Best floor-standing speakers for music? Up to $2500 to spend

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WmAx

WmAx

Audioholic Samurai
I think it's funny that you bash almost all speakers out there, but you always recommend the same B&W system. :rolleyes:
There is a very important reason I do, as it has several superior traits that directly related to human perception and the very principle of staring with a neutral system and then adjusting it's response.

Ever seen a SongTower's innards?
Yes. Utterly average cabinet construction that is found on most other hi-fi speaker cabinets.

Why don't you let the OP decide, eh? ;) Or why don't you build your own speakers if you know so much?
In fact, I only use speakers that I have designed for my own use. I also re-engineer speakers to be substantially superior to stock condition by way of cabinet re-construction internally and crossover re-design, and more extensive modifications such as driver substitution and addition if required.

You probably haven't even heard most of the speakers you bash. I am sure you'll say that you don't have to because only measurements matter. And that's what separates you from the people that actually enjoy this hobby and the whole point of it - the music and what we hear.
Most people like to believe measurements do not have such a great deal to tell them because they are not familar with the great extent of credible research in this field. I can't blame them for that, as it requires a vast investment of time to learn/understand these things. But do not make the mistake thinking you can make some biased speculations and then using your very limited knowledge of measurements and human perception: then proceed to say measurements do not have much meaning. You make this statement based on very little knowledge of your own.

Measurements will NOT tell a person what a speaker will sound like entirely. It won't tell a person if it's musical.
Measurement can encapsulate every audible characteristic. As far as the precise weighted coorelation of some things to precise interpretation by the listener, well yes, there is some small degree of uncertainty. But these are trivial - and you can start with a specific broad range of characteristics present, then reliably adjust the finer points like tonal response(EQ) and room interaction(s) with specific placement and / or treatments to meet the fine points of preference. There is no mystery or unmeasurable phenomena shown to exist. You speak of 'musical', but this just comes down to specific things, specifically, coloration, that you can induce electronically with ease, but can not remove electronically with ease. So it makes much more sense to start with an extremely neutral response device and then add your coloration according to YOUR preference, not put up with ones that are pre-built into the system.

You can EQ the B&W all day long, but it doesn't mean everyone will be happy with it after doing so to their specifics.
I'm sure they will be happy with them, if they are looking for a monopole speaker system and implement the DSP EQ and stereo subs as I specified. It meets the established requirements for a neutral system with broad off axis coverage. Most don't. Now, if the user is looking for a very specific sound that is attributable to a radically different off axis characteristic, such as omnipolar, dipolar or a highly directional system like a horn speaker, then the monpolar system above would not be suitable for them. But here, in this thread, is focused entirely on monopole speaker systems which have a very limited potential and range of characteristics to work with.


You are one of the few people on this planet that seems to think their is no subjectivity to this hobby.
No, I'm just one of the few that post on forums that have a considerable amount of knowledge regarding speaker measurements/behavior and human perceptual research that is related to this. Most of the 'mystery' simply disappears after you get to a certain level of knowledge in regards to these things.

-Chris
 
Sheep

Sheep

Audioholic Warlord
Define an accurate loudspeaker.
I'm going to ask you to do the same.

But I'll go first, then you can copy my answer, ok?

1.) Covers the full audible bandwidth (20Hz-20KHz). Subwoofers can be used as well.
2.) Resonance Free (with in it's pass band. Subwoofer's require less bracing due to a smaller pass band, and the fact that their pass band is easier to tame).
3.) Minimum Flat on Axis response (For Omnipolar, it would require Flat off Axis response as well) across it's pass band.

Once you have a speaker that meets these requirements, you can tailor it to sound as you wish. This is what Chris is saying. The system is neutral, adding nothing to the sound. It is easier to tailor this into what you want, then to buy a speaker pre-colored and make it neutral or as you want. Some factory speaker defects (resonance, non flat response, non flat off axis response) are impossible to fix without building a completely new speaker. You also lack experience with a properly built loudspeaker. I'm sure Chris can show you the extent of effort required to remove resonance, and have a flat off Axis response. These measures are far to costly and time consuming to be used in the mass market, which is why they don't exist except for a few brands (Example: B&W 800 series, only Monopole however).

What bothers me, is instead of you wanting to find what is best, you simply believe what you know to be best. You cannot gain knowledge if you think this way. Chris has proven himself countless times with speakers he's built, and the modifications he's made to speakers. Questioning his judgment is severely counter productive.

SheepStar
 
no. 5

no. 5

Audioholic Field Marshall
I think measurements are important, but not more important that whether we like what we hear.
Yes, liking what we hear does indeed trump all, but you must understand that perceptual research is not a study of which graphs are prettier.

