Knukoncepts krux speaker wire ?

music4cities

music4cities

Junior Audioholic
Hi all, wondering if anyone has tried or know the tech specs on inductance for KnuKoncepts, Krux line of speaker wire. They make it at two effective gauges and I am most interested in the 8awg version. It has a braided geometry similar to Kimbre, but four differently colors on the strands. What seems super promising about this cable is being able to biwire or biamp while maintaining good gauges for each driver and while only having one "cord" so to speak running to the cable. Plus the technical benefits and visual elegance of a braided geometry-- visually I would like to avoid the rubber boots and red wire ends of a star quad and don't want to fuss with lots of techflex. So...Potentially the best of a canare star quad and a kimber 12 strand at a reasonable price. I have a set of Kimbre 4pr and they are great in every way: they look better and are more flexible than belden or canare star quad. And while I know speaker wire is speaker wire, I swear the 4pr (I think with an effective gauge around 14 awg?) sound better than 12 awg belden from blue jeans cable at 15ft length, which I can't attribute to anything other than at that length the braided geometry gives the 4pr superior overall inductance.

There is one caveat however: and that is the inductance of the krux. The review of kimber 4pr and 8pr on audiohaulics notes the relatively high inductance of each, with the 8pr much higher, with 8 strands instead of 4. Given that the krux 8awg has 16 strands of an apparently simular geometry, I am concerned that it's inductance might go through the roof at 15-20ft, causing issues with amps or otherwise becoming problematic.

I have sent an email to the company asking for technical
Specs, and will let you know what I find. In the meantime thought I'd ask here if anyone has experience with it.
 
Pogre

Pogre

Audioholic Slumlord
https://www.monoprice.com/product?p_id=2789

Spending any more than that and all you're doing is lining pockets and fueling myths.

*Edit: Maybe I was a little hasty to dismiss. They don't look ridiculously overpriced. The ones I linked above are a good choice and will give the same performance as a $1000 cable (and likely so will the ones you're asking about), which the target for my scorn. Why 8awg? 12 or 14 should be more than enough unless you have ridiculously long runs.
 
lovinthehd

lovinthehd

Audioholic Jedi
Not much of a forum for those who listen to their wires :rolleyes:
 
j_garcia

j_garcia

Audioholic Jedi
I like Knuconceptz plugs. I use the BFAs with 4S11 and it works great.

IMO the braid is causing some sort of odd things with capacitance/inductance and that's why you hear a difference, since the individual strands can't handle the full load but combined together at the terminations, it electrically supports the load (is it worth investigating? Not to me). I've tried a lot of wires and found that I am not interested in investing any money there since the differences don't come anywhere near justifying the cost gap. I'd like to see someone prove that wire "geometry" does anything at all for sound.
 
mtrycrafts

mtrycrafts

Seriously, I have no life.
...

There is one caveat however: and that is the inductance of the krux. The review of kimber 4pr and 8pr on audiohaulics notes the relatively high inductance of each, with the 8pr much higher, with 8 strands instead of 4. Given that the krux 8awg has 16 strands of an apparently simular geometry, I am concerned that it's inductance might go through the roof at 15-20ft, causing issues with amps or otherwise becoming problematic.

I have sent an email to the company asking for technical
Specs, and will let you know what I find. In the meantime thought I'd ask here if anyone has experience with it.
Is there a reason in favoring this cable or just curiosity?
Why not just get straight, non braided cable of the gauge you want?
And, why 8 ga?
 
music4cities

music4cities

Junior Audioholic
Hello dudes! I am completely down with reality-based, physics-based wire/cable selection. 100% I guess I should have been clear that my interest in these in particular -- over other choices -- is aesthetically driven. But I am a bit concerned about the capacatance these things might have at 15-20ft runs.

This concern is based, mostly, on the one and only Gene De La Salla's review of the Kimber 4pr and 8pr.

The issue is that the side/back of the speakers are visible due to room layout and circulation and the cables run to the amp noticeable. And so I want it too look nice. And I like the look of braided cables. What can I say? maybe its a fetish?

The nice thing about braided Kimbre-esque cables is you can create really clean and nice looking terminations without boots and tons of heat shrink. Instead you just un-braid the strands to the length needed to have each reach the terminals and then "re-braid" them into a inverse double twisted pair for each binding post (create two twisted pairs for each terminal, and then twist those pairs in the other direction around each other). Looks really nice and minimalist. I would like the ability to biwire/biamp. again, I totally understand the biwire voodoo thing. its just that "jumper" on the binding posts on my speakers are finicky (sometimes not the greatest connection) and detract from the appearance. Bi wire just makes a more secure connection, and because anyone can see the back of the speakers before they see the front, its nice if it looks good (its a modern house, what can you do!). and yes the backs of the speakers look good, with the same veneer as the sides and blingy cardas binding posts/speaker jewelry. A braided biwire I think is just going to be cleaner aesthetically than jumper cables and cooler looking than a bunch of rubber boots and red and black wires. Braided cable unfolding into four reverse twisted pairs with spade connectors -- like a smokin' hot medusa hair thing or creepy Cronenberg contraption!

But I don't like the Kimber Brown and black color scheme on the PR series and don't want to pay more for Kimber's nicer color schemes (which, barring non-magical thinking is pretty much the only difference for the higher priced models as far as I can tell). The cable I am talking about is only about $5 per foot. not a crazy premium for the given AWG. Okay, a bit of a premium. But not much worse than Canare star quad once its "prettified" with some techflex or woven jacket etc. And that ends up kinda with a punk aesthetic (too much rubber...). Again, the aesthetic thing....

