Sound of speaker distortion vs amplifier distortion? What’s the difference?

Y

yepimonfire

Audioholic Samurai
Is there a different quality to THD from and overdriven amp vs an overdriven speaker? I would assume a speaker would sound “softer” and have more low order distortion whereas an amplifier would sound much harsher and have lots of higher frequency distortion. Anyone experienced amp clipping and can tell the difference? Have a friend who can’t quite get the volume he wants and we need to know whether speakers or the AVRs power needs an upgrade.
 
Johnny2Bad

Johnny2Bad

Audioholic Chief
In what some feel is a well-designed amplifier, with predominant 2nd Harmonic and ever falling higher harmonics, the distortion is very much alike to typical well-designed loudspeaker distortion.

Both can suffer from odd-harmonic distortions, but they are considered faults rather than attributes (when by "attributes" we mean what is preferred given that some distortion is inevitable).

The 2nd, 3rd and 4th harmonics are found in nature and in musical instruments, so getting the actual levels correct is less objectionable; odd harmonics are not, the ear/brain has elevated sensitivity to them and in general "dislikes" their presence.

What the exact correct 2HD 3HD and 4HD represent is the character of the instrument; two guitars from different manufacturers will have different levels of those harmonics, which musicians refer to the "tone" of the instrument. So maybe a Taylor sounds like a Gibson, or some similar confusion. They both sound like acoustic guitars though.

Speaker distortion is heavily skewed to lower frequencies; but consider that if the Low Frequency response of the speaker is limited (say, 60Hz at the same level as 1 KHz, and 30 Hz perhaps 12dB down) you are only hearing the 2nd harmonic of the lowest bass notes in any case; yet people tolerate that well.
 
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ski2xblack

ski2xblack

Audioholic Field Marshall
What's the difference? Several orders of magnitude typically. Speaker induced distortion dwarfs that of amps (those with low distortion, low output impedance, linear response across the audible band, and operated within their limits).

J2B's comment regarding high, odd order spectra being objectionable to the ear is correct IMO, but easily avoided by choosing appropriate amps to begin with.
 
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