When you look at measurements, what makes one better than another to you? If you performed objective listening comparisons of a large number of speakers, and you had detailed and extensive measurements of them, do you think there would be some similarities in the measurements of the speakers you liked?
I think I'll just ignore your unbacked statements from now on, such as the one about the SongTower's, which I doubt you've heard.
If I recall, all he said negative about the SongTower was that it's cabinet is 'highly resonant'. When does a resonance become inaudible? What kind of construction is required to get to that level?
 
N

Nuance AH

Audioholic General
There is a very important reason I do, as it has several superior traits that directly related to human perception and the very principle of staring with a neutral system and then adjusting it's response.
Says you. Have you thrown it into a test and found the results of those participating to the be same? All this without biasing or clouding their judgment? If so, where is the proof and who were the people? At this point it's your word against other's, and you've never heard the speakers you are claiming are nothing special. By the way, do you have measurements of the B&W's anechoicly on and off-axis? I do certainly like the look of the speaker, however.
Yes. Utterly average cabinet construction that is found on most other hi-fi speaker cabinets.
Proof please. Where and how?
In fact, I only use speakers that I have designed for my own use. I also re-engineer speakers to be substantially superior to stock condition by way of cabinet re-construction internally and crossover re-design, and more extensive modifications such as driver substitution and addition if required.
How convenient - "designed for your own use." So, in other words you're no better than any other manufacturer who intentionally engineers a speaker to have a certain sonic signature. But yet you swear the masses will like them. Sounds like nonsense to me, Chris, not to mention hypocritical.
Most people like to believe measurements do not have such a great deal to tell them because they are not familar with the great extent of credible research in this field. I can't blame them for that, as it requires a vast investment of time to learn/understand these things. But do not make the mistake thinking you can make some biased speculations and then using your very limited knowledge of measurements and human perception: then proceed to say measurements do not have much meaning. You make this statement based on very little knowledge of your own.
You assume too easily. Human perception? Give me a break. You aren't Floyd Toole or Sean Olive's prodigal son, so don't waste your time. I've read their research papers, and even those guys know that what you say isn't feasible or practical for 99% of those who purchase audio systems. To those people the only thing that matters is what it sounds like in their own homes to their own ears. They also wouldn't make a ridiculous statement in which they claimed one speaker will please the masses. Also, lets not forget about nuisance factors and biases, including varying room anomalies. And, of course, human hearing varies, so your recommendation would only be valid if we all listened in the same anechoic chamber, used the same gear and had the exact same hearing, which we all don't. I have very little knowledge, eh? Don't flatter yourself. ;)
Measurement can encapsulate every audible characteristic. As far as the precise weighted coorelation of some things to precise interpretation by the listener, well yes, there is some small degree of uncertainty. But these are trivial - and you can start with a specific broad range of characteristics present, then reliably adjust the finer points like tonal response(EQ) and room interaction(s) with specific placement and / or treatments to meet the fine points of preference. There is no mystery or unmeasurable phenomena shown to exist. You speak of 'musical', but this just comes down to specific things, specifically, coloration, that you can induce electronically with ease, but can not remove electronically with ease. So it makes much more sense to start with an extremely neutral response device and then add your coloration according to YOUR preference, not put up with ones that are pre-built into the system.
No, measurements cannot encapsulate every audible characteristic - not for every type of listener. If you think so, then prove it. And the degree of uncertainly is much larger than "small."

Put up with a pre-built system? But that's what you are recommending to start with. Why not start with another speaker (such as the SongTowers), add the "proper DSP xover control" then EQ to your liking? Because that wouldn't be what YOU recommend, huh?

Musical means realistic - a testament to the live event. Sorry, your definition must be different than mine. ;)
I'm sure they will be happy with them, if they are looking for a monopole speaker system and implement the DSP EQ and stereo subs as I specified. It meets the established requirements for a neutral system with broad off axis coverage. Most don't. Now, if the user is looking for a very specific sound that is attributable to a radically different off axis characteristic, such as omnipolar, dipolar or a highly directional system like a horn speaker, then the monpolar system above would not be suitable for them. But here, in this thread, is focused entirely on monopole speaker systems which have a very limited potential and range of characteristics to work with.
You are sure? Really? How about some proof, then? You cannot be "sure," unless, as mentioned above, all of the biases and nuisance factors are removed, every human being could hear the exact same and we all listened in the same room using the same gear. Even then, people probably still wouldn't unanimously agree, simply out of stubbornness or the desire to be different.
No, I'm just one of the few that post on forums that have a considerable amount of knowledge regarding speaker measurements/behavior and human perceptual research that is related to this. Most of the 'mystery' simply disappears after you get to a certain level of knowledge in regards to these things.

