None yet, just wondering.. May be
@ryanosaur would hopefully chime in and enlighten us. He has both right?
Ha.
I was at work when I saw your earlier post. Admittedly, I did think you were talking to me.
The BMR sounds so good that I don't understand how it could be possible for the Phil 3 to sound better in a small room.
To my ears, what I experience as the primary difference is in the Bass and Midrange. This is the obvious difference... not really the tweeter so much.
The elephant in the room is the way the TL works. To be fair, I haven't heard a TQWT like The Good Doctor speaks of so much, but even still, the Mass Loaded line and the larger woofer really do open up down low in a beautiful way.
As I was still experimenting and learning the limits of my 3s, there were a few occasions when I would play something that went more unexpectedly low than I anticipated. Fortunately, these were not situations where over-excursion was the risk, but where the driver and the line simply ran out of steam.
Letting these run full with most music is a very nice experience, even in my 2000'^3 room. Would doubling (roughly) my room size and giving more room for placement and LF Waves to play help? I don't doubt that it would. Yet I don't feel that the room is doing any injustice to them, either.
I've written this before, but will share again so that you have the information at hand to better understand what I meant above by giving them more room:
To the center front of the speakers, I have them ~33" off the Side Walls and ~37" from the front. They are ~14" to the Terminus Port from the Front Wall. They are just over 73.5" apart (center front to center front). Toe in is ~5º. I sit about 7.5-8' back in a room that is roughly 11'w x 15'd. (Of note, my speakers are all set Asymmetrically: the mains have up to about 2" difference from L to R speaker with the above measurements being the median point. Also, I have no special room treatments of note, just a carpeted floor, painted drywall, and natural wood clerestory ceiling with exposed beams. Decor is standard, though maybe a little spartan.)
So...
Let's talk about that BG Neo8 Planar, shall we?
This is what really transforms the conversation. As the upper cabinet is open back, with variable stuffing, the user can tune the amount of Di-Pole interaction. Fully stuffed, I found Mids in my room to be a little lackluster; no stuffing left the Mids a touch strong for my liking. I settled on 1/3 the amount of stuffing included by Jim: ~30g Polyfill in each Upper Cabinet. I don't need any BBC-Styled MRC and I get excellent room-filling and encompassing sound. I find the Di-Pole effect of these to be very engaging.
Dennis has the BG Neo8 Band-Passed from 640-2800Hz.
According to a conversation with Jim, this lineup was Dennis' response to the SoundScape 8s (about twice the cost).
Lastly, my experience using the BMRs as my Front 3 with the MiniPhils as my Surrounds, vs the current setup of Phil 3 +BMR Center and BMRs as Surrounds is best summed up by my experience with the Dark Side Of The Moon SACD.
On first listen, I was disappointed. I really enjoyed the WYWH SACD, yet since Dark Side was my favorite, I saved it for later and it just fell flat. Nothing against the BMRs on this... SQ was indeed high, but something just wasn't coming together for me. I shelved it.
After the changeover, I decided to give it another spin. The changes were subtle, and I can't claim that it was just about the BG Neo8 midrange vs the Tectonic BMR driver... but...
The overall engagement I felt in the surround field was much deeper than before. So maybe it is the Di-Pole contribution? I can't really answer that objectively, try as I may.
Hope that helps answer your query!