Hello Steve, I'm a little unclear on the layout (which way is longer, etc), particularly in regards to last pic, sideways pics might confuse me a bit, but regardless . . .
You can't screw it up with bass traps, there is a saying that you can't go overkill with them. Except perhaps for killing the "liveliness" of the room, which you very well might not want to do. But not as far as FR or anything like that. So, outside of getting some standard bass traps, other possibilities:
Off the wall idea #1, it would need to be a very large (floor space? huge double-purpose coffee table? A hulking column standing in the corner?), and I'm not just how large, but a Helmholtz resonator is interesting because it can target a very, very narrow freq range. (I believe you can tune it exactly to the freq you desire, and the possibility that it can be invisible is interesting, if size allows.) The application is used in the automotive industry (exhausts, etc), and yes, also in high end HTs (whether as dual purpose risers, or using floor space with an inconspicuous vent/hole cut somewhere). There should be many threads on the subject over at AVS.
Off the wall idea #2, grab cute little critter in last pic, perch on shoulders. Floyd Toole supposedly has a chart somewhere of a clothed human's absorption in sabines, I'm not sure about 150hz, but I was told it was around 5-7 sabines for the 1khz-4khz range.
Upside: this is free, and immediately removable. Downside: unexpected startling sounds from an unintended rear 6th channel human baby speaker.
Ok, a bit more seriously, Off the wall idea #3, there appear to be other bass trapping techniques. Maybe a possibility is the membrane trap, it might possibly succeed in being a bit thinner than some other kinds, while also absorbing a particular freq range (though maybe not quite as narrow as the Helmholtz). I'll paste an excerpt that I just found right now, by Ethan Winer, regarding this. I've taken the liberty to boldface some parts for you.
Another type of tuned bass trap is the membrane absorber, also called a wood panel bass trap because many designs use plywood for the front panel. Wood panel traps are a mass-spring system, where the panel is the mass and air trapped inside a sealed box serves as a spring. Figure 19.7 shows a cutaway view of a typical wood panel membrane trap, built directly onto a wall. When a wave within the effective range of frequencies reaches the front panel, the panel vibrates in sympathy. Since it takes energy to physically move the panel, that energy is absorbed rather than reflected back into the room. Even though the fiberglass doesn’t touch the plywood front panel, it damps the panel so it doesn’t continue to vibrate. Were the panel allowed to continue vibrating on its own, less energy would be needed to keep it moving, so it would absorb less. Further, a panel that continues to vibrate after the source sound stops adds resonance into the room rather than removes it, which obviously is not desirable.
One advantage of wood panel membrane traps is they don’t need to be thick to absorb very low frequencies. Like all pressure traps, they work best mounted directly onto a wall or ceiling, rather than spaced away as benefits porous absorbers. The center frequency absorbed by a wood panel bass trap is a function of the panel’s mass and the depth of the air gap, which serves as a spring. A trap four inches deep with a 1/4-inch-thick plywood front absorbs 100 percent at around 90 Hz, which is more than the same thickness of rigid fiberglass at that frequency. The audible bass range spans several octaves, and panel traps absorb only part of the bass range. Therefore, a mix of traps is required, with some tuned to absorb the lower bass frequencies and others for the higher bass range. Besides absorbing low frequencies very well, the wood front on a panel trap is reflective at higher frequencies. So installing enough of them to make a real improvement at low frequencies will not make the room too dead-sounding.
http://audioundone.com/do-it-yourself-bass-traps