-Chris
In other words a self proclaimed no-it-all? I can recite what I've read in books and from Toole's research all day, but that doesn't make me an expert. Experimenting on your own and taking into account common sense and the actualities of reality play a large role as well. This whole correlation of measurements to perception is bunk for 99% of the human population that is interested in purchasing a loudspeaker system. It's just not practical or even plausible for many people, which makes much of what you say unnecessary and meaningless to many. To them, the only thing that matters is what they hear (or what they think they are hearing).

I am not proclaiming to know more than you, so don't get the wrong idea. I am, however, calling your bluff. You haven't even heard the SongTower's, or probably 90% of the speakers your write off. Measurements are great, but only when paired with actually listening experience and the removal of all biases and nuisance factors. They don't hold as much weight as you imply alone by themselves. If you think they do and you actually believe you can tell me exactly how a speaker will sound based on them alone, then you are just a self proclaimed golden eared super hearing being. In other words, a myth. :)
 
bandphan

bandphan

Banned
So is this thread going the route if its not the best technical solution there isnt a solution. Id be very curious to see information on the salks that confirm their Construction quality is lacking to the degree that their sound quality is effected to the level of audibility.
 
N

Nuance AH

Audioholic General
What bothers me, is instead of you wanting to find what is best, you simply believe what you know to be best. You cannot gain knowledge if you think this way. Chris has proven himself countless times with speakers he's built, and the modifications he's made to speakers. Questioning his judgment is severely counter productive.

SheepStar
How has he "proven himself?" Has everyone that has heard his speakers immediately loved them? If he doesn't have a 100% track record, then what he is saying is moot. And I have found the best (in that price range), at least to my ears. Just because it's not what Chris think is the best doesn't mean it's not to me. Remember, subjective. For what it's worth, I happen to like the older 805S's. So you see, I am not trying to argue that you should like what I like. I am arguing that not everyone is going to like what he likes (Chris). Chris "simply believes we he knows best" as well. How is he different than the 100's of speaker manufacturers out there?

Yes, liking what we hear does indeed trump all, but you must understand that perceptual research is not a study of which graphs are prettier.
I agree. I think you are misinterpreting what I am debating. My whole point is exactly what you just admitted to agree with (what we hear trumps all). So it seems you and I are on the same page. :)

When you look at measurements, what makes one better than another to you? If you performed objective listening comparisons of a large number of speakers, and you had detailed and extensive measurements of them, do you think there would be some similarities in the measurements of the speakers you liked?
Wow...lots of things. FR, on and off-axis, how flat the FR is, how quick the decay of the speaker is, what the phase measurements are, impedance, distortion, sensitivity, etc. There are dozens of important factors to me, but what I deem important others may not. So who's to say what I think is correct? That's what Chris is doing - proclaiming he knows best. That's just silly, especially when there are tens of 1000's of speaker engineers out there, many whom may know more and do it better than Chris.

I do think that there would be similarities in the way the speaker measures when speaking of the ones I prefer. However, like I said before, others may have different preferences. They may want a speaker that dips 9dB from 3KHz to 5Khz, then goes back up 12dB from there. Hence the subjective part/biases.



If I recall, all he said negative about the SongTower was that it's cabinet is 'highly resonant'. When does a resonance become inaudible? What kind of construction is required to get to that level?
Correct. He made that statement without ever explaining he'd seen the inside of them, or proving where and how. I could tell you I am 22 and the King of the world, but it'd be a flat out lie without proof. :)
 
N

Nuance AH

Audioholic General
So is this thread going the route if its not the best technical solution there isnt a solution. Id be very curious to see information on the salks that confirm their Construction quality is lacking to the degree that their sound quality is effected to the level of audibility.
You and me both. I am not arguing the quality of the Salk's here. What I am debating, however, is Chris's opinions, since they are only based on measurements. Sorry, but why listen to someone who makes negative comments about speakers that he's never even heard and/or seen the innards of? But then follow his recommendations blindly? :confused: I actually compared dozens of speakers before I purchased. I am not saying that is how you all have to do it, just that I actually did put forth more effort than just looking at measurements.
 
Sheep

Sheep

Audioholic Warlord
You and me both. I am not arguing the quality of the Salk's here. What I am debating, however, is Chris's opinions, since they are only based on measurements. Sorry, but why listen to someone who makes negative comments about speakers that he's never even heard and/or seen the innards of? But then follow his recommendations blindly? :confused: I actually compared dozens of speakers before I purchased. I am not saying that is how you all have to do it, just that I actually did put forth more effort than just looking at measurements.
I'm hoping he'll post up some pictures and measurements of the speakers he's made/modified. There is many ways to know how much is really inside a speaker. Example, weight. He doesn't just use measurements. Toole's research was more then measurements, it about Bias and Blind testing.

For someone that clings to the ideology "best they heard" you sure aren't open minded. You haven't heard Chris's speakers, nor seen them, but you'll defend Song's to the death. Just wait, I'm sure he'll post something up.

