
mtrycrafts
Seriously, I have no life.
Yes, yes, I am familiar with such reviews, full of flowers, adjectives, whatnots. But in the end, it is a very subjective and biased opinion that is in print. Flawed protocol would produce such unreliable outcomes. However, it is obvious that people buy it and that is their prerogative to do.rollinrocker said:I've been reading stereophile for years now. A manufacturer will send a reviewer (let's say wes phillips) a piece of equipment for review. He will insert said equipment in his own system (with which he is very familiar) and live with it for weeks, sometimes months, at a time. During this time he will LISTEN and then document what he heard. How did it differ from his reference setup? Was it sweeter, edgier, more dynamic or a more laid back presentation? Did it widen the soundstage or add more depth? After wes has finished his review he will send the piece to john atkinson who will proceed to measure the unit. He is very precise and i trust his findings completely. But reading his charts and graphs and measurements is not where i begin to form an opinion on this unit. I want to read what wes thought. When he plays a cut from a cd (especially one i'm familiar with) and describes what he's hearing i can relate that to my system. Can i hear the same thing on my system? Do i NEED to hear that to be happy? I guess thats fodder for another thread! Granted, you need to become comfortable with a reviewer to gain a measure of trust. This is not done overnight. But in the end, if john adkinson's measurements declared this piece to be flawless and wes phillips said it sounded hard, bright and forward, i would take it off my want list! By the same token, if wes said it had a sweet top end, punchy bass and great depth, and the measurements said it to be flawed in some way, i would still give it a LISTEN.
It would be nice if Wes would do this under DBT conditions that he could do over months if he so wished.