There is a lot more information on our forum. I've hoped to have time to update the site forever but just have not been able to manage it with as crazy as things have been. There is no reason you cant' go with a larger enclosure and tune lower. The bump you see at tuning will be nearly removed if you implement a proper highpass filter to control excursion of the woofer anyway. The AV15H works extremely well for what it was designed to do. That is to work in a small enclosure. PR's aren't necessarily a requirement. A port can give you the same tuning and output, it just needs to get huge to do so. It would need to be a 4x15 slot vent 102" long. To take a 5 cubic foot enclosure and add another 4 cubic feet of port volume to it isn't very practical, so adding PR's is generally a better option.
You'll want to go much larger on the vent than 2.5 x 12". You ideally want to keep vent velocity below 10m/s. This 10m/s is the point that Klipsch and others had determined distortion set in due to the port. With 16hz tuning this would limit you to less than 100W input before surpassing that 10m/s point. With 1000W input the vent velocity would surpass 40m/s. At 35m/s is the point where airflow becomes turbulent and no further output can be gained.
While 10m/s may not always be practical to achieve, you should still seek to keep it as low as possible and well below 35m/s. Going with a 15x4 slot vent 61" long will get you the same tuning but keep vent velocity right around 20m/s at 1000W input a down to about 14m/s at 500W input. This will give a huge increase in output over the smaller slot vent proposed.
The ripple isn't of much serious consequence. The most detrimental factor is that the bump at tuning can often be overbearing. Again, a highpass filter that also addresses this bump can take care of the problem. I do agree though that the AV15X is a better option, as this is more the application it was intended for.
For a music only system, there isn't a lot of program material below the Low B on a bass guitar at 30.87hz. This is what most people target as a bottom end for music only systems unless they listen to electronic music or pipe organs. This link here shows what frequencies correspond to given notes on different instruments:
http://www.contrabass.com/pages/frequency.html
Now for home theater use there is a lot of material under 30hz and as far down as 10hz or so. The ability to reproduce the sub 20hz stuff is what really will differentiate a good subwoofer from an average one. For most home theaters I see people targeting 16hz or so as the required bottom end. Tom Danley has some recordings of fireworks, a harley, and a train that will really put a subwoofer to the test at those frequencies.
http://www.danleysoundlabs.com/technical downloads.html
John