highfihoney said:
First off i dont download anything,im a music collector & take pride in my collection,at last count over 1,500 titles,i wouldnt put any home made recording in my collection no matter the medium,i copy my own discs for use in our car systems & thats it,what im defending here is kids being able to copy & share music for free.
To answer your question about me thinking the ipod was a conspiricy the answer is no but i do think that everybody knew all along where it would lead,do you really believe that the recording industry giants are just a bunch of stupid boobs aimlessly running around making boat loads of cash without enough foresight to predict a new trend while its happening & to have enough business sense to exploit it to its fullest?
I am glad to hear you don't personally steal music (and I am not trying to sound like a jerk, by the way, so don't take this as an attack on YOU), but there is a generation of kids right now that think that music is free. And is it not - it never has been. I too, have been an avid collector of music since I was a kid. I used to save money I made mowing lawns to go to local mom and pop record store and buy singles and 33's! I also made mix tapes, from the radio and from my albums, and traded them around. But even as kids we understood that the only way the artists, huge or unknown, made a living was from us PURCHASING their albums. Kids copying and "sharing" music today IS a big deal. (I do not have a problem with mix discs, etc - that spurs people to buy music)
And by the way, I LOVE the way you describe the record execs above, because guess what, YOU ARE RIGHT! They are a bunch of boobs (mostly suits, actually), making loads of cash, who ride around in limos and had NO interest in listening to people predicting the digital future!! I worked with these guys during that time! The late 80's and early 90's was when development died at the labels because the huge multinationals bought up the record industry. These companies are run by suits - bean counters with no interest in music, only in money. They are greedy and yes, they were ignorant. I don't hate what napster did to the mega labels, I hate what it did to the artists & songwriters. The majority of recording artists struggle to ever make a decent living. Trust me on this. For every big act you see, there are THOUSANDS of struggling artists out there. My guess is that your massive collection is full of artists who are directly impacted every time someone burns a disc for a buddy of one of their albums rather than buys a CD or purchases a download.
I love this discussion - I am only trying to help people see past the big names and big companies. I'm not trying to pick a fight, highfihoney.
(By the way, Stratman, I love your wrench, but the analogy of the power tool - it misses the mark because the owner of the tool can't use it at the same time the guy that borrows it does. The books and magazines analogy is better...)
Engage an artist that has never had a record go gold (500k units sold). Trust me, they are not making much money. (And by the way - that is rare air, to sell gold or platinum.) Many critically acclaimed artists have never seen riches, especially if they are signed to a major label.
Believe it or not, I do see a silver lining in all this. This cycle has happened at a time when the music industry "machine" had begun to stink. Lousy stuff coming from the majors. The death of artist development at the labels resulted in the death of great new artists, for the most part. Which has meant that the independent scene has flourished. (not to mention reunion tours, right Gene?
) And technology has allowed this scene to thrive. A struggling artist can in theory, buy a computer and some gear, record their own record, market and sell it online via their own website, myspace, etc., and in a strange way go old school - cutting out the big labels. There is some great stuff out there!
I know you guys are sick of hearing this from me.... I think I am too. We can probably go round and round and never get anywhere. My only goal is to have people understand it from the point of view of a "working" person in music industry, not a big label or mega star.