SheepStar
 
ChrisJam

ChrisJam

Full Audioholic
I know this has probably been discussed at length and I've searched through a handful of threads already. I'm looking to get some new tower speakers after the holiday season, and will be going to listen to speakers in the coming weeks. I want speakers for music (home theater doesn't really matter; I figure good music speakers can handle movies, while the other way around may not be true) and will set my budget around $2500 or so.

I've heard great things about the Salk SongTowers (I wish there was a way to listen to them).

Others good music speakers I know about or have read about on this forum:

Paradigm
Dynaudio
Swan
Revel
Jamo

Any other recommendations are welcome. I listen to mostly rock/indie (no metal), both new and old. Anything from Zeppelin and the Stones, to Queens of the Stone Age, Beck, White Stripes, Interpol, etc.


I have a receiver (Yamaha HTR-5450; 5 channel, 80W per) that is now 7 years old. Will this affect the musical quality (I haven't done enough reading to know what makes a good amp)?
the speaker shops. The remastered Zeppelin - Mothership album sounds great, so I will definitely bring a few tracks from that. Any specific rock song recommendations that are great for testing speakers are also welcome. Thanks.
I was going to suggest Song Towers to you, but then I read your full post. That said, do you know about the audio forum on the Song web site? You could ask there if someone in your area has a set of Towers you could listen to.

You can get a great Onkyo AVR for roughly $500 nowadays. It's the 805 model, which is last year's.

I have no association with this company, except as a satisfied customer: av123. I bought four of its speakers this summer: a pair of x-statiks for mains, an x-cs-encore for my new center, and an MFW-15 subwoofer. I moved my pretty good former bookshelf mains to surround duty. To say I love my new system is an understatement!

You listed a lot of good speaker companies in your initial thread post. Some people complain about Paradigm looks, until you get into the company's higher lines that have real wood. If looks are important...

You might add PhaseTech Premiere Series speakers to your list. They made my short list (along with the Songs and a couple others).

For various reasons, I chose the av123 speakers, but my criteria probably wouldn't match yours. :)

G'luck,
Chris
 
bandphan

bandphan

Banned
I'm hoping he'll post up some pictures and measurements of the speakers he's made/modified. There is many ways to know how much is really inside a speaker. Example, weight. He doesn't just use measurements. Toole's research was more then measurements, it about Bias and Blind testing.

For someone that clings to the ideology "best they heard" you sure aren't open minded. You haven't heard Chris's speakers, nor seen them, but you'll defend Song's to the death. Just wait, I'm sure he'll post something up.

SheepStar
I dont see the defence to the death statement at all. What i do understand is that this hobby would go to hell if we were all robots. Yes there are perfect setups but is that what this journey is about? Ive been doing this for a while and there are many that have the perfect answer, but thats not the journey! Take the time to enjoy and thats the best.
 
Matt34

Matt34

Moderator
When one recommends a speaker it's usually done by their own bias of manufacture or a certain sonic sound that they enjoy. Chris doesn't do that...he recommends a speaker system that, by design, has a flat FR among other good characteristics and that one can manipulate to their own desire. To me, that is a better recommendation than someone hamming up there own biases upon the OP.

Now Chris doesn't beat around the bush about it so it comes off a little cold but it doesn't take away from the fact that it's sound advice.
 
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I

irishtom

Audioholic Intern
I'm going to ask you to do the same.

I don't assume to define an accurate loudspeaker; there are too many variables and often working to further one aspect of performence will degrade another. People can't even agree on what a perfect loudspeaker should do much less actually make one.

For instance one can design a woofer for lower distortion but have to swallow an increase in group delay. Which is more accurate? Who can define an "accurate" polar pattern? Should one use a device that maintains constant directivity up to 20khz but introduces a flaw by having twin acoustic centers for a single driver? Should such a device (if used) have a horizontal pattern of 60 degrees? 90 degrees? 120? Should we have constant directivity in the first place?

What if designing for flattest response leads to a decrease in dynamics and the introduction of passive reactive devices at the speaker level? What if designing for better dynamics introduces polar problems?

Nah, no way I'd have the gall to define an accurate speaker.

The rest of your post is so filled with unwarranted assumptions and weird statements as to make me wonder if you're hitting the "who hit john" for Christmas a little early.
 
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no. 5

no. 5

Audioholic Field Marshall
I think I see where you are coming from more clearly now. It would seem we are mostly on the same page.

To [the masses] the only thing that matters is what it sounds like in their own homes to their own ears.
I agree with that, but in my opinion it is something of a shame. Because it seems to me that many people don't consider the technical and mental factors at play in regard to sound quality, because as I'm sure you know, by understanding those things a person can, not only make an "informed" decision in regard to what they buy, but also as to the final set up, to be as rewarding as possible.


