I have a few CD players, some are more prone to skip than others.
Well, I do still find it rather confusing, because I've never thought of upgrading my DVD player to prevent skipping.
I thought it would be worth discussing what data is actually sent from the CD/DVD player to the external DAC. My guess is that the
Sensible Sound article skizzerflake refers to used a Compact Disc with various signals designed to examine player performance. The paper 'The Numerically-Identical CD Mystery:. A Study in Perception versus Measurement', by Ian Dennis, Julian Dunn, and Doug Carson, used these sorts of test signals. The paper examined whether or not alleged audible differences between CD's from different pressing plants could be explained.
'The DSA-1 confidence test signal is a pseudo-random sequence that can be recognised by the Prism Sound DSA-1 analyzer. This signal was included to allow verification that no changes to the data had been made.
The last two tracks contain values that do not allow an EFM modulator to maintain a zero DC content. These 'awkward' values were intended to show differences between EFM modulator algorithms used in the manufacturing process, but also proved useful as a source of DC modulation.
...In examining the reliability of the various players in playing the 'awkward' EFM patterns, it was initially assumed that replay errors could be monitored using the 'VALID' flag in the digital output bitstream of the players. However, this was not the case with all players; among those which failed to reproduce the patterns reliably, some did not set the 'VALID' flag at all and others did so only sometimes. The following table shows how many of the 13 different discs in the set were NOT reliably playable on various players on the awkward EFM tracks, and which players flagged these errors on their 'VALID' bit:
Player / No of discs / Flags V=1?
Philips CD624 / 2 / Rarely
Philips CD930 / 1 / Never
Marantz CD-63 / 13 / Never
Technics SL-PS670A / 4 / Usually
Sony CDP-761E / 3 / Sometimes
The failure of some players to play the awkward EFM patterns reliably was interesting, but was felt not to be relevant in explaining sonic differences, since sustained awkward patterns do not occur frequently in real music, and occasional uncorrected errors (even if they did occur) would not correspond with the sort of continuous degradation in sound quality which had been described. However, it was disappointing that the 'VALID' flag could not be relied upon, since it necessitated checking all discs in all players using the DSA-1 confidence test in order to assure general data integrity for all disc/player combinations. This test was found to be reliable in all cases.'
http://www.prismsound.com/m_r_downloads/cdinvest.pdf