Linear PCM vs Bitstream
Here is some more information regarding linear pcm vs. bitstream data. Hopefully this makes sense…
When analog audio is converted to digital audio the data is inherently in linear pcm format (with the exception of SACD). This is the data format the conversion hardware, an analog-to-digital converter (ADC), uses. At this stage it is digital audio in its purest form.
The problem with linear pcm is that it requires vast amounts of storage. Thus, producers will package the audio channels into a compression format to save space, e.g. Dolby Digital, Dolby TrueHD, DTS, etc. The compressed data is now much smaller in size and easier to store (much like a Zip file). The reason it is called a bitstream is it is sent bit by bit in large blocks of data.
Once a complete block of data is received, it can be sent to the decoder. The decompression process converts the bitstream into a series of linear pcm samples. With the new formats like Dolby TrueHD and DTS Master Audio nothing has been lost in this process.
When the digital audio is converted back to analog through your receiver’s digital-to-analog converter (DAC) it is processing the linear pcm format.
Here is an example that might further clarify things:
The new Dave Matthews Blu-Ray disc has a 5.1 96/24 Dolby TrueHD soundtrack. This means that it was captured using 24 bit, 96 kHz linear pcm (or better) ADC’s. When they mastered the disc, the audio track was compressed using the Dolby TrueHD compressor. When the disc is played, either your player or your receiver decodes the TrueHD bitstream back into linear pcm. (This disc sounds amazing by the way!)
What does this mean? It really does not matter whether your player or your receiver decodes the data provided that one of them can. Without getting bogged down in a discussion of cables and data transfers, they should both be the same in the end.