I use the monoprice zip all the time and the BJC Beldon. Indeed, my house is wired in wall with the belden. But the mono price zip is going to look so NOT sexy, and the BJC Belden stuff looks god-awful either in grey or white, unless I start wrapping it in techflex, putting boots and bling on it, etc etc. Its also stiff as get out, doesn't like to lay flat, etc. And no, I am NOT going to braid my own....


Though for what its worth, according to our ripped Audioholic masters, the Kimbre braided geometry seems to have some grounding in reality (see the pun I worked in there....sorry). Link to article:
http://www.audioholics.com/gadget-reviews/kimber-kable-8tc-speaker-cable


Specifically there is this quote in the technical measures: "The Kimber 4PR effective gauge is about 14AWG while the 8PR is 11AWG and the 8TC is slightly below 10AWG...By weight of comparison, the inductance of the 8TC and 8PR was a mere .037 uF/ft and .041uH/ft, respectively; which was nearly four times lower than the 10AWG Bluejeans speaker cables that I revere so much."

I am presuming effective gauge means the gauge one gets when you take all the actual coper conductors and twist them together into one single conductor. On the 4PR that does indeed get you around 14AWG .

As well as, later in the page they examine capacitance: " It is no surprise that when a cable is designed to be low inductance that its capacitance will be proportionally higher as a result... Kimber’s published capacitance spec is 38pF for the 4PR and 90pF/ft for the 8PR and 100pF/ft for the 8TC. This is about what I measured as well, as you can see from the graph above. The Kimber 8TC and 8PR cables exhibit about four times higher capacitance than standard 10-12AWG zip cord, and twice as high as its 4PR sibling. Again I don’t see this as a show stopper especially since most people purchasing these types of cables are doing so for short runs (under 50 ft) and are likely using high quality amplification that doesn’t have stability issues driving moderately high capacitive cable." They conclude with: "They measure considerably superior to standard 10AWG zip cord and they look a whole lot better too."

So, if I am understanding the body-sculpted great ones correctly, the braided geometry seems to actually do something positive in terms of overall resistance and skin effect, whether it is audible or not.
So I agree, the difference I hear -- IF i am really hearing any difference at all...a big IF -- is likely due to the extreme inductance versus capacitance ratio. the kimber at equivalent of 11AWG has four times lower inductance than 10AWG belden BJC uses as standard. Does that make an audible difference at 15-20ft lengths?
 
music4cities

music4cities

Junior Audioholic
Mmm...speaker cable and binding post erotica. ...


I'm happy to share but first I am trying to figure out if this stuff will cause issues.
 
Pogre

Pogre

Audioholic Slumlord
Mmm...speaker cable and binding post erotica. ...


I'm happy to share but first I am trying to figure out if this stuff will cause issues.
You said you're choosing based on aesthetics. What issues would that cause? Lots of pretty cables out there.
 
music4cities

music4cities

Junior Audioholic
I guess it was the potential for amp instability Gene the Buff mentioned.
 
Pogre

Pogre

Audioholic Slumlord
I guess it was the potential for amp instability Gene the Buff mentioned.
So you're not choosing a cable based in aesthetics? Now I'm confused because you said "100% I guess I should have been clear that my interest in these in particular -- over other choices -- is aesthetically driven.". What could be a problem? If you feel spending extra for aesthetics to dress your system up that's great.

Are you asking which cable we think looks prettier?
 
music4cities

music4cities

Junior Audioholic
Again, my question really hinges on Gene de La sculpted notes about the high capacatence of braided design potentially causing amp instabilities. He says that it shouldn't be an issue at the measurements of the kimber 8pr under 50' runs. Given that this one has twice as many woven strands and I'm talking about maybe 20' runs I'm wondering if we may be on the threshold of issues.
 
slipperybidness

slipperybidness

Audioholic Warlord
I like Knuconceptz plugs. I use the BFAs with 4S11 and it works great.

IMO the braid is causing some sort of odd things with capacitance/inductance and that's why you hear a difference, since the individual strands can't handle the full load but combined together at the terminations, it electrically supports the load (is it worth investigating? Not to me). I've tried a lot of wires and found that I am not interested in investing any money there since the differences don't come anywhere near justifying the cost gap. I'd like to see someone prove that wire "geometry" does anything at all for sound.
I suspect that wire geometry may come into play for very high frequency signals.

But, for audio signals, it's snake oil, or perhaps even degrades the sound.
 
Speedskater

Speedskater

Audioholic General
Random thoughts:

a] Braided compared to twisted multi conductor cables will have:
Slightly less capacitance
Slightly more inductance
Slightly less resistance to interference

b] Low total end-to-end inductance only matters in with speakers that have low high frequency impedance.
Like true ribbon loudspeakers.

c] High total end-to-end capacitance only matters with legacy or boutique amplifiers.

d] It's the total end-to-end resistance, capacitance and inductance values that matter. Short cables have less R, C & L than long cables.
 
music4cities

music4cities

Junior Audioholic
Thanks everyone for the insights.


Found some relevant info on high capacatence cable on Russ Andrews site, where he notes that very hip cap wire can create distortions/spikes which may be interpreted as more treble, etc. really it's just distortion.

http://www.roger-russell.com/wire/wire.htm
 
music4cities

music4cities

Junior Audioholic
As an aside, I was gifted some audioquest cables, bought sometime in the 1980s and labeled "blue" on the jacket. These are silly cables.

The overall cable is over 1/2" thick but almost all of it is some white stranded stuffing around two conductors, which are themselves made up of double insulating jackets, and a solid plastic core around which is wrapped the actual copper, which as far as I can tell is at best 16awg, maybe more like 18AWG. neddless to say, at that gauge they are okay only for short runs. And god knows what weird electrical side effects that geometry might produce, if they do anything at all, let alone audible side effects. It's ridiculous. Like buying a sausage that is 10% meat, 70% bread stuffing, and 20% casing. Mmm, delicious.
 

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