Rank the British Invasion Bands

Out-Of-Phase

Out-Of-Phase

Audioholic General
Could never stand Zeppelin myself....maybe that was why. I could always detect when someone wasn't as talented or original as others thought they were.
They sure didn't play well live.
Saw them 7 times. They played well live.
 
Dean Kurtz

Dean Kurtz

Full Audioholic
My ranking: Beatles, Kinks, The Who, Stones.
Never saw the Beatles, but an older neighbor did. Said he couldn't hear them because of the screaming girls. I saw the Who in 1968, 1971, 1973 and twice in 1981. Early Who killed it live. I didn't see the Stones until 1978 first, then 1982 twice and 2014. I saw the Kinks in 1976 and a couple times in 1978. Only saw Paul McCartney solo 1976 and 2002, George Harrison solo 1974 and Ringo solo 2014. But those are the Big 4. I would add Deep Purple, but they were not a game changer for me until 1970.
 
highfigh

highfigh

Seriously, I have no life.
Isn't ALL music stolen sort of? They had to have an influence that got the ball rolling and I am pretty sure Zep openly admit their blues influences.
Led Zep was more blatant about not paying when the influences were extremely obvious. It took lawsuits to get them to fork over some money and give the writers credit. Look at the Allman Bros labels and you'll see the writer's names, even on the oldest recordings. They even mentioned the writers when they played live. I was a bit confused when I would see 'McKinley Morganfield' on the labels until I found out who he was.
 
davidscott

davidscott

Audioholic Spartan
I have The Who 3rd, but I agree that Daltrey is a better rock singer. I have had the opinion since late 70's that Daltrey is one of the best rock singers of all time. I saw The Who three times. Twice with Moon on drums. I saw them I think it was 2 weeks before he died. There were huge, multiple industrial fans around his set. I also saw the Kinks and Skynyrd three times. Skynyrd, all three before the plane crash.
I saw the who at the cotton bowl in Dallas in the early 80s. Maybe the best concert I've ever attended. Never saw skynard or the kinks though.
 
Squishman

Squishman

Audioholic Field Marshall
I saw The Who my 3rd time on April 30, 1980 at the St. Paul Civic Center. Where the Wild play hockey now, although it is not the same building and is re-named now. The warm up bands were a very young Billy Joel and T-Bone Burnett. A shame I do not remember T-Bone as I have become a fan since and have collected all of his LP's. I remember the date because of another event that was significant to me.
 
H

Hobbit

Audioholic Chief
But they had to lose in court before they paid Willie Dixon and others. I always wondered if Led Zeppelin was to blame for this, or was it their label, Atlantic Records in the USA – I don't know what label published LZ in the UK or Europe. Record labels owned the rights to the music they recorded, and very often had a rather poor track record of fully attributing authorship of that music.
I think Zep got sued because of their status financially. No one was making the money they were during their heyday. There are soooo many songs out there, yesterday and today, with lyrics based off other songs lyrics. In fact, I can't imagine, even for one second, the Dixon et al never did the same.

I'll go a step further and say there's nothing I've ever written that's not based on something I've read. Does that mean I'm plagiarizing? Moreso, every book and thesis have some form of "plagiarism" in it.

Jimmy Page has pointed to other albums that predate theirs where something they "borrowed" was used and not attributed to anyone - e.g. the original artist - thinking why he couldn't use it too. Not saying two wrongs make a right, just pointing this out.

Also, in music you cannot copyright a chord progression. Only the melody and/or lyrics can be copyrighted. In the industry a musician can make a key contribution to a song that makes the song popular, and still get no credit. Either for the recording or financially in royalties. This is why it sucks being a studio musician financially. The "artist" gets all the spoils for singing a melody over a common chord progression. Even though the songs wouldn't have been a hit without the studio musicians contribution.

For example, technically Axl Rose could have gotten full credit and royalties for playing the chord progression, DCGD (which can't be copyrighted), and singing the lyrics and melody of Sweet Child of Mine (which can be copyrighted), and Slash could have received nothing for the main guitar part he added.

Keep in mind a band can do whatever they want in terms of royalties or song writing credit. Bands like GnR and REM shared songwriting credits and royalties amongst the whole band. The Beatles didn't share songwriting credit, but shared royalties evenly between all the band members. Some bands share percentages. There's every scenario you can imagine.

Once in a while some studio musician or (former) band member sues and wins to get royalties for contributing a key part to the song. It's all a line in the sand. Which means winning a case doesn't mean the artist did anything wrong.

Sorry for the long reply..... being a guitarist, this is something that's always bothered me how the industry works.
 
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Bobby Bass

Bobby Bass

Audioholic General
The Beatles started it all with the Ed Sullivan show appearances. It seems that every American kid that started a band saw them on Sunday night and picked up a guitar, bass or drum. When you read the bios and interviews they almost always mention the Beatles on the Sullivan show as their inspiration. Next based on my favorites -The Who, Stones and Kinks. The British bands ironically helped the American bands connect to the Blues from the Deep South and Chicago etc. Jimi Hendrix had to go to London to be “discovered“ so the west coast Seattle guy could be introduced back to the US. Crazy. Great thread topic thanks. Long live rock!
 
M

Mr._Clark

Audioholic Samurai
Below is the wiki list of British Invasion bands. Objectively it seems like The Beatles must be the "greatest" in some sense of the word, but they are not my personal favorite.

My personal ranking of the top 5 in terms of bands I like would be: The Who, The Rolling Stones, The Yardbirds, The Kinks, and The Hollies. If the rating were to be limited to music produced between 1964 and 1966 it would be difficult (at least for me).

>>>The following is a list of bands and artists that were involved with the British Invasion music phenomenon that occurred between 1964 and 1966 in the United States. (Artists shown in boldface are Rock and Roll Hall of Fame inductees.)
 
cpp

cpp

Audioholic Ninja
Beatles, Zombies, Yardbirds, Spencer Davis Group, Moody Blues , for a few
 
D

Dude#1279435

Audioholic Spartan
The Zombies had quite the output. Odessey and Oracle is pretty bomb.:cool:
 
Dean Kurtz

Dean Kurtz

Full Audioholic
Below is the wiki list of British Invasion bands. Objectively it seems like The Beatles must be the "greatest" in some sense of the word, but they are not my personal favorite.

My personal ranking of the top 5 in terms of bands I like would be: The Who, The Rolling Stones, The Yardbirds, The Kinks, and The Hollies. If the rating were to be limited to music produced between 1964 and 1966 it would be difficult (at least for me).

>>>The following is a list of bands and artists that were involved with the British Invasion music phenomenon that occurred between 1964 and 1966 in the United States. (Artists shown in boldface are Rock and Roll Hall of Fame inductees.)
Oh yeah. Moody Blues, Procol Harum, Traffic and the Yardbirds for sure too.
 
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