts to get shortchanged..
- Product's overbuild is reduced
- Brand's technical support is cut back, and/or outsourced out of North America
- Product's warranty is decreased
Where are U getting ur information??I disagree, dealers like Newegg and Amazon provide no support yet are required to use full MAP prices and these days few brick and mortars provide support - they just don't have staffs capable of doing much. All MAP pricing does is give the manufacturers' products a premium cache. There is no reason that consumers should have to pay a high volume dealer a 100% markup.
I'm basing it on a couple of things. One of those is Fry's famous maker sales where they refuse to name the brand or model in their ads due to MAP pricing but when you get to the store it's a Denon for 40% off. When I showed up to buy my AVR-X4400 they checked their margins and decided that they could give me yet another $100 off the 40% off and still make money. That makes their normal markup roughly 100%. Not for everything but for some things - particularly MAPed products like Denon receivers. But even if it's only 25% they should be allowed to compete on price. You are right that in specialty retail accessory markups are often obscene, as much as 300% or more. That's what's led to Monoprice to be such a disrupting factor in the cables industry.Where are U getting ur information??
A high volume brick & mortar dealer does not have a 100% markup on CE hardware....
Markup % and profit margin % are (2) different calculations...I'm basing it on a couple of things. One of those is Fry's famous maker sales where they refuse to name the brand or model in their ads due to MAP pricing but when you get to the store it's a Denon for 40% off. When I showed up to buy my AVR-X4400 they checked their margins and decided that they could give me yet another $100 off the 40% off and still make money. That makes their normal markup roughly 100%. Not for everything but for some things - particularly MAPed products like Denon receivers. But even if it's only 25% they should be allowed to compete on price. You are right that in specialty retail accessory markups are often obscene, as much as 300% or more. That's what's led to Monoprice to be such a disrupting factor in the cables industry.
Yes if you re-assign the front L and R to the rear height/or top, then obviously the front L and R pre outs have to be disconnected to the internal power amps.Will the Denon X4400H disconnect from the power amps if you re-assign the preamp outs to the rear in the amp assign settings?
If you re-assign the FL/FR amps, and connect the FL/FR pre outs to an external amp, you can do 7.1.4 with 11 speakers. You can still choose 5.1.4, and in that case you only need 9 speakers. So I don't know what you meant by "do I need to add another 2 speakers to take advantage of this feature? "Also, can you do a 5.1.4 set up while Re-assigning preamps or do I need to add another 2 speakers to take advantage of this feature? Anybody know?