[quote uid=54338 name="Sylar" post=1081989]Trying to figure out how to read the measurements. Correct me if I am wrong. Here is what I figured out.
1. Goal is to equalize to mean (I have Audyssey and MiniDSP, which can do that using DSP).
2. An amp with more headroom is great to have. If Frequencies below mean are to be amplified without issues, we would require a "capable" amp.
3. Peaks are fine since it can be attenuated towards mean.
4. Nulls are bad since they need to be amplified to mean. Larger the null the more it needs to be amplified. Which is a heavier load on the amp. Amp better have lots of head room.
5. High Average values below the mean is also not good since, on an average the amp needs to make up for the below mean values.
6. All of this is on top of the "normal" amplification process which by itself is a lot of work for the amp.
a. This was all about amplitude. What about phase? I see numerous phase shifts in the graphs.
b. Reproducing Lower frequencies require more power to amplify as compared to higher. Given a sub and an amp which is reproducing below 100Hz frequencies. Does it mean for them to reproduce a 30-40 Hz signals requires more power than a 90-100Hz signal?[/QUOTE]
These answers are leaving the realm of firm fact and delving into speculation. This is my understanding, be it sensible or ostensible.
1. Well, not necessarily mean. You can equalize below mean if it results in a flatter response. It's easier to cut than to boost.
2. Referring back to #1, the advantage of a stronger amp is that you can cut more, then add gain back to get back to normal volume. That doesn't mean your subs still have a normal work load though. They may consume less power in some frequences, and more in others.
3. Sharp peaks require high Q corrections. It's easier to correct a mound than a spike.
4. If there's room cancellation going on, there's not much you can do to boost those nulls other than try to reposition your subs to deal with them. Again, it's easier to cut than to boost.
5-6. Sorry, you lost me. Brain overloaded.
a. Varying the phase can help deal with cancellations between two subs. On the other hand, measured variances in phases aren't a big deal in the sub-bass range. As I understand it, it's more of an issue in the midrange, where the ears pick up on phase to help with aural location.
b. Yep. The cone has to be moved physically farther.