(I apologize if the bracketed words do not properly convey the thought that was originally intended)
 
ChrisJam

ChrisJam

Full Audioholic
When one recommends a speaker it's usually done by their own bias of manufacture or a certain sonic sound that they enjoy. Chris doesn't do that...he recommends a speaker system that, by design, has a flat FR among other good characteristics and that one can manipulate to their own desire. To me, that is a better recommendation than someone hamming up there own biases upon the OP.

Now Chris doesn't beat around the bush about it so it comes of a little cold but it doesn't take away from the fact that it's sound advice.
I like to think that I'm a smart guy. :p I'm a fast learner. :)

I always enjoy reading WmAx's posts because I know that I'll never know as much about audio as he does. I've learned a LOT by reading his posts, but I'll never be more than an audio hobbiest.

He certainly recommends good equipment. I'd love to listen to some of his homemade speakers one day. That'd be an education in itself.

But there's a "but": Not everyone needs the level of perfection WmAx does--I'm another Chris on the forum, so I'll use WmAx for that Chris to avoid confusion (LOL...as if there could be any!)--and, frankly, I bet not everyone can hear it.

For most people--this category does not include WmAx, whom I consider to be an audio expert--there's a budget for speakers. There might be a sound bias, too. For most people, I think the adage of "listen to lots of speakers, buy what you love within your price range, and disregard what anyone else says" is great advice.

That said, I'd take any technical tidbit WmAx says to the bank. He's damn good.

Chris
 
WmAx

WmAx

Audioholic Samurai
Says you. Have you thrown it into a test and found the results of those participating to the be same? All this without biasing or clouding their judgment? If so, where is the proof and who were the people? At this point it's your word against other's, and you've never heard the speakers you are claiming are nothing special. By the way, do you have measurements of the B&W's anechoicly on and off-axis? I do certainly like the look of the speaker, however.
Extensive measurements including relative cabinet panel resonance exist in the Stereophile database. The speaker meets the requirements of: lower than average cabinet resonance, flat on axis response, flat off axis response for a considerable range, low energy storage in the driver/crossover section. The specific combination of things provides for a relatively neutral starting point, and the extended off axis response linearity ensures it will work well in a very wide variety of acoustic spaces. While no distortion measurements are provided, it is safe to say the speaker is not going to produce any substantial level of distortion within normal SPL ranges, and use with the active crossover to stereo subs will further increase it's dynamic ability.

The ONLY variable actually left is frequency response, since for all other intents and purposes, this is one of the most neutral speakers in this price range.

You can add resonance and tonal response changes with a precision EQ system. You can add more sophisticated resonance behavior by using a mix back system and feeding pass band signals back to the original signal.

Proof please. Where and how?
What kind of proof are you looking for exactly? The speaker meets the definitions, perceptually, as a preferred speaker. Variable left: tonal response/EQ. Do you propose a mystery factor exists? If so, please specify.

How convenient - "designed for your own use." So, in other words you're no better than any other manufacturer who intentionally engineers a speaker to have a certain sonic signature. But yet you swear the masses will like them. Sounds like nonsense to me, Chris, not to mention hypocritical.
I am not sure what you think you have presumed. For my own use, is exactly that; you are rambling non sense here. I do not engineer ANY specific coloration into my speakers. They are designed to be as neutral as possible within the context that they will be used, and based upon the weighting of perceptual research that is shown to dictate neutrality.
You assume too easily. Human perception? Give me a break. You aren't Floyd Toole or Sean Olive's prodigal son, so don't waste your time. I've read their research papers, and even those guys know that what you say isn't feasible or practical for 99% of those who purchase audio systems.
You claim to have some of the papers, and if you did, then it is apparent you don't have any faith in the works, even though the statistical confidence of this work is extremely high. Either that, or you only know bits and pieces of the work, and presume to speculate the rest.
To those people the only thing that matters is what it sounds like in their own homes to their own ears. They also wouldn't make a ridiculous statement in which they claimed one speaker will please the masses
.

In control testing, the same measured behavior(s) are preferred by the overwhelming vast majority of listeners.

Also, lets not forget about nuisance factors and biases, including varying room anomalies. And, of course, human hearing varies, so your recommendation would only be valid if we all listened in the same anechoic chamber, used the same gear and had the exact same hearing, which we all don't. I have very little knowledge, eh? Don't flatter yourself. ;)
Not at all, the speakers I recommended have a wide/even off axis response, as to work well in many room acoustics. As long as the user is looking for monopole speakers, then the recommendation stands. As I stated earlier, if a radically different polar response is desired, then they would not be suitable for the recommendation.


No, measurements cannot encapsulate every audible characteristic - not for every type of listener. If you think so, then prove it. And the degree of uncertainly is much larger than "small."
You have read the research: where is the credible research project showing that listeners prefer significantly different speakers when tested in a controlled situation?

