That’s all pretty reasonable. And I agree that 35hz in and of itself my not be midbass. Especially considering how complex music is. Much more than some waves lol.
But the question as I remember it was about punch. My comment was to address a wider range of that including movies and music. Many times we talk about adding midbass to systems. For films, that balance point seems to be about 35hz. That’s where many sealed subs roll off, and are often most efficient, sometimes giving them an advantage over ported subs in what’s often referred to here(and elsewhere) as midbass slam/punch. Also. Many competition vehicles(and most car subs really) have subs tuned in the mid 30hz range. That’s the range you get hit with sitting in the car, not the 100hz floor pods, or door speakers. For stock vehicles I think 45hz is usually about the lower range, and in my own truck the 45-80hz range is very effective and pronounced. For music in general on a big system, like in a house, midbass imo is more like the 50-80hz range, and considering as you said, the upper harmonics associated as such. Also, there’s a lot of music in dropped tunings, and that use 5 string bass. They’re a lot of fun to play btw.
So to my original comment, again it was mostly in regards to punch, not necessarily just what we call midbass. And again, that’s very much a product of spl. No matter what the frequency is, if it’s not loud enough, it will never punch, shake, vibrate you enough to notice.