Then I heard Harman's Revel Salon 2.
That was one of mine too. Still the best imaging speaker I've ever heard.
My first real wow moment was hearing the Martin Logan Monolith at Stereo Design in San Diego in about 1990. I was mesmerized by the reproduction of
this CD. I went out and bought the CD, and I still use it for speaker comparisons to this day. Only one other speaker has made it sound so real, another wow moment, the Sound Lab 1PX. The Salon 2 is good on this CD, but a level down from the Monolith and the 1PX. Unfortunately the Sound Lab isn't practical for me right now, but maybe someday.
At the time I considered putting a second mortgage on my house to get the Monoliths, but they flunked playing
this Chopin CD. You could hear the transition between the electrostatic panel and the cone woofer on the Bosendorfer, and my then-current ADS L1530 speakers sounded better. I'm a solo piano junkie, so the Monoliths were out.
Another interesting wow moment that occurred recently was when I recorded a few minutes of my wife jamming on her DW Collector Series drum kit with my handheld Tascam digital recorder. I just set it on the edge of a coffee table about six feet from the drums. When played on my Salon 2 / DD18 Plus system it sounded so real my wife and I were both astonished, about both the speakers and the recorder. I used to own a single microphone that cost many times what the Tascam cost, and I can tell you I never just set it on the edge of a coffee table.
In fact, since the Salon 2 is so accurate reproducing the Ziljian cymbals I've wondered if the extraordinary violin reproductions of the Monolith and the 1PX aren't euphonic colorations of some sort.