Put up with a pre-built system? But that's what you are recommending to start with. Why not start with another speaker (such as the SongTowers), add the "proper DSP xover control" then EQ to your liking? Because that wouldn't be what YOU recommend, huh?
I have not seen sufficient 3rd party analysis, nor measured them myself. In addition, if I was to assume the driver and crossover is excellent(which I presume it is, as Dennis Murphy is very skilled in this area), the cabinet system is highly suspected to be just as resonant as the average cabinet system. Based on pictures of the construction process of these Salk speaker that I have seen in the past(I am not sure if they are still available), it's a common single wall system with moderate bracing density and no special provisions to reduce cabinet panel vibration.


You are sure? Really? How about some proof, then? You cannot be "sure," unless, as mentioned above, all of the biases and nuisance factors are removed, every human being could hear the exact same and we all listened in the same room using the same gear. Even then, people probably still wouldn't unanimously agree, simply out of stubbornness or the desire to be different.
I though you were familiar with a lot of the perceptual research? If so, this statement is confounding, since what you jest, is exactly the results that result when trained listeners are put to the test in a control listening situation.

In other words a self proclaimed no-it-all? I can recite what I've read in books and from Toole's research all day, but that doesn't make me an expert.
It seems that you would be best not to do this, since you don't seem to understand how to correlate such with measured behavior(s).

Measurements are great, but only when paired with actually listening experience and the removal of all biases and nuisance factors. They don't hold as much weight as you imply alone by themselves. If you think they do and you actually believe you can tell me exactly how a speaker will sound based on them alone, then you are just a self proclaimed golden eared super hearing being. In other words, a myth. :)
So, based on correlation with the perceptual research, if I make a prediction of the speaker's sound quality based on sufficient number of measurements to make this coorelation, I am a golden ear with perfect hearing? This accusation makes no sense.

-Chris
 
N

Nuance AH

Audioholic General
I'm hoping he'll post up some pictures and measurements of the speakers he's made/modified. There is many ways to know how much is really inside a speaker. Example, weight. He doesn't just use measurements. Toole's research was more then measurements, it about Bias and Blind testing.

For someone that clings to the ideology "best they heard" you sure aren't open minded. You haven't heard Chris's speakers, nor seen them, but you'll defend Song's to the death. Just wait, I'm sure he'll post something up.

SheepStar
As I mentioned before, this isn't about the SongTower's. Did you miss that part? :rolleyes: I already explained what this is about and am not going to repeat myself.

I am very open minded, by the way, which is why I disagree with the method of someone saying "I did this, believe only me because my recommendations are the best. Oh, by the way, your speakers are flawed, so again, just believe me." That kind of philosophy is what you are trying to pin on me, but in reality it's the philosophy I am debating against. Also, I make dozens of recommendations other than the speakers I own. Mine aren't the only ones I think OP's would enjoy. Also, I don't only recommend based on what I like, which is something that cannot be said of Chris. It's called trolling.

A speaker can weigh 200lbs, but if the crossover is flawed or the drivers measure poorly, the speaker won't sound good. Weight is one of many factors, and it's on on the low end as far as importance IMO.
I think I see where you are coming from more clearly now. It would seem we are mostly on the same page.



I agree with that, but in my opinion it is something of a shame. Because it seems to me that many people don't consider the technical and mental factors at play in regard to sound quality, because as I'm sure you know, by understanding those things a person can, not only make an "informed" decision in regard to what they buy, but also as to the final set up, to be as rewarding as possible.


(I apologize if the bracketed words do not properly convey the thought that was originally intended)
Cool - seems we definitely are on the same page then. My point is that it's not practical for many people to go with Chris's method, especially when he comes across with a "your speakers are flawed but mine are the best" attitude. It makes him sound like he thinks he better than everyone else, which he may, I dunno. My point is that he hasn't even heard many of the speakers he's bashing, which is just ridiculous IMO.
When one recommends a speaker it's usually done by their own bias of manufacture or a certain sonic sound that they enjoy. Chris doesn't do that...he recommends a speaker system that, by design, has a flat FR among other good characteristics and that one can manipulate to their own desire. To me, that is a better recommendation than someone hamming up there own biases upon the OP.

Now Chris doesn't beat around the bush about it so it comes off a little cold but it doesn't take away from the fact that it's sound advice.
His recommendation is also based on his own bias, which is pretty obvious. If you disagree - cool. We can agree to disagree. :)

Yes, he does come off as cold, but more so he comes across as someone who has the "my way or the highway method," which is just silly in a hobby this subjective. My opinion, of course.


I like to think that I'm a smart guy. :p I'm a fast learner. :)

I always enjoy reading WmAx's posts because I know that I'll never know as much about audio as he does. I've learned a LOT by reading his posts, but I'll never be more than an audio hobbiest.

