MIT One Wire
I agree with cost. I'm cheap and definitely don't want to spend big $$ for expensive MIT type dedicated cables, which I don't think are worth it-- WAY overpriced. But this system is way cheaper than buying cables-- a sort of DIY solution on the surface, with the same specs of high end it seems to me.
The wire is standard RG6 size, and it's just normal looking coaxial cable. I'm not sure on the exact specs on the diamete of wire- I'll run that down.
Once the wire goes out from my equipment room to the wall plate (with an typical "F" female connector sticking out), the actual speaker wire is still the same RG6 cable made to length with two male "F" connector ends. The speaker wire connects to the wall, and then to the TMax connector at the speaker. To bi-wire or bi-amp the fronts, the two TMax connectors cost $80 per pair for both speakers. The center speaker will costs $40 for the connectors.
The RG6 wire is $1.00 per foot. I've found gold plated "F" connectors and others for $.58 to $.89 a piece-- cheap. You can use either twisted or crimped on style wire connects. In fact, you then keep going by making all interconnects between components at the equipment stack, your sat/dish cables, the 5-cable video leads to my CRT, etc....all at a buck per foot and $.89 cents max for each end connector.
My ego may be crushed a bit when guys look at my micro-sized, 3/8 inch RG6 cables connecting my Martin Logans and say, "What is that sh*t". But this dealer swears it will deliver a better pipe to every device and component than the huge, $2,000 mega speaker cables. The key to me here is performance-- will this stuff deliver, right?
Finally, here's MIT's dope on the RG6 shielding:
The shielding is what protects the signal from outside interference such as EMI and RFI, while also providing a return for the negative signal back to the source.So, shield materials can have a large effect on performance.
Dual-shield vs. Quad-shield— It’s really not the number of shields, but how well they cover that really matters. Coverage, and resistance is everything when we consider shielding.The rule is at least 95% coverage copper braid (for low frequency protection) and at least 20° to 30° overlap on the foil shield (for high-frequency protection). Shielding is not cumulative,two braided shields that are 60% and 40% coverage will not give you 100% coverage,the combination can actually only end up to be about 80%, leaving 20% uncovered. Also,more is not necessarily better. Anything more than 100% shielding can be overkill just creating more capacitance, which reduces the bandwidth of the cable,and in turn system performance. Quite often, quad-shielded cables will tend to increase capacitance to such high levels,they will actually reduce the systems overall performance. So, in most cases, a well designed dualshielded cable will work best.This is why most manufacturers top level cables are dual-shielded.
Dielectric Material- The primary dielectric is the insulating material that separates the center conductor from the shield. The more air in the dielectric material, the lower the capacitance, and the higher the velocity of propagation (VP). Foamed or gas-injected dielectrics are more costly to manufacture, but are necessary for low capacitance and high velocity of propagation. VP is the speed that the signal travels through the wire and its value is expressed as a percentage of the speed of light. Low capacitance and high velocity of propagation are key for wide bandwidth high-quality video transmission.
The MIT OneWire cables (RG6 and RG59) are two of the very few coaxial cables available on the market today that are truly ready to handle the extreme bandwidth demands of modern High-Definition and Digital TV signals.These high performance double shielded (95-97% tinned-copper braid over 20-30° overlap aluminum foil) cables feature silver-clad and oxygen free copper (OFC) conductors and a gas-injected dielectric that provide very low capacitance, extremely wide bandwidth and a extremely high (83%) velocity of propagation.
Make any sense you anyone else out there? Why hasn't there been more exposure on this if it's so good?