
GranteedEV
Audioholic Ninja
I would get the philharmonic 2s and feed them with an Emotiva XPA-2.
I would then add four subwoofers IE Rythmik D15SE.

I would then add four subwoofers IE Rythmik D15SE.
Phil 2s have higher sensitivity and are physically smaller (less deep and slightly shorter). If you don't need the extra 10-15hz extension (and a good setup won't) I don't see the advantage to the Phil 3s.Why Stop at the Phil 2's, when the budget will allow, and the height restrictions have been removed... ?
I suppose so, and the scanspeak can handle a bit more power anyways so it might level the playing field a bit.But Whats a grand here and there for this guy... He capped out at $6000 for fronts, and 2db difference is hardly anything he'd notice..
That's the $16 ,000 Salk Soundscape 12.
This is the HT3:
![]()
Good point G-EV....
But Whats a grand here and there for this guy... He capped out at $6000 for fronts, and 2db difference is hardly anything he'd notice..
Plus he could have a nicer finish...Just saying, sounds like there is plenty of WAF involved here...
Wife Acceptance Factor.WAF???
The Emerald Physics CS2 is not a planar speaker. It's an open baffle dipole with a 12" midrange and compression tweeter.
Open Baffle - there is no box behind the dynamic driver. It's a 12" cone.Totally lost on this... I need to go back to wikapedia again... "open baffle dipole with a 12" midrange and compression tweeter."
If you wanna check out horn speakers, I strongly recommend looking into the Audiokinesis stuff. He designs them to sound as close to the SoundLAB electrostats as possible.
Open Baffle - there is no box behind the dynamic driver. It's a 12" cone.
Coaxial - the tweeter is inside the cone, so the cone guides the wave produced by the tweeter. Essentially a horn loading.
Compression Tweeter - a large diaphram is "compressed" to a small opening. Can produce very high SPLs for a dynamic, lifelike result. The compression driver in the emerald phsyics speaker, though, i'm not so sure about. I think it's a harsh titanium one or something.
"Horn speakers" is a very broad brush, just like "electrostat/planar" is a very broad brush and so is anything else.Thanks Granteed. I just sent Audiokinesis an email asking if they may have any local speakers to audition. I can only assume horn speakers have something unique to offer.
"Horn speakers" is a very broad brush, just like "electrostat/planar" is a very broad brush and so is anything else.
The Audiokinesis stuff uses 90 degree constant directivity waveguides. So unlike an electrostat, the sweet spot is MUCH wider (large panels will "beam"). Like a large planar though, the dispersion is much narrower than the typical speaker, so there won't be so many reflections off the side muddying up the sound.. the direct sound dominates more than the reflected sound.
Since compression drivers and waveguides by nature improve efficiency, they should be more able to hit the highest cresendos without ever sounding strained.
The higher end AK stuff like the Planetarium Beta also comes in a Bipole version that emulates the rearward radiation found in many planars (and others).
There's a lot of tradeoffs out there, in any kind of speaker. IMO it's a bit silly to get caught up in "sound of x" because there's very literally hundreds of factors at play" to isolate the reason for what you like being "because it's planar" or "because it's a horn". Audition with an open mind.
It's true that planars can have a transparency that mediocre conventional speakers probably won't match; especially at the top end. But I honestly think you need to be open minded and in general, recognize that most speakers people say are really good, are probably not very good. even the ones you loved might not sound great in YOUR room.to MY EARS I felt like they weren't even on the same level as the Martin Logan Theos and ESL's, as well as the Magnepan 1.7's & BG Radia z92's.
Wife Acceptance Factor.![]()