My youngest daughter gave me the BD of "Budapest Hotel" for my birthday this last Monday.
So after a nice grilled filet and trimmings from the local butcher at Laporte and fortified by a nice bottle of Rioja, my wife and I retired to our home theater to watch the movie.
It is wonderful, we have not enjoyed a movie so much in a long time. It keeps up a great pace with never a dull moment. It is a great spoof, especially of movies like the DaVinci Code, and even James Bond movies.
The influence of the Monty Python gang looms large over this movie. Gustav even looks a bit like John Cleese and sounds like him at times.
The really outstanding feature of this movie is the sound track and the superb audio engineering.
There is a massive assortment of musicians playing a vast assortment of instruments, including two Balalaika orchestras, one Russian and one French.
Of particular note are frequent entrances and contributions form the "Father" Henry Willis organ now in the church of
St Jude on the Hill, Hampstead London.
This is played by
Simon Johnson, assistant director of music at St. Paul's Cathedral London. He produces some stunning effects, and uses the 32 ft. stop to great effect. That is perfectly captured by the engineers and rattles your body cavities.
This organ was installed in 1899 in St Jude's Whitechappel and moved to Hampstead when that church was demolished. The organ has had two major restorations.
Some of you may know that "Father Willis" rebuilt about half the cathedral organs of England. His masterpiece is the Organ in the Royal Albert Hall, known as the "Voice of Jupiter". His organs are renowned for huge power and control. The 32' resultant bass will not disappoint watching this movie on a good system. On my big TL lines this was truly impressive.
I think this sound track is now the best technically I know of. Everything is recorded with great fidelity and transparency. The dialog is at all times perfectly balanced. From now on this will be my optimal demonstration movie.
The entire audio track was put together in London studios, as was the sound track for War Horse. It seems the audio engineering standards in the UK are superior to those prevailing in Hollywood by a large margin in my view.