Yup, it feels like tunnel vision. Academy used the entire 35mm frame, which is very close to, if not exactly 4:3. The old Technicolor movies, such as WIZARD OF OZ and GONE WITH THE WIND were shot in this format on film that had an ISO of 8, which is why the actors got burns from the lighting, it was so bright.
I suppose matting CAN help. There are automatic matting systems that are motorized, but that's overboard for me. I can still remember back about forty some odd years, seeing films in the theater where the aspect of the movie didn't match the screen. No matting, either. It was fine.
The OC73 is good stuff. Which reminds me that now that the warmer weather is here, I need to work on modifying four panel traps that I got from a friend of mine who owns a bass trap company. I'm re-tuning them to 36Hz and deploying them along the back wall.
I just shot some footage of the studio with an insanely-wide 4mm lens today. Going to edit and upload to Facebook and maybe try posting the link here later on..