He certainly recommends good equipment. I'd love to listen to some of his homemade speakers one day. That'd be an education in itself.

But there's a "but": Not everyone needs the level of perfection WmAx does--I'm another Chris on the forum, so I'll use WmAx for that Chris to avoid confusion (LOL...as if there could be any!)--and, frankly, I bet not everyone can hear it.

For most people--this category does not include WmAx, whom I consider to be an audio expert--there's a budget for speakers. There might be a sound bias, too. For most people, I think the adage of "listen to lots of speakers, buy what you love within your price range, and disregard what anyone else says" is great advice.

That said, I'd take any technical tidbit WmAx says to the bank. He's damn good.

Chris
He certainly knows his technical goods, which is why it urks me so much that he's being a hypocrite. If he truly is a follower of Toole's and other's philosophies and studies, he'd know that his method is not the best for everyone and yet I've seen him recommend his B&W's, active crossover and EQ with subs to people who don't have a budget nearly that high. Best to stick to the OP's requirements, no? Sure, his recommendation may yield better results, but maybe it won't. Either way, best not to make recommendations outside an OP's budget. If you're going to do that, PM the guy or something. :)
 
N

Nuance AH

Audioholic General
Extensive measurements including relative cabinet panel resonance exist in the Stereophile database. The speaker meets the requirements of: lower than average cabinet resonance, flat on axis response, flat off axis response for a considerable range, low energy storage in the driver/crossover section. The specific combination of things provides for a relatively neutral starting point, and the extended off axis response linearity ensures it will work well in a very wide variety of acoustic spaces. While no distortion measurements are provided, it is safe to say the speaker is not going to produce any substantial level of distortion within normal SPL ranges, and use with the active crossover to stereo subs will further increase it's dynamic ability.

The ONLY variable actually left is frequency response, since for all other intents and purposes, this is one of the most neutral speakers in this price range.

You can add resonance and tonal response changes with a precision EQ system. You can add more sophisticated resonance behavior by using a mix back system and feeding pass band signals back to the original signal.
So in other words you never have put this to your own tests. You may prefer what you recommend, and other may as will, but that doesn't mean everyone under a controlled test will. Even if they did, I doubt you could remove all the bias and nuisance factors. In other words, your recommendations might be good for you and many others, but not everyone, which puts you in the same boat as me. Of course, I don't bash your speakers, so that's where we differ. ;)



What kind of proof are you looking for exactly? The speaker meets the definitions, perceptually, as a preferred speaker. Variable left: tonal response/EQ. Do you propose a mystery factor exists? If so, please specify.
You said you saw the insides of the cabinets. Here is your exact wording:

"Yes. Utterly average cabinet construction that is found on most other hi-fi speaker cabinets."

So I ask, where and how? How do you know that? I want proof that you have seen them, as you say you did.

It "meets the definitions perceptually?" How about actuality or reality, as in you've seen the insides in person and can testify to your previous statement? So I ask again, did you see the insides of the SongTower's, and if so, why are they a "highly resonant device?" Now if you haven't seen the insides, then how do you know they are a "highly resonant device?" If you say it's because the speaker meets the definitions of one, perceptually, that's not a real answer. It's a guess. It would be a very good guess, as most speakers are highly resonant, but it wouldn't be more than a hypothesis.

I am not sure what you think you have presumed. For my own use, is exactly that; you are rambling non sense here. I do not engineer ANY specific coloration into my speakers. They are designed to be as neutral as possible within the context that they will be used, and based upon the weighting of perceptual research that is shown to dictate neutrality.
I presume that while you call one speaker's cabinet design "utterly average" that you also recommend only the speaker's of your choosing, which would be the same thing manufacturers and other forum members do, but while NOT bashing other speakers. In other words, you are no different than us, as you recommend only what you think is the best. Where you do differ is you bash and/or dismiss other offerings without ever having heard them.



You claim to have some of the papers, and if you did, then it is apparent you don't have any faith in the works, even though the statistical confidence of this work is extremely high. Either that, or you only know bits and pieces of the work, and presume to speculate the rest.
It's not a claim, it's a fact. I've attached an image of a few of the papers I have from Harman Int, Toole and some other great minds. The most important thing I have learned is there are no certainties unless ALL biases, nuisance factors and other distracting and questional variables can be taken out of the equation. Only then is the research and results viable. Unfortunately, it's not plausible for most of the human population, so going through the trouble is useless. If this is something you disagree with, then perhaps you are the one who doesn't have any faith in the works.


In control testing, the same measured behavior(s) are preferred by the overwhelming vast majority of listeners.
I agree with that, which I said earlier. But remember, those results only apply to that group of participants. My point is that most of the audio community is not going to be listening under completely controlled circumstances, thus what's the point? Just let them pick out what they prefer. If we used your method, and it was actually viable, the B&M's and most other audio companies would go out of business, thus this hobby would go to the dumps. It would also mean we had become a brainwashed cult, at least concerning all things audio.



