RLA said:
Here is avery good explaination of why 24fps needs to be redrawn to at least
48
http://www.futuretech.blinkenlights.nl/fps.html
On the other hand sitting here thinking about it at 24fps at 1080i the image would be very dim and with color sampled at 8 bits how would 24 be better than 48?
I would think that at 1920x1080p it would be differnet but I know of only
a couple monitors that can do that one being the Sony Qualia at $33k
can some one please donate one to me so I can test this
I thought that was an excellent article showing exactly why 24hz is perfect for movies. Let me explain beginning with their quote:
"Film in the cinema does flicker at 50Hz (Europe) or 48Hz (US) because the image is blanked while the film is moved and the current frame is replaced with the next frame. Each frame is shown twice or it would flicker at 25Hz and 24Hz respectively. See a book covering the technical aspects of film projectors."
Now, for film, you have a constantly moving movie reel in the theater. The speed doesn't increase or decrease, so to deal with the shutter, they show the same frame twice, and end up showing 24 different frames twice, totalling 48 frames to deal with the black between frames that would be forced to exist in a slower moving 24hz cinema.
Dimming is a property of CRT, but newer digital technologies that aren't forced to 59.94hz or to use scan lines including plasma, lcd, dlp, and lcos can follow new rules, and potentially better rules.
A film shot at a true 24fps would be put on Blu-Ray at 24fps. The newer, digital display would know it is 24fps and is not forced to go black between frames the way a movie projector does. It doesn't lose brightness because it isn't drawing scan lines, it is lighting pixels - all at once. The only time the image would change would be when 1/24th of a second passes and a new image is presented.
This now allows for more video processing and color depth to exist within a single frame on the disc and for the display device to make use of the extra information. The reference to 1080p/24, as I think you know but I'm just saying again, provides a 1920x1080 progessive image, at exactly 24 frames per second. I don't think color depth is 8 bits... cripes, I didn't bookmark the site that had the exact resolution spec., but I believe it can handle 1080i/60 and 1080p/30 or /24 with full HD color depth... whatever that is.
I guess at 72hz it would just repeat the frame and the plasma/lcd/dlp/lcos would not change its color, go black, or do anything but sit there for 3 frames in a row... But, really WTF does that give you? The device must fully process and think about each frame, even though they are identical. Then it ends up spitting out EXACTLY... 24 different frames a second without any difference compared to if it had received 24 to begin with... The display just had to process 3 times as much information coming to it.
That is my thought and the article, while excellent, and very accurate for CRT based devices & movie projectors, is not at all accurate for newer formats. Especially the newer formats that will be designed for Blu-Ray/HD-DVD.
Yes, would love a Qualia as well thank you.