Searching under Linn brought me here and to this topic. Very disheartening to see Morgan Audio’s enthusiasm for a fantastic musical speaker kind of...definitely crapped on. Though it was often compared to, and admittedly gave a nod at best, I don’t believe the Kan was ever claimed by Linn to be a BBC monitor clone. It’s a darn nice little speaker system none the less. Colored? Lol, some of most enjoyable and well reputed equipment, tube, solid state, or otherwise can be said to be colored and many fine speakers have that characteristic are renowned
because of their signature. Studio monitors are sometimes but seldom used in home listening environments. Few hi-fi speakers are “monitors”, and that’s not by accident.
I’ve had my radar on Kan mkII’s and hope to have one day given the right pair. I’ve been a fan since 1989 and they still call to me. They’re remarkable and legendary in the Linn stable, one of their best achievements. Those not fond of Linn are often eager for it to be known for some reason. That’s fine, if you’re asked (given this thread was started more in the spirit of
appreciating the Kan).
Not sure what
that’s in the spirit of