Not at all, the speakers I recommended have a wide/even off axis response, as to work well in many room acoustics. As long as the user is looking for monopole speakers, then the recommendation stands. As I stated earlier, if a radically different polar response is desired, then they would not be suitable for the recommendation.
Again, you prove my point that you are no different than the next guy making a recommendation. You only recommend what you prefer and think the others will prefer. But in your case the intricacies involved won't be plausible for many many people. And even if it is, they will have been influenced by your bias, rather than there's. The latter is preferred because this is their system, for their ears being used in their rooms. THEY should make the decision whether it's a speaker that measures horribly or not. All that matters is that they like what they hear in their own room. If one can find a speaker that sounds good in their room, why go through the effort of buying one that doesn't, spending money on EQing and an active crossover and more unnecessary expenses?





You have read the research: where is the credible research project showing that listeners prefer significantly different speakers when tested in a controlled situation?
Are you reading what I write? I am not speaking of controlled environments because almost all listener's rooms and homes aren't 100% controlled, thus making it all moot. I already said I agreed about controlled environments, such as Sean Olive's case study in 2003. We're talking abut the general population here man! Who of those people is going to have a room that is completely controlled and a frame of mind with zero biases?



I have not seen sufficient 3rd party analysis, nor measured them myself. In addition, if I was to assume the driver and crossover is excellent(which I presume it is, as Dennis Murphy is very skilled in this area), the cabinet system is highly suspected to be just as resonant as the average cabinet system. Based on pictures of the construction process of these Salk speaker that I have seen in the past(I am not sure if they are still available), it's a common single wall system with moderate bracing density and no special provisions to reduce cabinet panel vibration.
You can't answer those questions by listening? Do you NEED measurements because you can't hear the flaws you speak of? If not, why not just listen, like everyone else does?

So the "pictures of construction" no longer exhist huh? :rolleyes: Were they even of SongTower's? Honestly, I don't even care, because this isn't about the ST's but rather your quick dismissal of many other speakers without ever having heard them, or perhaps seeing the inside of them. Again, measurements don't tell it all.




I though you were familiar with a lot of the perceptual research? If so, this statement is confounding, since what you jest, is exactly the results that result when trained listeners are put to the test in a control listening situation.
HA! You aren't reading what I am typing. Jeez... I already said I agree about the controlled situations. Again I ask, how often is that actually going to occur with a consumer? Rarely, like less than 2% I bet.
 
N

Nuance AH

Audioholic General
It seems that you would be best not to do this, since you don't seem to understand how to correlate such with measured behavior(s).
Yes, that must be it. :rolleyes: It's funny that make such accusations against me, but you yourself are bias towards what you recommend. I thought you would have learned from Toole that, unless all of the circumstances are controlled, nothing is certain or factual. I guess I was wrong. So when you say "my recommendation is better," it's actually not becasue those circumstances aren't controlled for the people are you are recommending them to. Interesting...:rolleyes:



So, based on correlation with the perceptual research, if I make a prediction of the speaker's sound quality based on sufficient number of measurements to make this coorelation, I am a golden ear with perfect hearing? This accusation makes no sense.

-Chris
No. It just wouldn't be logical without proving those measurements can even be measured by the human ear. If an anomaly cannot be detected by the human ear, then who cares if it's there? And how do you know if the human ear can detect it if you don't listen?

To conclude, measurements + actually listening = the best option for purchasing a loudspeaker. Separate them and they become much less useful, with the latter being more important because the majority are NOT going to purchase solely based on measurements. Listening under controlled circumstances is a completely different topic, and an irrelevant one at that because most consumers will not be able to achieve this.

I have said all I needed about this. For the most part, we agree, but our methods vary greatly. I will recommend something based on measurements AND what I thought while actually listening to them, but most importantly (and this one takes precedence above the rest), based on the OP's requirements and what I deduct they will think. You will just recommend what you like and based mainly on measurements. You'll also dismiss a speaker without ever having heard it, which is really silly considering the OP may love that speaker.

We will agree to disagree. I am bored with this conversation, probably because we're both set in our mindframe, oddly enough based on most of the same research. Weird. Anyway, have a good night. I am outtie. Sorry for taking the thread off on a tangent. :)

 
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R-Carpenter

R-Carpenter

Audioholic
W is a bit insane with cabinet resonances which some people will prefer and call a lively sound.
Don't get me wrong, I admire the craziness and square tubing bracing as much as the next guy.
BTW, listen to 2 different pairs of B&W 700 2 days ago, found them irritating, all though the cabinets were quite dead. There's lots more to a speaker sound then one technical aspect or the other. Go and listen what you like, then pick it up on ebay used for half price!
 
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